Arts & Culture
Life of a Bon Vivant
Uncertainty and summer saunter in with its retinue of rules, so I am told. While philistines slip into their shorts. Gentlemen don’t do that. At least the ones I know, or rather, admire. I am strongly of the opinion that summer requires meticulous management and planning. There needs to be a complete overhaul of the sartorial preferences, dietary habits, and recreational regime. Additionally, and rather, increasingly significant nowadays, at the bar cabinet, which must gracefully welcome fresh grog.
Change, I am reminded of being told is a perpetual challenge. This is true now more than ever before. This summer shall be different for me; No travel to new or old destinations, no steeps into rich heritage which are pulsing with an unparalleled artistic spirit, no gastronomic sensations and beautifully landscaped parks and gardens that beautifully manicured and most of all, a restricted consumption regime of spirits and smokes. There is no doubt about the fact that the perfection of a sufficient dose of sensual stimulation shall be missed, dearly.
In times of such glaring uncertainty, many of us find ourselves in the rigour of isolation. Yet one mustn’t drown in sorrow, for that pernicious jump into the rabbit hole of total despair will drive to insanity. Instead, in the spirit of making hay while the sun shines, I find myself deeply grasped in my hobbies and interests of art, culture, fashion, and even interior design. In furtherance of my interests and passions, I plan future trips to the European continent for study and debaucherously pleasurable activities while my folks worry about the thickness of their chequebook.
Despite countless hours spent on my multiple whims and fancies devoting time to the daily duties is an art. An art that is similar to the fine tailoring abilities of the talented gentlemen with the extraordinary skill of Hunstman, Savile Row. Managing the split of time is learned and perfected over time, like the of cutting cloth. This skill, over which I have achieved mastery, I am lucky to say, I received at birth from my mother who hails from a decorated family of army officers. For me, it runs my veins to be fastidious. For novices, here’s a hint; Avoid morning lie-ins, afternoon naps, and daytime Netflix binges while leaving tasks to complete after the evening meal. Have some self-discipline, dude.
These days after supper, I find myself sitting back in my armchair engrossed in a new book with either a Cohiba or something out from my patriarch’s prized whiskey collection, resting on my mahogany piecrust tripod table helping me fulfil the senses. Millennial Chilling is not for me. I have often been told that I am an old soul trapped in a new body. To me, that is madness, but I often see the method in it. That is because, I do not find any sense of gratification or contentment in doing nothing but, for those who do, remember, one simply can’t make love seven days a week, much as one’s partner might desire it. Other forms of vigorous exercise are sometimes required.
While I happily drown myself in pursuit of knowledge, I turn to the literary world to share my final thoughts to share a contrary tale. The words of Ernest Hemingway: “No man is an island entire of itself; every man is a piece of the continent, a part of the main”. For me, contrarily, the gleeful effect of the fine cognac and Erik Satie’s mastery on the piano has its drowning effect. You hear only what you wish to hear much like my most favoured ruler, Napoleon. To that, I’ll drink.
Arts & Culture
The film ‘Cuba in Africa’ wins Thomas Sankara Prize
From late February to early March, in Ouagadougou the capital of Burkina Faso, there was the week-long Africa’s largest film festival FESPACO. In fact, FESPACO was launched in 1969. This festival provided some kind of entertainment, but the most important aspect was the platform created show screening different films with diverse themes. The competition was very keen with rewards for winners delivering excellent results.
Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond.” The EU was the event’s largest funder after the Burkinabe government, and has contributed approximately €250,000, equivalent of ($265,000).
Records showed that there were more than 15,000 people, including cinema celebrities from African countries such as Nigeria, Senegal and Ivory Coast, and from abroad including France and the United States. Some 1,300 films were submitted for consideration and 100 selected to compete from 35 African countries and the diaspora, including movies from Dominican Republic and Haiti. Nearly half of those in the fiction competition this year were directed by women.
Among them was Burkinabe director and producer Apolline Traore, whose film “Sira” – considered a front-runner in this year’s competition – emblematic of many Burkinabes’ suffering. It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiancé tries to find her.
An interesting film, “Cuba in Africa” has received a warm, emotional response all over the world. Most people never heard of this story. Screening this film, people were touched by the altruism of Cubans who sacrificed their sons and daughters on behalf of Africa.
Negash Abdurahman, producer of Cuba in Africa, told us that his film has won the Thomas Sankara Prize. Abdurahman is an Ethiopian-American filmmaker and an educational technology specialist. He is also the Founder of RI Systems Inc.
His award-winning film Cuba in Africa was years in the making, overcoming many challenges. Cuba in Africa tells the story of Cuban volunteers who gave everything to win the independence of Angola, Namibia and contributed to the fall of apartheid in South Africa.
