African Renaissance
Domestic Violence

It is too cold to swim but she takes his hand. It is beach weather but it is still too cold to swim. She knows she is being brave at this point; even her rage is poetic as she feels the world, her world and the information in it blackening around her. Everything is becoming more and more intense (she can feel it in a jarring physical sense in her cells), barbarian, savage as she clings to him, her life partner and most of all she also feels mindful of detaching herself in secret from him. She is waiting for him, never questioning or fussing. Waiting for him to join her where she is outstretched on her side, her side of the towel and she is smiling up at him.
‘Here, let me dry your hair for you.’
In the car, he pulled her hair and before she could even blink back the tears, he slapped her hard in the face.
Curls never smelled as sweet like this before. It’s the sun. The sun pressed against her cheek. Her body is brown and tingling all over from the swim and the wind and her tears. He’s an invincible work-in-progress. In the interim she’s left to burn, to explode. The lines are there of her passion, her experiments into family life (cohabitation), intelligence and her value to this the most modern of society’s. Her survival she thinks up to this point has been extraordinary.
‘Hold still. Hold still. There’s sand in your hair.’
‘Pull yourself together right now or else I’m leaving you here.’ She licks her lips and tastes blood. Has it stained her clothes, she wonders? Blood is hard to get out.
Dianne in the kitchen, out the door, walking, in the afternoon quiet laying down in the bedroom with the curtains drawn, frying steak or chops, watching the hiss of chips in the pan for his lunch (instead he comes home with pizza, a weak smile on his face and he runs his hands up her arms, up and down her back until she feels light governing all her movements), watching the daylight until it is gone, listening to the forked tongues of laughter coming from the television. She feels all of it sliding through her as if she was a string on an instrument. It smells like rain so she gets up and stands in the draft, closing her eyes. The door is open. The security gate locked and bolted. Is it to keep her in or the madman out? She believes in him and whose fault is that. Who’s to blame? Has she gone mad?
Is he finally going to kill her? This scene has not lost its touch and the only thing that is going to take the edge off of things is if she starts to scream.
The next day the phone rings. It’s her sister, the one from Port Elizabeth, the younger one, and the outsider of the family. ‘Is he ready to start a family yet?’ is usually what the hot topic of discussion is that not why are you crying? What happened last night? Talk to me? Why do you let him do that to you?’
If she checks in the bathroom mirror, will he notice the turn of her head from the bed? She is drowning, Dianne is drowning but can he see?
The words coming out of her are, from the darkness of her tongue are broken links in a chain. There is no inner space, no room for forgetting the violence. When she is done with the out of town call, she plates two portions of breyani for herself, which the other sister, the eldest out of the four of them, the matriarch made for the entire family. When Dianne has had enough of feeling wretched, she sits on the couch and eats in front of the television before he comes home from work in the evening. He only comes home when it’s dark out. God knows what he gets up to or with whom, she imagines to herself. She has exiled herself from the hive of shouting, the flying fists, when he has her pinned to the floor under his weight, when she has blacked out.
‘Have you gone insane? I’ve had enough. I’m going to leave you.’
‘Have you really had enough, Dianne?’
‘It’s all a fog.’ She told the magistrate. She knew he didn’t believe her but she said it again as if he had misinterpreted her the first time. ‘It’s all a fog.’ The magistrate had seen this kind of case before. ‘I can’t remember. I don’t know the exact date. I did not call anyone. No, I didn’t pick up the phone to call the police or a trustworthy family member whom I could confide in.’ She didn’t add that she couldn’t move because she was in so much pain and her jaw hurt and she thought he might have broken one of her fingers. She didn’t add that he; her boyfriend had sent dishes with the leftovers of their half-eaten supper crashing to the floor. She remembered how dark his eyes turned at the table at the mention of his mother calling earlier that day when he was not at home.
‘What did you say?’
‘I said nothing. I just said that you would call her back as soon as you got home.’
