Destroying the concept of truth: Russian propaganda uncovered

Authors: Dr. Maria Alesina and Ivan Kolpakov*

The world has fully realised the power of the Russian propaganda machine only after the 24th of February 2022. The full-fledged invasion of Ukraine would have been impossible without the popular support – or at least silent toleration – of the Russians at home. That this support would be the case was hard to believe. Yet it turned out to be a reality. The reality with far-reaching consequences for Ukrainians, Russians, and the entire world.

From supporting Putin’s decades-long rule to enabling his aggressive external actions, Russian state propaganda has become a factor significantly influencing world’s history. Russia’s intervention in internal political affairs and socio-political discourses of other countries is a widespread phenomenon. For years, state-sponsored media outlet Russia Today (RT) has been impacting public opinion in countries across the globe, spreading fake news and alternative interpretations of reality. However, the product offered by Russian media internationally is a child’s game in comparison to the propaganda targeted at Russia’s own residents.

Irresistible power of entertainment

It is not a coincidence that the full-scale invasion of Ukraine was followed by shutting down of the last remaining independent media in Russia. The occupation of Ukrainian territories came together with immediate blocking of the access to Internet and Ukrainian media in favour of streaming Russian television. Alongside the system of state violence and political repressions, propaganda is one of the two key elements used by Vladimir Putin to manipulate the society.

The machine of propaganda did not appear overnight. It has been methodically constructed in the course of the past twenty years, since the very moment when Putin got into power. First, he has monopolised the television as a means to control his political ratings and the elections’ results. In the same way, later, he took full control over the national press and the Internet.

Contrary to what many would imagine, the propaganda machine does not work in a rigid and straightforward way. More than anything, it is based on a modern and addictive entertainment industry, providing vast and diverse content about pop-stars, style, travel, food. And in the midst of this flow of entertainment one finds socio-political content with propaganda-infused messages.

Furthermore, political content itself is presented in an entertaining manner. Presenters of the news programs on the major TV channels talk to viewers in a tabloid-style language. In the studios of the political TV shows, opponents are fighting and insulting one another. Shock and outrage are the main drivers behind these shows’ ratings.

Meanwhile, the Russian propaganda machine is a deeply institutionalised ecosystem, where each player has its own ‘niche’: Telegram-channels are needed for introducing fake news, which are later spread through second-rate online media. After that, in an already ‘legalised’ form these fakes are overtaken by the major TV channels.

To an uncritical viewer, it might even seem that this media-curated socio-political discourse includes certain debates and alternative points of view. In reality, any discussions are carefully constructed and controlled. In this regard, radical patriots are as dangerous for the Kremlin as radical opposition, as their performance is difficult to contain. Everything that does not fit into the narrow margins of the official discourse thus simply gets deprived of air time.

Alternative truth – or lack thereof as such?

Russian propaganda does not simply suggest an alternative version of reality. It undermines the very concept of truth as such. State-controlled media relativize concrete events and developments with such messages as ‘nothing is that evident’ and ‘we will never find out the whole truth’. Information about objective facts is commonly substituted with conspirological statements and narratives that do not require evidences and coherency. In this narrative, the West is heading towards moral degradation, Russia’s army is the second strongest in the world, and the Ukrainian nation does not exist as such. This provides Russians with a comforting sense of their country’s moral superiority and the strength of its leadership: ‘everything is under control’, ‘everything goes according to the plan’.

This brings us to the key element of this vicious circle. A common consumer of propaganda is a person who has Soviet-times experience of media consumption: he or she knows that media can be lying. Yet media are not blamed for that, since their role – by history and by habit – is seen differently. Official media is not necessarily a source of relevant facts and information but a source of the general sense of orientation – be it moral, socio-political, or cultural. They are the main channel through which political agenda ‘from above’ reaches ordinary citizens and provides them with ‘guidelines’ on how to interpret reality. 

The state propaganda machine has become closely associated with Putin’s regime. However, consumers’ habits might eventually turn out to be even more long-lasting than his rule. The main problem thus lies not only in delivering and spreading independent information inside the country but in making Russian citizens perceptive to such information. Considering the global spill-over effects of the ‘brainwashing’ inside Russia, this is something that the world needs to be ready to fully understand and properly tackle, at least in a long-term perspective.

*Ivan Kolpakov is a Russian journalist, writer, one of the founders of the Sol newspaper, editor-in-chief of the Meduza newspaper from 2016 to 2018 and since March 2019.

Dr.Maria Alesina
Dr.Maria Alesina
Policy and Research Officer at the European Liberal Forum. Dr Alesina holds MA degrees in Political Science and EU Studies obtained in Ukraine, Germany and Belgium and a PhD degree in interdisciplinary cultural studies from Ghent University. She specializes in EU foreign, social, and cultural affairs.