Abdurahman spoke briefly with us from Ouagadougou. Here are the interview excerpts:
How would you interpret the film festival that took place in Burkina Faso? What are the key features during this gathering?
Abdurahman: FESPACO is the biggest, oldest and most prestigious film festival in Africa. FESPACO is the French acronym for the Pan-African Film and Television Festival of Ouagadougu. The 28th edition of FESPACO took place from February 24 to March 5 in Ouagadougu, the capital city of Burkina Faso.
The festival opened with much fanfare and cultural pageantry. The heads of state of both Burkina Faso and Mali attended the opening ceremonies. For me, one of the emotional moments of the opening ceremonies was Sidiki Diabate of Mali playing the mesmerizing Kora, a traditional string instrument of several West African countries.
In your critical assessment, what were some of the messages translated to the audience there? Are these related to the Africa’s political culture, traditions and history?
Abdurahman: FESPACO celebrates African cinema and tells African stories through the eyes of Africans. This was very clear at this year’s festival as well. This year’s theme was “African Cinema and Culture of Peace.”
Before the festival, there was much tension because of the conflict going on in the northern part of Burkina Faso. Some people feared that it might not even be held at all. Playing on this fear, according to a few Burkinabe I spoke to, the French threatened not to protect the festival if they did not get their way.
French troops did, in fact, depart a few days before the opening of the festival. Fortunately, the Burkinabe were able to provide their own protection. The festival and all associated music and cultural celebrations concluded without a hitch.
What place was the film “Cuba in Africa” in the festival? What other films have similar themes to this film during the demonstration (show) in Burkina Faso?
Abdurahman: My film, Cuba in Africa, was an official selection in the short documentary category. Cuba was the only country in history that came to Africa’s aid without expecting anything in return. An Island nation of roughly 8 million people at the time, sent over 400,000 people – military as well as civilians – to help Africans in their fight for freedom.
This was unprecedented. I am honored to report that we won the much-coveted Thomas Sankara Prize. You can watch a two-minutes trailer for Cuba in Africa at http://www.cubainafrica.com
How was the final conclusion, in spite of the challenges and setbacks, of the festival?
Abdurahman: The best films won trophies and monetary awards in their respective categories. The mood was celebratory. FESPACO is a truly African institution with its own warm, unique characteristics.
Arts & Culture
Mirroring the Heart of Heaven and Earth: Ideals and Images in the Chinese Study
Mirroring the Heart of Heaven and Earth: Ideals and Images in the Chinese Study, an exhibition designed by New York-based firm OLI Architecture, has opened in the Palace Museum. Located in the center of the 72-hectare complex in the Forbidden City, built in the fifteenth century, the museum houses one of the world’s largest collections of ancient Chinese artifacts, calligraphy, paintings, and porcelain. Working closely with curators at The Palace Museum, OLI Architecture has created a space that brings together art and objects spanning from antiquity to contemporary art within the historical architecture.
Housed in the Meridian Gate Galleries, Mirroring the Heart of Heaven and Earth centers on the evolving role of the scholar throughout Chinese history, exploring the relationship to the court, to other scholars, the natural world, and the universe. The exhibition brings together 105 works ranging from antiquities to contemporary art, including books, scrolls, vases, sculptures, paintings, screens, cups, and seals. Alongside the art, the displays also include materials such as brushes, ink, and paper ranging from the 6th to the 21stt centuries. The three gallery wings are divided into three chapters: “Chapter One: Sanctuary of Literature and Music,” “Chapter Two: A Channel for Enlightenment,” and “Chapter Three: A Bond of Companionship.” These chapters deal respectively with the themes of a spiritual haven; self-cultivation and the bond between humanity and nature; and the appreciation of the finitude of life against the infinity of the universe.
The exhibition encourages a dialogue between heritage objects and modern artworks. For instance, an eighteenth-century plaque bearing the words ‘Chamber of the Five Classics’ in the Qianlong Emperor’s hand, that typically hangs in the hall that served as the imperial study, is prominently displayed at the beginning of the exhibition. The Five Classics include some of the oldest surviving Chinese texts and are the central works of Confucianism.
Contemporary artists represented include:
- Liu Dan (b. 1953) an ink painter trained in traditional style ink painting, he lives and works in Beijing, China.
- Xu Bing (b. 1955) is a multimedia artist known for his calligraphy and printmaking, who divides his time between New York City and Beijing.
- Xu Lei (b. 1963) an ink painter heavily involved in China’s 1980’s New Wave movement who currently serves as the Art Director of Beijing’s Today Art Museum.
- Bai Ming (b. 1965) a ceramicist and painter who teaches at Tsinghua University in Beijing.