For Dianne, she finds nothing to wound her imagination, that illusion of all illusions without flaws that delights a child and even more so, a woman, a female poet waiting in the wings. So when she says those words, ‘I believe in you’ or ‘I love you’, she says it in part with fear, as if some harm will come to her if she does not say those words with meaning and a giddy, mad dance of happiness, as if she is standing on the brink of a new world that beckons.) Her alienated family remains alienated, everything in her world that she can no longer cope with becomes more or less challenging to face. She begins to fear voyeurs, walking around with her life history inside their heads and then there’s she, ever so willing to give it up at a moment’s notice without any hesitation at all into her work.
‘I didn’t touch you that time. There’s not a mark on you. It’s just shock and panic rushing through you. That’s why you’re trembling. I didn’t mean to scare you like that.’
Hours pass. ‘What is wrong with me,’ Dianne asked herself with the bedspread under her chin. It’s afternoon and she is still in her robe. ‘What has finally defeated me, all of that anger bottled up, fizzing inside of me? Was it the holocaust in childhood that exploded in my face like the freezing cold in winter, while I played in the dirt, played at ‘being mother’ or was it the veteran inside of me’s damage, rage and brutality, the poet’s inside-out abnormal sensitivity, the black dog of depression, that coveted prize of recovery that followed spells of mental illness that came with youth.’ She is tired of being brave, her suffering in silence and inclement rage. There is no heady, formidable sky to reach out to her in her physical pain and offer her solace. She is not perfect.
They are not perfect people. He says, it was just an accident waiting to happen and that she is just a voice with no sensation of armour.
She is the firm catalyst and when he starts swinging wildly at her, he cuts her deep to the very heart of her until she feels she is nothing, not worthy of being spoken up for, just a heap that has bottomed out that once had the potential to be buoyant. Cry baby standing her ground against brutality, a fragile bird caught in the fray of domestic violence, hair unkempt and one emotional cripple tied in chains to another; she finds her own blood enthralling. He wipes the floor with mummified her. She is stained by darkness that flows out of his fighting spirit to the point where her dreams meet reality; she is just a passenger. She only comes to life in silence, when she realises what her situation is.
All she can do is shout out loud. If she quivers at the sound of his voice, he will leave her like that, watching her soul spill into the ether.
What does she need a social worker with a rapidly increasing in-tray of case studies for? It’s not like they’re considering marriage. These skirmishes are just skirmishes, intermittent but she can still blot them out. She drifts in and out of waves of real time, paralysed by periods of resting, imaginatively counting the seconds between the blows before finally falling asleep. She feels as if she belongs to a tribe of moon women. Everything about them delicate (suicidal) and if physical harm should come to them (if they walked into a door for instance) they would go to the moon hospital surrounded by caring nursing staff, head doctors who are experts in their field. He cares. He does. Why would he apologise, buy her expensive gifts?
She can’t go out, not like this and she has told him this but he’s not listening, doesn’t give a damn or he’s not paying attention. ‘Use makeup. Hurry up. We’re going to be late.’
There was still something inside her that wanted him to stay. She was frightened of leaving, what that kind of ultimatum would say to her sisters and brother. She would be set loose on the city as a single again. She was too old for that scene. Through all the uncertainties holding her back and the silent treatments she endured in front of the television, in the bedroom, from the bitterness choking her, that climbed into her, curled up inside of her, head spinning she ran water for a bath adding bath oil under the hot water tap. She watched the water turn a constellation of milky white. She was a kept woman, the proverbial housewife with spiritual and physical tasks demanding her attention with nothing to fill up her time but to look after him and his needs.
Being emotionally dead was a serious condition. She needed to replenish the energy she was at a loss to explain how it got away from her. ‘I can break you.’
She knew that her dependency on him had to be seen as an addiction, ‘Dianne’s’ addiction. She slid into the hot water, a rag doll, her features out of focus in the mirror, far away from her conscious being. She closed her eyes as if to brace herself from a fall. To reach the green fields, the other side of the mountain, you had to climb hills. All of life is drama and drama is a painful way of learning, Dianne and you are slowly becoming a master at that. Even when he wasn’t there in the house with her, she could hear him breathing down her neck, stalking her as if she was prey, carrion, talking to her as if she blind. It was too late for her to learn how to look after herself. She had to be joined to another soul to feel strangely creative. That was part of her generation’s Iifestyle.
