Artist Theaster Gates, choreographer and media personality Jin Xing,
actor Deepika Padukone and artist Lynette Wallworth are the recipients of the
26th Annual Crystal Award, the World Economic Forum announced today. The award
celebrates the achievements of artists and cultural figures whose leadership
inspires inclusive and sustainable change. The winners will be honoured in the
opening session of the World Economic Forum Annual Meeting 2020 in Davos-Klosters,
Switzerland, on Monday 20 January.
“These wonderful cultural leaders are bridge-builders. They connect us to each other, they help us reflect on the human condition and they provide visions of the world that can cut through the limitations of short-term or linear thinking,” said Hilde Schwab, Chairwoman and Co-Founder of the World Arts Forum, which hosts the awards.
Theaster Gates, for his leadership in creating sustainable communities
Theaster Gates is an artist who lives and works in Chicago. Drawing on his interest and training in urban planning and preservation, Gates creates works that focus on space theory, land development, sculpture and performance. In 2010, Gates established the Rebuild Foundation to galvanize communities through neighbourhood regeneration and the development of educational and arts programming. Many of the foundation’s initiatives are centred on the revitalization of Chicago’s South Side, creating hubs and archives for black culture that serve as catalysts for discussions on race, equality, space and history. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College. His work has been exhibited internationally.
“Special thanks to the World Economic Forum for this most prized Crystal Award. I am always reminded that the impact of the arts and artists is incomparable when we think about the transformation of cities and towns. I am honoured to work as a believer in beauty and creativity and hope the work and the ideals that I lead within Chicago have resonance throughout the world,” said Gates.
Jin Xing, for her leadership in shaping inclusive cultural norms
Jin Xing is a choreographer, media personality and China’s most popular TV host. She is a former male ballet dancer and army colonel, who was the first person, publicly, to undergo gender reassignment surgery in her country. She is the founder of the award-winning Jin Xing Dance Theatre, the country’s first independent dance company. Her television shows, which include Venus Hits Mars, The Jin Xing Show and Chinese Dating, draw more than 100 million viewers a week and create a space for discussion on contemporary life in China. She is a Chevalier de l’Ordre des Arts et des Lettres of France and received an honorary Doctorate of Dance from the Royal Conservatoire of Scotland.
“In today’s complex and fractured world, I pursue my mission to be true to the society, to be a true voice for the public, as an artist, a public figure and as a human being. I’m grateful and honoured to receive this year’s Crystal Award. This honour encourages me to continue my mission and be crystal clear towards life,” said Jin.
Deepika Padukone, for her leadership in raising mental health awareness
Deepika Padukone is an internationally acclaimed actor, fashion icon and mental health ambassador from India. She has acted in close to 30 feature films across genres and won several awards for her performances. Many of her films also rank among the highest grossing films of all time. Padukone was diagnosed with clinical depression in 2014 and sought professional help to aid her recovery. In June 2015, she founded The Live Love Laugh Foundation (TLLLF) to give hope to every person experiencing stress, anxiety and depression (SAD). The foundation’s programmes and initiatives include nationwide public awareness and destigmatization campaigns, adolescent mental health programmes, funding support for treatment in rural communities, training general physicians in common mental health disorders, research and an annual lecture series featuring the world’s foremost thinkers and achievers.
“With more than 300 million people suffering with the illness, depression is the leading cause of ill health and disability in the world today and a major contributor to the overall global burden of disease. It is therefore increasingly clear that, now more than ever before, we need to aggressively address what is an invisible and overlooked health and social burden. I am humbled and deeply honoured to be chosen for this year’s Crystal Award and dedicate the award to the millions around the world who experience stress, anxiety and depression, and other forms of mental illness,” Padukone said.
Lynette Wallworth, for her leadership in creating inclusive narratives
Lynette Wallworth is an Australian artist whose immersive video installations, virtual reality and film works reflect the connections between people and the natural world, as well as exploring the nature of resilience. She won an Emmy Award for her virtual reality film Collisions, which the World Economic Forum commissioned, premiered and executive-produced. Wallworth was named one of the “100 Leading Global Thinkers” by Foreign Policy magazine for immersing audiences in the destructive power of nuclear weapons. Her 2018 mixed-reality film Awavena, the story of the first woman Shaman from the Yawanawa tribe in Brazil, as well as her most recent works, have been made at the invitation of indigenous communities. She is a member of the World Economic Forum’s Global Future Council on Virtual and Augmented Reality and a member of the Board of Trustees of the Sundance Institute.
“I have sought to use my skills as an artist to bring unheard voices, including indigenous voices, into the rooms they have been excluded from. These voices ring out with resilience, persistence, power and grace. In supporting my work, the creation and the presentation of it, the World Economic Forum has helped me place it in front of those I most wished to impact, those whose decisions help shape our shared future. I am immensely grateful that these works, these voices, have been heard and are being honoured by a Crystal Award,” said Lynette Wallworth
Asian Pop Culture for the UN Sustainable Futures
As a 16-year-old high school student in Taiwan, I’ve struggled to find opportunities to make an impact on international issues. Like many passionate students who are involved in Global Affairs and Model UN, I’ve always tried to take initiative and seek out opportunities that can promote youth action for a greater cause. With this drive, I decided to commit myself to the UNODC E4J’s “Educating for the Rule of Law” project when I saw the competition poster on the UNODC website.
