In a majorly patriarchal Indian society, Shivya Nath found it in her to be a bold solo traveller. She leads a nomadic lifestyle, travelling across the world with her backpack. Shivya is the author of a best selling book, “The shooting star”, in which she highlights more about her life and experiences travelling. The book is an inspiration to women who are staying at home, craving a free lifestyle, and want to travel the world solo.
In this interview with Modern Diplomacy, Shivya tells us more about her life experiences journeying the world. She tells us what it takes to travel the world as a solo woman and narrates her experiences both bitter and sweet.
You have travelled so much and seen the world so intricately that you might as well be a nomad. The most obvious question – what convinced you to travel the world?
I grew up in a protective Indian family in Dehradun, a valley at the base of the Himalayas, and spent my childhood wondering what lay beyond the mountains I could see from my rooftop. Upon finishing high school, I went to Singapore to study, with big dreams and a big student loan. As luck would have it, I graduated in the middle of the financial recession of 2009, when most companies I wanted to work with had ceased hiring. I landed a job with the Singapore Tourism Board, where my experiments with social media began, and I first began following the journey of travel writers / bloggers around the world. It was impossible to tame my restless cubicle-bound soul, so in 2011, I took a 2 month unpaid sabbatical from work. I went flash-packing across Western Europe with a friend, and volunteer-travelled by myself in the high Himalayas of India. In those two months, I saw, experienced and lived more than I ever had before. Within a week of my return to work, I decided to quit my first and only corporate job with a dream of travelling the world on my own terms.
Your new project, Voices of Rural India is picking up steam and picking accolades for telling the most unlikeliest of stories. How do you envision it forward?
Voices of Rural India is an effort to turn this unprecedented pandemic into an opportunity to create alternate livelihoods by upgrading digital skills in rural India, while also preserving grassroots knowledge that is slowly disappearing. Voices of Rural India is a not-for-profit digital initiative that hopes to revolutionize storytelling, by hosting curated stories by rural storytellers – in written, photo or video format. Unlike most existing online platforms, the stories of rural India are told directly by local storytellers. In the short-term, Voices of Rural India is creating a revenue stream for affected communities through digital journalism. In the long run, it aims to develop digital storytelling skills at the grassroots level, along with becoming a repository of local culture and knowledge, documented in local voices. We are currently working with rural communities in Ladakh, Himachal Pradesh, Uttarakhand, Kerala, Maharashtra and Gujarat, through on-ground community-based tourism organisations like Global Himalayan Expedition, Himalayan Ecotourism, Himalayan Ark, Spiti Ecosphere and Grassroutes Journeys. The initiative is supported by the Digital Empowerment Foundation. We’re eagerly looking forward to a post-Covid world, where we can physically travel to visit the communities we’re virtually working with, conduct digital storytelling workshops, identify local talent and hopefully bridge some of the gaping urban-rural digital divide.
Your favourite place so far? You can give multiple answers of course.
There’s so much to love about so many places! I love my home country India, because despite its challenges, nowhere comes close to the diversity of natural beauty, food and culture it offers. It’s perhaps one of the few places in the world where strangers are the quickest to become friends. Other than that, I feel a deep connection to Guatemala, Bhutan, Georgia and Iran.
Your passion for environmental protection and climate change issues is also noteworthy. What do you think should be the biggest change that can make mankind save itself?
The more I slow travel around the world, the more I unlearn conventional ways of doing things. And that’s exactly what we need on a massive scale – politically, economically and individually.
We need to unlearn our reliance on fossil fuels, the issues based on which we elect our leaders, the way we treat some animals as friends and others as food (speciesism), the way we measure development and so on.
A deep unlearning will (hopefully) allow us to re-establish a world driven by mindfulness and compassion, rather than money.
Your book ‘A Shooting Star’ is a bestseller. Along with the travelogue, it is also about a spiritual journey one undertakes. Do you thus agree with the phrase that humans can better understand oneself and another with more communication and a better experience of diversity?
The Shooting Star charts my battles and adventures from the cubicle to the road, and from small-town India to remote corners of the globe. I write candidly about my struggles of transitioning from an average Indian girl to a free soul, who wanted to live on her own terms, explore the world meaningfully and smash stereotypes along the way. I write about my relationships, battles, triumphs and life-changing encounters, and how I tried to conquer my deepest fears.
There’s no doubt that travelling is as much an inner journey as a physical one.
Tell us about a time when you were travelling alone and felt challenged?
After traveling safely and adventurously through some of Central America’s more notorious countries (like Honduras, labelled ‘the most violent place on earth’), I had pretty much let my guard down in Costa Rica. On a hurriedly hailed cab ride to the airport to impulsively catch a flight to the Pacific Coast, the cabbie and I chatted like long lost friends. Closer to the airport, he told me we’d get stuck in traffic so it’s better to drop off a street before and walk; I agreed without thinking twice. When we arrived, I paid him and got off the cab, only to see him grabbing my small bag – the one with my passport, laptop and everything precious – asking for more money or he’d take off with it. I had the equivalent of 50$ in my pocket and gave it to him, shivering at the idea of being left alone without my valuables. In retrospect, there were a lot of hints I didn’t catch; he asked me if I had family in the country, or if I had a local SIM card – pointed questions that should have made me wary. I felt shaken up for days, refused to trust anyone else I met along the way, and found solace in places crowded with other tourists, much unlike my usual travel style. It really wasn’t about the money I lost, but the trust I lost, and it took me months to rebuild it.
What has been your biggest achievement till date? The most satisfying moment in your career?
There have been many satisfying moments on this journey: Publishing my first book and seeing it become a national bestseller in just over a month of release; recognition, awards and international features for my work to promote responsible, immersive travel; launching a clothing collection inspired by The Shooting Star that raises funds to grow forests in my home state Uttarakhand; and most recently, co-founding Voices of Rural India to challenge the way digital storytelling is typically done in India. But I think I feel the deepest satisfaction when a reader reaches out to me to share how my work has played a role in inspiring them to make different life or travel choices.
Travelling, that too alone is still considered a taboo for women in large parts of India. What do you think will change that?
As more of us choose to travel solo and share our stories online or offline, change is bound to happen. While female solo travellers are still considered an anomaly in some parts of India and the world, there’s a lot more chatter, acceptance and encouragement online now.