‘I can’t be held responsible for your behaviour, Dianne. You’re behaving like a child, talking like one, acting like one. Does that make you feel brave, standing up to me?’
Tea, a private affair for her, always helped to put everything away, to shut the face of her depression up as far as humanly possible. In a time capsule it had more perspective. She could let go of the song of the wind in her hair and him trailing markers of black lines wherever he went and beneath the highs of that surface laid alarm, still waters and the intertwined remains of a girl. She would leave the bag in a mug, pour boiling water over the teabag and leave it for a few minutes. For her ‘going out, flying away’ face she would stand in the bathroom curling her eyelashes making Hollywood-lashes, applying lipstick, rouge, scent and powder but for now she relaxed and opened the hot water tap again.
So she would continue to feel like a foreigner in their home (it was her home too, after all she was the one who kept the home fires burning), struggle against his fury even if it was futile. She packed away the empty bottles of wine where he would not find them and every evening she would compose herself before he came home. If she conceived, the child would be demanding but her splintered life would come full circle. The spiritual quest that had spread for most of her life in front of her would come to an end, normality would reign. But would that be enough? She remembered the day at the beach, waves crashing over her head, bluish sky, while inside she felt miserable, homeless while the commodity of the sun burned up, leaving her a luminous falling angel.
African Renaissance
Janet Frame

This is me. The voices are inside my head. Calling to me. Speaking in ancient tongues. They talk and talk and talk. The damage is done. The damage is done. I wanted a child while I was still young. They think of science in masculine terms. The humanities and creative writing in feminine terms. There’s a gap for you. There’s an excursion into the remembering mind. The shaking woman’s interesting double life. I think of the anatomy of my loneliness. How everything in life is a mystery. I am waiting for sleep to take control of my aching limbs, my physical form. I invest the past into the insomnia, for no fight is worth it. What are we fighting for anyway? He’s not here, they’re not here. No one can hurt me now. Marilyn, the hunter. Diana, the hunted. I want to live before planting love. Your fingers feel like ice slipping to the bones of me. They thread my bones to my being. Give hope to my flesh. Now I just want to live, but there are days when I am tired of wanting to live. The washing flutters in the breeze, men and woman have been kind to me, and I have a lust for the gulf between us, how I’ve imagined you my entire life. Country of Adam’s rib, country of blood, stone and wine. Her teeth bite into my pose. There’s my unbearable sadness. Watching you satisfies me. I go all cold sometimes. The tiredness, the energy. In a perfect world you would have been free. You would have set me free. Your womb fashioned me. So, I write for the passionate outsider. The woman displaced. The female dispossessed who lives from one day to the next in psychological extremes. I am that woman displaced like Jean Rhys. I am the dispossessed female. And the woman that I love, whose womb fashioned me is my mother’s.
I think of all the time we have wasted sibling. All the love that is gone. My loneliness grows like plant sap. Like water in wild places. All the fight has left me as I chase the sea. I wake, I chase the sea. Rabbit is gone. Don’t tell me about your secrets. Don’t tell me about your love, sibling. Leave me like you have always left me. Leave me standing here by the bright lights of this city by the sea. I always wanted your love. You were always high on life. The extrovert with friends. You erased me from your life so effortlessly. From your kingdom. I think we have said it all. The love is gone. Gone from your world. Gone from my life. They say I have a death wish. I’m hungry for it. The ghost of my spirit is hungry for it. It is cold here. Winter is coming on strong on this radar. This illusion sticks around like the Seine. I wish I was ghost dropping off this radar. I feel sick. You make me sick. I lost the proof. I think of all that I have sacrificed. Think of myself as crime and victim. Sibling, you’ve found love. We’re passed the object of forgiveness. Nothing I can do about it. You’re the daughter of the Czech Republic. Let me take you to the low of the city. I am wearing my glasses. Keeping my attitude. I think of your German boyfriend with his artistic fingers, sensitive face. How again someone else replaces me in your life. Bipolar takes all. Bipolar thinks that love is evil, that love means war. My mother never brought me sanitary napkins in the hospital. Never brought me clothing to wear. I walked around like a zombie. When she came, she spoke to the other patients there at the hospital. Looking for a friend in a stranger. She left me alone. Standing there. I was her mirror image.So bulimia and anorexia nervosa found me.
