Yesterday Once More: Me, Anorexia Nervosa and Karen Carpenter

There is no light at the end of the world only solemn-wounds and trees that haunt in the heavenly country where I live. Everyone suffers at some point in their lives. Reindeer of hurt planted on their tongue.

Soak this in sea or plateau. Landscape or context. Coming to poetry in the beginning was difficult for me. Words were like jam and had their own alter-ego. And then poetry loosened its soul against my own and went all-historic on me. It was poetry that took me to the sea. It was poetry that took me to the mountain. Covered me in shroud, veil, and ornamental tapestry. And sometimes in the evenings I watch the birds come home until the light of day becomes ecclesiastical.

Open the door and you will find a kingdom there. There are things that you need to know about me. I have a conversation inside my head about how some people should not be parents but they are. But they are. They fight in front of their children. They watch the news or inappropriate films. I look at my mother’s bent head over her work. I am doing this for her but she does not notice. Does not say anything. I look at her bird nose and her beak mouth and I have this urge to connect with her but she does not want to connect with me. I feel tribal towards her.

She’s an orphan in the world now. I dreamt about my grandfather last night or was it last week.

I think of the pale fire of the sea that resonates within me like thunder. Of course, I have always wanted music in my life. People are writing about modern loss now. Living in loops. I look at my mother’s bare neck. Her shoulder blades, and I think to myself that I came from that. I came from her intense psychologies. There’s the upward push of her fingers as she works. I would have put music on or the radio but she said that she works better in silence. She works barefoot like a girl, and I think of her pressing into my father’s back at night when they sleep together in the same bed, and I think of how some people should never have been parents and then.

Then I think of mine. I think of the silence in their bedroom and the last things they say to each other before putting out the light and putting their heads on the pillow. I wonder did my father always make my mother feel safe. I don’t know what that’s like. Believing in a man. Believing that he can give you the world. I think of the truth about loneliness. About how it’s all stardust, moonlight and roses. I think of the men who have been kind to my mother in her life because she was a beautiful woman and didn’t have to work hard for attention from kind or unkind men. The way that I have had to work hard for it my entire life, and I wonder if my mother has ever kissed my father’s neck like I kissed the last man that I was ever in love with.

Abigail George
Abigail George
Abigail George is an author, a screenwriter and an award winning poet. She is a Pushcart Prize, two-time Best of the Net nominated, Sol Plaatje European Union Poetry Prize longlisted, Writing Ukraine Prize shortlisted, Identity Theory's Editor's Choice, Ink Sweat Tears Pick of the Month poet/writer, and 2023 Winner of the Sol Plaatje European Union Poetry Award. She is a two-time recipient of grants from the National Arts Council, one from the Centre of the Book and another from ECPACC. She won a national high school writing competition in her teens. She was interviewed by BBC Radio 4, and for AOL.com, the USA Today Network and The Tennessean. Follow her on Facebook, LinkedIn and Instagram @abigailgeorgepoet.