Young Ho Chang (b. 1956) an award-winning architect and researcher who is currently a professor of architecture at MIT. Hiroshi Okamoto, Founding Partner of OLI Architecture, remarks, “Our office often works with contemporary art and artists. It was a challenge to design this remarkable exhibition with pieces from famous contemporary artists paired with such rare and prominent antiquities. When we started the project the idea of the scroll and the ephemerality of paper became a central concept. Where the art and antiquities were displayed on a transparent softly glowing surface which flowed from the vertical to the horizontal at the datum of a scholar’s table height giving the viewer an intimate experience.”
Arts & Culture
World Economic Forum Announces 2023 Crystal Award Winners
Artist Maya Lin, acclaimed soprano and arts/health advocate Renée Fleming and actors and humanitarians Idris Elba and Sabrina Dhowre Elba are the recipients of the 29th Annual Crystal Award, the World Economic Forum announced today. The winners will be honoured at the opening session of the Forum’s Annual Meeting 2023 in Davos-Klosters, Switzerland, on the evening of Monday, 16 January. The award celebrates the achievements of leading artists who are bridge-builders and role models for all leaders of society.
The Crystal Award is presented at Davos each year by Hilde Schwab, Chairwoman and Co-Founder of the World Economic Forum’s World Arts Forum. The cultural leaders receiving the 2023 Crystal Award are bridge-builders. They connect us to each other; they help us reflect on the human condition and they provide visions of the world that can cut through the limitations of short-term or linear thinking.
Maya Lin receives the 2023 Crystal Award for her extraordinary creative talent in combining science, art and architecture and her exemplary leadership in the promotion of nature and environment. Lin has fashioned a remarkable interdisciplinary career through her highly acclaimed art and architectural works, showcasing sustainable design and emphasizing a stronger connection to the land and nature.
From her first public work, the Vietnam Veterans Memorial in Washington D.C., Lin has been committed to focusing attention on the key issues of our time: women’s rights, civil rights, Native American history and the climate crisis. In 2016, on awarding Lin the Presidential Medal of Freedom, President Barack Obama said her Vietnam Veterans Memorial “changed the way we think about sacrifice and patriotism and ourselves”.
Lin’s latest memorial, What is Missing?, is experimental and multidisciplinary in nature. In this work, Lin uses science-based artworks to raise awareness of the current mass extinctions of species, while emphasizing that by protecting and restoring habitats and reforming our land-use practices we could significantly reduce emissions and restore and protect biodiversity
Renée Fleming receives the 2023 Crystal Award for her leadership in championing the power of music and its relation to health, community and culture.
Renée Fleming is one of the most acclaimed sopranos of our time and a leading advocate for research at the intersection of arts, health and neuroscience. She launched the first ongoing collaboration between the Kennedy Center for the Performing Arts and the US National Institutes of Health (NIH) with the participation of the National Endowment for the Arts (NEA). The Sound Health initiative explores and brings attention to research and practice at the intersection of music, health and neuroscience. This collaboration has led to workshops at the NIH and events and performances at the Kennedy Center. It also led the NIH to recently award $20 million in funding for music and neuroscience research over five years. The Renée Fleming Foundation is now partnering with the Foundation for the NIH to develop a toolkit for standardizing music and health clinical research for brain disorders of ageing. Fleming has presented her programme, Music and the Mind, around the world.
Idris Elba and Sabrina Dhowre Elba receive the 2023 Crystal Award for their leadership in addressing food security, climate change and environmental conservation.
Actor, filmmaker and humanitarian, Idris Elba, and his wife, the model, actress and humanitarian, Sabrina Dhowre Elba, were appointed UN Goodwill Ambassadors for IFAD in April 2020. As IFAD Goodwill Ambassadors, they focus on issues related to food security, climate change and environmental conservation. The couple recently visited an IFAD-supported project in Sierra Leone, where they met farmers who received support for rice production and assistance with rural finance after the Ebola crisis.
The late Queen Elizabeth II awarded Idris Elba with the Most Excellent Order of the British Empire (OBE) in 2016 and the Prince’s Trust, founded by King Charles in 1976 – which Elba credits with helping to start his career – appointed him as its anti-crime ambassador in 2009
Elba supports causes related to poverty, HIV/AIDS, at-risk and disadvantaged youth, health and education. He worked with the UN and the Department for International Development in the UK during the Ebola health crisis and filmed campaigns in support of UNICEF, as well as the Sustainable Development Goals. He has recently created a number of youth-focused campaigns to promote education and learning and discourage violence.
Sabrina Dhowre Elba works with a variety of civil society organizations, including Farm Africa, raising funds to help farmers across eastern Africa, and Conservation International on environmental issues. She promotes gender equality and the empowerment of women and girls worldwide. She chairs the European board for Global Citizen and has been a keynote speaker at leading global events.
Idris Elba and Sabrina Dhowre Elbaare board members of Conservation International.
Crystal awardees are part of a large community of cultural leaders in Davos.
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