She holds all the power, all the cards. The woman who ate everything. I never had your heart. This takes some time to explain. Let me understand you. Let me understand this. Out of reach, you’re always keeping busy. I’ll always be the same. When I was in love, I was in love with my own shadow. My heart’s bruised. I think all the time of how close to death I was. The renal unit at the Livingstone Hospital. My life is the diary of a volunteer. On the imagined wings of a bird in flight, I come to you. This message comes to you. This love letter comes to you, my mother. Theories have long since disappeared. The image of the soul. The twin image of our soul has vanished Nothing gets better here on this side of the world. I don’t see myself in the mirror anymore. It is only my pride, your ego that lends itself to a new philosophy of the advanced world. I’d like to leave the world random. But I no longer want to examine the past, aftermath, aftershock shielding the echo of the shadow, my bruised shadow. We have nothing to say to each other anymore Only the visions remain. The words are all gone now. You grow out of it. No, not the bipolar. The vision you had of yourself in high school. Where you would be five years down the line, a decade. It is just me giving up my consciousness for another. You grow out of the authentic. It is coming back to me. The collect calls I made home from the hospital. Abandoned there. Younger, I was arrogant. Life was so easy, comfortable, happy. Not anymore. I wish I could say I have achieved my personal goals, fulfilled all my wildest dreams. What am I holding onto? The self that is a soulless misanthrope. The universe is amplified. Birdsong in the air. The leaf falls. It is just gravity.
And because of the violence against me, I have zero tolerance for violence. And because of the mental cruelty against me, I have zero tolerance for mental cruelty. They have defeated me.
The family, the cousins, the aunts and the uncles. I am done looking for love in a home that puts me up against the wall. I am lethargic now. Not wanting to talk. Not wanting to talk to anyone. I am on my own now. Alone. All I have is loneliness. That’s the kind I am. The voices say, Petya Dubarova, to stop talking so much and to become a good listener, an effective listener, an efficient communicator. Revealing the purpose and value of others as God sees fit, as I connect with the universe. To transcend the negative, the voice tells me Petya, I also have to transcend the pain of the universe, the loneliness of the universe. I have to remember birth, rebirth, saturation. I have to move on from one phase of personal growth to the next level. From maturity and the confidence of maturity, to death. But it is difficult and tiring to be forgiving of myself, to be grounded in self-love and the world around me dearly, or, for life. And then there’s this nourishing sense of spirituality that strengthens me daily. I am a stranger waiting for the train worshiping sharp objects eating eggs, chicken and soup. I live in a dark house born of green figs in September on a Sunday afternoon. A dark house born of a writer in a cage sheltered and protected by the light from all the activities of harm. While watching the first snow of a June winter, with the falling snow the road inside finds bipolar me again. High on life. Low on life. Numb on life. Dead to life. And then I realise I am never going to see uncle Rabbit again.
Ever. He died on a Thursday evening of a heart attack in a hospital room while I exhaled a pose. While I overcame my evolution at home typing out my third novel. I have the fear of love, of falling in love on my side, of sexual intimacy, of being made to feel vulnerable in front of another person. I am crashing. I am crashing into the waves chasing the sea of Petya Dubarova, and there will always be those who lecture me. I think the world, and my siblings have done me toxic in. And I remember the day my sibling’s girlfriend showed me her tattoo. He must have a thing for a girl with tattoos. I don’t know. We aren’t close anymore. What happened in my own father’s life is happening now in my own. The estrangement from the middle earth of the inner family, of the immediate family. I make cinnamon toast or eat peanut butter straight from the jar with a butter knife, and I try not to think of writing confessional poetry, or, the fact that I’m not loved by sibling, or, cousin, or, aunt, or, uncle, or, distant relative. I show them my rewards like arrows. Only I see the columns of light in my arrows. Yes, I’m done in. I’m done in. I’m going nowhere. I’m going everywhere. Jagged little pill in my mouth. Rush of water down my elated throat. I really wanted to see her tattoo. Why, oh, why am I so surprised that she gladly showed it to me. Bipolar has made me frightened of everything. Of landing on the ash heap like other people’s sorrows. I think of my own sorrows. I’m left thinking of how important it is to keep correspondence, journals and copies of your work. I think of my own father and mother living out this kind of perfect life.
