The Renal Unit: Paper Towns Of A Borderless Woman

The hospital is a lovesick climate. The blessing of an emerald day.

Kite-flying. The fabric of a stream. The hidden wings of a child. The swell of a rosebud’s mute-bloom.

Thread of an owl through the air. The lengthened passage north.

Sinking-gathering-maturing cells of sunburnt flesh and bone. The Mediterranean-blue sky. The tarnished transaction of vital star meeting black hole. No, there’s nothing as beautiful. I come to life in my sister’s Cape Town flat. It is raining men and women and when the radiant sun comes out it rains golden. I think of people that only say things to be polite or diplomatic. I think of how before I do things now, I have to wait for the tiredness to lift. I think of my flesh and blood. And how everything around me is fragile and connected to God. Sometime I think of the hospital room I found myself in when I was barely 20-years old at Tara, then at Golden City Clinic, then at Hunterscraig Private Clinic. That was before the renal unit at the hospital where I was born. Now, I eat for three and four and five. I have to find my own way to be cheerful, and it feels like the day after Christmas in my hands.

The sun was unusually strong today. The waves seemed as angry as I was, and fury was like ice warmed up. He has a bear of a man for a step-father. I think of his sticky fingers on the counter-top. I think of the shape of autumn near my fingertips. The weather changing. Is it more climate than God? Whenever I wear a dress I think of Paris. I think of wearing Parisian-made dresses. I think of the love of my life and his daughter now. Of how he never saved me. I think of eating and drinking. I think of grief. I think of loss. I think of emptiness, futility, loneliness and silence. All harmless like vessels. I think of the country where I live. How heavenly it is. How metaphysical.

There’s a chill in the air as I eat alone in my room, and I think to myself that I am oceans away from the sun. I wonder if he told his wife what I said. That I was afraid of him. Making love to him. I was young. I was afraid. I thought of never going back. Never going home to the dysfunctionality I was brought up in. A sister, a daughter.

Siblings fighting. Competition and rivalry. I think of the desert. It offers freedom. I think of how vulnerable I felt in the hospital. I think of my sorrows. My so-called nuclear family. My poverty. My weaknesses. I think of freely-given bread. I am always looking for people to read my poetry and tell me what it is they think of it or rather me. As if it will add to my happiness. To my future. As if it will fix me or love me or mark me in letters ‘Return to sender’. I think of my house on fire. Pale fire. Milk in my hands washing away all my sins but it is never ever quite enough. I am never ever quite enough. I am not loved. I am unloved. I dream of digital copies of my books. The world is cold and made of gnarled oak, exoduses, and indigo children. People who are dumped on the ash heap of life. And for all of my life I have been one of them. No winter-husband. No autumn-children to rain on me. No blue river. There is no one to bring me flowers or to cook me a champagne breakfast.

Only the souls of bad men and good men.

Abigail George
Abigail George
Abigail George is an author, a screenwriter and an award winning poet. She is a Pushcart Prize, two-time Best of the Net nominated, Sol Plaatje European Union Poetry Prize longlisted, Writing Ukraine Prize shortlisted, Identity Theory's Editor's Choice, Ink Sweat Tears Pick of the Month poet/writer, and 2023 Winner of the Sol Plaatje European Union Poetry Award. She is a two-time recipient of grants from the National Arts Council, one from the Centre of the Book and another from ECPACC. She won a national high school writing competition in her teens. She was interviewed by BBC Radio 4, and for AOL.com, the USA Today Network and The Tennessean. Follow her on Facebook, LinkedIn and Instagram @abigailgeorgepoet.