My mother had a spacious house, they had two cars, and she had to raise three children. Two daughters and a son. She didn’t teach me to have that. To invest my life in children. To invest my life in sons and daughters. I know my roots and they go deep like a ninja-warrior. Now I find myself living vicariously through Dorothy Parker, and Maya Angelou. I think of the mute wind. I think of the constant rain at my window. I think of what I see when I see wildflowers. Cemeteries, ghosts, the apparitions, the voices in my head, hallucinations. There are days when I am just writing to get by. I keep telling myself it is not hopeless. All is not hopeless. That this life is what I have been given. My siblings think they know it all about bipolar. Even more than me. I can’t understand a word that that they possess about mental illness. They give it to me, not as a gift, but as something to control. I think of the difficulties of my father. The difficulties of a young mother having to accept a manic-depressive husband. Nobody caught me when I fell. Contradictions keep me busy for a while. I try too hard in relationships. I was a teenage runaway falling away to the waterfront of hospitalisation. The perspective was clear. The view of my life settled. I had the beauty of language. It gave me inter-connectedness. The relationship I wanted. I was a sailing boat that caught the wind. On my way. On my way. Then the mania would come, or, the clinical depression, or, the attempt to take my own my life, or, the suicidal thought, and I would be derailed again from the perfect life that I had lived before. I would be abandoned and forgotten by my mother.
I would be abandoned and forgotten by my siblings, by relatives who told me that they wished they could be of more assistance, but they had their own problems, or, uncles and aunts would just ignore me. With the onset of mental illness in adolescence, my life became more complicated over the years. I became a hunting and gathering woman of current trends forecasting for a blog that I wrote, ephemera from my paternal grandfather’s life, and phenomenology. I became this rather complex vessel (never studied further, never had the sunny road of the marrying life, or, those sons and daughters, and strange, I had always been madly in love with children my entire life), and in the end it was language that accepted me, not family, not siblings that had looked up to me once when I had the normal life, the kind of life accepted by family. There would be all this ignorance and sham surrounding my mental illness. I became known as the storyteller, I would make up stories, and this would do the rounds. So, I am threatened and cajoled, told in no uncertain terms by my sister that I am not living. She never phones home to speak our father, elderly and infirm now. Weak and limiting and limited, and I tell myself that what matters most is recovery. Coming out of that despair and hardship and release of relapse. Now I think back to the early days of the initial treatment of my bipolar, the hospitalisation of my bipolar when I became something of a pill popping zombie, then an insomniac, and then there was this return to normality, to home-life, but also terrifying ignorance in the family, also terrifying ignorance around the sufferer, and stigma.
The discrimination of living with the bloom and smoke of mental illness. I keep telling myself pain births creativity. That it is the motivation for pursuing God. Must be more Eckhart Tolle, or, Gary Zukav than me I suppose. In hospital people maybe want to be your friend. But outside, you become like strangers again. You return to a kind of semblance of your previous life. You find people don’t want to know you anymore. Release from hospital always brings me back to writing, to my childhood. To the swimming pool in Gelvandale where I was baptised, to a picnic in Port Alfred. Yes, I found baptism and God. And sometimes, just sometimes, the writing annoys me, or, I get annoyed with myself, and sad, as if my work is almost incomplete. Almost as if I am not living up to my own expectations. And every time upon my release from the hospital after my meds have been adjusted, I have to open a new door, learn to live a new life again. It’s difficult, but I have endured this. I have survived. I remember that I have strategies, goals and actions. As my father did before me. I hate it that I blame him. I hate it when I say something that hurts him, and I see him wince as if I have slapped him very hard across the face. I mean, I am used to embarrassment, and humiliation, and people unfriending me with a kind of energetic efficiency. I have to work on self-love daily. I pray daily. I try to be kind but it is like making an anonymous donation. And every year I promise myself more self-love, more personal growth, more prayer and meditation, more reading, and I make an action plan out of it for the next six months. To the lighthouse.
To the lighthouse I go. There are days when I talk and talk and talk. There are also days when I cannot meet your gaze. When people’s faces look different to me in the morning light. When I’m afraid of Virginia Woolf. Society allows many things to happen to you when you are mentally ill. I’m always putting my trust in people, and being let down badly. Balance is everything. All I can think of is that I am a novelist now studying the craft of writing with every narrative that I write. That I am a poet. And a bipolar life can be as healing as rain with a savage kind of violence. At least that’s the way that I see it. Bipolar itself, there’s still so much that we don’t know. What I hear most often from other people who live with bipolar, is this. That I wasn’t always bipolar. I wasn’t always like this. I didn’t need to take a sleeping pill to sleep. Maybe there was a traumatic incident in your childhood, or, long term abuse, or, you were never loved by a parental figure, or, there was a kind of stress or burnout that you couldn’t deal with. I’ve been there. Uncle Rabbit is gone. I’m still here. I still get to live life with purpose and meaning and truth on my own terms, and there are days when I feel like a tragic figure caught in a storm. There are days when I want the world to see me. There are days when I don’t want the world to see me, because I don’t think that they’d understand me, but there are also days when life is infinitely more beautiful. There is an image that I manufacture every so often in my mind whenever I feel like it. I see the picture of a little girl, and she is loved. Bipolar is not on the scene yet. Her life is not derailed yet. She is eating watermelon on the beach. The sun is going down. She is laughing with her boy cousins. Smiling for the camera. Smiling for all the world to see.
African Renaissance
The Journey Is The Destination

I spent last year listening to Dr Jordan Peterson, the Canadian clinical psychologist on repeat. So far, it has changed my life, led to my self-transformation, impacted the goals and dreams I have always had for my life. I am kinder. I am joyous. I am content. I feel fulfilled. I am thankful and filled with gratitude for my ACE (adverse childhood experience), my past torment, turmoil and clinical and manic depression. I say all of this unashamedly because it has got me to the point where I am today in my life.
The other day I tuned into Vusi Thembekwayo’s podcast. He greets his listeners with, “Hello, family” and immediately I felt at ease with this legend in his own time as a South African businessman and entrepreneur. These days I am receptive to the vibration and frequency of creatives, thinkers, thought leaders, visionaries. Not only in South Africa, Africa but elsewhere. As far as the United States of America, Europe, the United Kingdom and even Asia and Australia. I am inspired and deeply motivated by men and women who are forging their own path in this wild and free world with determination and independently from everyone else in their immediate environment.
It took me a long time to get here. I battled relapses, I struggled with mental illness, my body had to adapt to a course of tricyclic, monoamine oxidase inhibitors and psychotropic medication and my personality boomeranged off the ceiling somedays with a vengeance. Some days I felt sad, empty, useless, pathetic and my levels of frustration were sky high. There was nothing I could do about that except cry, make myself ill with worry, burden and the troubles of the world. I was steeped in negativity, insecurity, doubt and self-talk that bordered on the insane. But understand this. I had to go through suicidal depression and all of the other stuff, my mistakes, my negative thought patterns, my reckless behaviour that oftentimes endangered myself and my mental and emotional and physical wellbeing to get here. To understand other people’s modus operandi I had to accept, learn, adjust my behaviour accordingly, and heal and become a great listener as people talked to me about what was confronting them in their own lives, the uncertainty they were facing, the difficulties and the challenges they were going through that was blocking their route to personal development and self-improvement.
I am grateful for everything my father taught me and the belief and every sacrifice my mother has made in her life for me. Without those two individuals who cared for me when I was under observation at a posh clinic in a well-to-do suburb, and numerous hospital stays I would never be where I am today. I would not be a writer. I would not be a poet and essayist. I would not be an up and coming screenwriter who wants to make her mark in the film world. There are so many incidents in my life that I have not forgotten. People, individuals who the gifted American filmmaker Tyler Perry calls his “points of light”. I have had my own points of light in my life.
The teachings, school of thought and philosophy of Credo Mutwa, my English teachers at St Thomas High School, St Mark’s High School in Swaziland and Collegiate High School for Girls, my film school lecturer David Max Brown who over twenty years ago taught me the most powerful lesson any mentor can teach his mentee. What the meaning and purpose of self-care, self-love and self-improvement is in one’s life. Indra de Lanerolle, Robert Muirhead, Eddie Mbalo, Dr Basil Brown, John Klassen, the editor and poet Robert Berold, the New Brighton poets Mzi Mahola and Mxolisi Nyezwa, Lebogang Lancelot Nawa, Frank Meintjies, the North American poetess Cynthia Atkins, another poetess Silke Heiss, the businessman and entrepreneur Saki Mabhele, the clinical psychologist and scholar Zimkhulu Fatman, the psychiatrists Dr Willem van Wyk and Dr Sonja Prinsloo, the Afrikaaner doctor Dr Pool who saved my life in an intensive care unit, the family physician Dr Gary Allie, Gavin Mabie, Michael Barry, Meralyn Barry, the filmmaker and scholar Mikale Barry, the scribe and teacher Yusuf Agherdien, and Sister Soraya Joel, the American screenwriter, producer, director of Algerian descent Amine Kais have all been points of light in my life. I have, and still have, so many teachers. I am constantly learning, aligning and re-aligning myself and my vision with others who are like-minded individuals. Who believe in attaining their goals, building empires of gold, who treasure time spent with family and friends. Never forget where you came from. Never forget the people who forced you into your dream. What is pain? In the right hands it can be a tool, an instrument that can lead to personal success and you as an individual developing a personal vision for yourself.
There are many poets and writers in my life, my editors that I have so much to be thankful and grateful for who have accompanied me on my writing journey every step of the way. Everything that I have achieved I have achieved with their help. Morton Rand, my literary representative, Thanos Kalamidas of Ovi, Tendai Rinos Mwanaka of Mwanaka Media and Publishing (Mmap), Xavier Hennekinne of Gazebo Books, Sola Osofisan of African Writer Magazine and Naza Okoli, Sam Hawkesmoor of Hackwriters.com, Robin Barratt of The Poet Magazine, Toast Coetzee. They have to a certain extent extended kindness and a generosity of spirit to me. I respect and admire these individuals a great deal. Heather Robertson and Charles Molele assisted me with getting my first poems published as a teenager in a national print magazine in South Africa.
Depression, suicidal depression, rage, psychosis is not the be all and end all of the sufferer’s life. There are many instances where we have to overcome experiences that wounded us deeply in our lives. Perhaps as Dr Daniel Amen said in a recent podcast, “there is no such thing as mental illness. We are dealing with a brain health issue here.” His words rang true for me. I suggest you find this Dr Daniel Amen on YouTube and listen to his insights. I am doing in depth research on how nutrition and exercise, vibration, frequency and energy, prayer and meditation influences the mechanics and mechanisms of the brain. I am looking into dopamine, serotonin and binaural beats. I listen to music. My life is relatively stress free from whatever confronted me twenty odd years ago. I can’t completely believe that my healing had to begin with me processing my emotional pain and my triggers. We all have triggers and it is up to us to do the research into the language of divine love and the mind-body-spirit connection.
African Renaissance
The Art Of Communication: God, Intervention And The Divine Space

The more consistent we are at being kind to ourselves, kinder to the natural environment and the more loving we are to ourselves and to other people who find themselves in less fortunate circumstances than we find ourselves in, the luckier it seems we will become, the more tolerant of other people we become and the more we will gain and obtain understanding of and into our true nature, instinct, our humanity and the world around us with a modicum of circumspection.
I truly believe that a realm of understanding and infinite possibilities is opening up to humanity at this point in time in our history. Look how far we have come from the Essenes, Mayans, the Egyptians and their star maps, and the Sumarians. The Dead Sea Scrolls have taught us that erudite and gifted scholars wrote the Bible. Men who were intellectually ahead of their time, spiritually cognisant and self-aware visionary thinkers whose psychic abilities knew no bounds. What do ancient civilizations have to teach us about the universe? I think that the question that we should be asking is what does it have to teach us about vibration, energy and frequency.
We will live the best version of ourselves when we are cognisant and aware of the mind-body-spirit balance. When we live our lives with intention and purpose we fulfil God’s mandate and sacred assignment in our lives within the construct of a very highly intelligent order. My life has changed for the better. I always felt tired, exhausted, I experienced lower back pain, I wasn’t able to run simple errands like going to the bank or to the shops to buy groceries and now I can since my entire mindset and attitude has changed when it comes to understanding and acknowledging the love language of my soul and the mind-body-spirit balance.
I have seen when I operate at the level of the divine I am granted access to the ancient knowledge of the source and the known universe. I have incredible levels of energy, I am able to multitask, generate multiple income streams, I am lucky, content, fulfilled, I don’t overeat, I take care of myself. In arguments I am calm and keep a cool head. I have become kinder to myself and much more level-headed over the years. Our mental wellness, physical wellbeing, and how we handle our emotions are all about self-care and self-love. These are neither delusions of grandeur nor are they a form of poppycock or hocus pocus ideology. I am granted these superhuman instances of this in my own life and speak from experience. I feel I am more grounded and connected to the people in my family than I ever have been before.
It was always difficult for me to handle the disconnections in my familial relationships but this is something that we as humanity and the human race struggle with. We come to this planet from the source or call it the known universe to learn, to gather information, to make the world that we live in a better place that we live in for flora, fauna and the animal world and to benefit from the connectedness we feel with other individuals. Most of all we come to earth and experience reincarnation (rebirth) to learn and unlearn and assist all hurt and wounded human beings who have been displaced by war and conflict in the regions that they live in to come to consciousness and enlightenment. Lay preachers speak of spiritual warfare, living in bondage, supplication, redemption, salvation, sacrifice and generational curses in the bloodline, demonology, demonic strongholds, the power of the Holy Spirit. We are spirit. It exists in life, in everything, in abundance. Spiritualists, mystics, screenwriters have brought to screen and storytellers (for example, William Shakespeare in his play “Macbeth”) throughout the ages speak, and have written about witches and warlocks.
What does all of this mean? Spirituality is made up of particles, elements, dimensions and inside our mind’s eye we are continually formatting this information into what I like to call “atomic habits”. Conflict is a way of life but it is something that we must learn how to deal with with competency. The vibration and energy and the frequency that lightworkers and starseeds are operating at on this planet, in this dimension (which some are calling a simulation, it is fast becoming more reality than illusion and more than even a non-reality).
Light, love and blessings seeker. Go forth into the unknown, into the wilderness. I call this “the Moses blueprint”, Christ consciousness, Christ seed and Christ light. Our identity can be found in a single fingerprint. The Moses blueprint has been imprinted on our consciousness subtly each time we have entered a rebirth. Perhaps this knowledge and expertise has been passed down throughout the ages and as we reach enlightenment and operate at a different frequency, as we become more self-aware and intuitive and knowledgeable about soma (energy) we will ultimately become who we were meant to be.
Conflict leads to stress but it can also take us to greater depths of understanding the human mind, our capacity to teach, to recover memory and what it consists of, it helps us recover subliminal messaging and puts conundrums into an exponential sequencing that we find useful in our daily habits. The same conflict can either inflict mental illness upon us or stress can induce positive tension instead of just strain and wear and tear in our bodies. It (both conflict and stress) helps us to make sense of the semantics of brain health, to progress, to prepare, to process, to heal, to think and to overcome the great difficulties in our lives. What has education, science, religion and spirituality taught us? That in the long run we are energy, we are what we think and that our thoughts are communicating to the most cellular level of our physical bodies.
What is important to realise as Eckhart Tolle expounded in “The Power Of Now” and “The New Earth” is that “the dense pain-body” exists. We must never lose the importance and process of the lesson. It is possible to heal completely and recover from ACE (adverse childhood experience), incidents of trauma and emotional damage to the brain.
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