When I was five, my grandfather’s Filipina caregiver, Aher, told me stories about her friends who were victims of human trafficking in Southeast Asia. As I grew older, with more access to resources and information from the internet, I began to dive into the details and history of the matter. After my grandfather passed, Aher also left the house and went to work for someone else, where, I found out, she faced maltreatment and abuse from the homeowner. Since the incident, I had the urge to work in the social justice and the law enforcement field. Now that I am a student, I can contribute to a wider audience through my art.
With a focus on Sustainable Development Goal 16 (Peace, Justice and Strong Institution), I decided to dedicate my song to human trafficking and the smuggling of migrants because of those very stories told by Aher. The entire process took me roughly four months in total. Every detail, from writing the lyrics, coming up with the melody and guitar chords with my peers, recording the song, adding instrumentals and beats, gathering video clips, editing video clips, and blending in the music to producing an awareness music video was worth the hard work. The result came as a shock. I couldn’t imagine out of the 1,200 submissions around the world, I was selected. I was in disbelief when I woke up that morning and saw the notification on my phone: Invitation to the UNODC E4J High-Level Conference. Over the next few weeks, I rehearsed over and over again with my guitar and background track to make sure that my performance would be flawless.
Using my prior knowledge in music composition, international affairs, and public performance, I was able to successfully engage with the audience, maintaining my posture, and effectively delivering a speech about my motivation behind the creation of “Heed The Plea, and Set Them Free.”As I wandered around the conference room, I took the initiative and spoke with numerous experts in different fields, gathering a stack of business cards, making long-lasting connections, and witnessing real-time professional operations inside the UN. I could feel a door had been opened.
Mr. Yury Fedotov, Chief Director of the UNODC, tweeted a group picture of himself, me, and the other E4J winners with compliments and words of encouragement for all the effort that the youth have contributed towards promoting the culture of lawfulness. Meeting all the other winners of the contest was amazing as we shared our experiences and talked about our process of hard work. A teenager from the Philippines, who was the winner in the tertiary level, produced a short film about violence with an unforgettable use of emotion and film technique, connecting to the real-world issue of terrorism. The most phenomenal presentation of youth effort in fighting for the rule of law, however, came from a 14-year-old Nigerian girl who delivered a moving call-to-action to stand up for the rule of law, receiving a standing ovation from the crowd.
Although I told myself it was just like the many times performing for my band at school, I wasn’t able to manage my emotions standing on the stage in front of diplomats, organization CEOs, and educators. Stage fright was hitting me like I was in elementary school again. This live performance, however, was not like any music performance at the courtyard or auditorium. This was a pivotal turning point in my life, presenting myself as a representative of a youth movement on an international platform. This performance was proof for every youth who has ever doubted they could impact global issues, and, more importantly, proof for everyone to witness youths’ ability to make a difference in this world and to use art as a medium to influence people.
Beyond the performance
On day two, I had the honor of presenting my song, along with three other #Create4Justice artists, and discuss how various forms of artistic expression can be utilized to promote the rule of law. Along with three other panelists, I introduced my music as a medium to promote justice in an engaging way. I was deeply intrigued by how different manifestations of the arts can bring about awareness and change. Mr. Andrew Newman, a close friend and colleague, talked about the power of journalism and journalists’ efforts to show the world the “truth” behind world issues through the camera lens. An Italian architect and artist talked about how transforming old houses into colorful artworks helps with crime prevention and overall community wellness. The one artist that I talked with the most and still stay in touch with to work on song collaborations was Mr. Leonardo Parrága from Colombia. Our common robust interest in Reggaeton music created a new hashtag,#ReggaetonPorJusticia (R4J) with the purpose of reaching Spanish-speaking audiences, addressing issues relevant to justice and law in South America, and transforming the provocative image of reggaeton-type music. In addition, the head of the UNODC Doha Declaration Global Programme, Mr. Marco Teixeira, showed a strong interest in Reggaeton and expressed a willingness to help with my song creations. Even more encouragement came from Dr.Sofija Bajrektarevic, Director-General of the fascinating Vienna-based platform ‘Culture for Peace – Unifying potentials for the Future’. She suggested series of programs to be organised under her vision of bridging the generational gap through ‘Tomorrow’s People’ Board.
An Album Is Born
I am ambitious. I started with one song, and now I want to kickstart a whole album consisting of 17 songs that showcase different styles of music, are written in a plethora of foreign languages, and appropriately represent each and every one of the UN Global Goals. My original idea was to convey a unique story through the medium of music with a visual (video) accompaniment. However, it wasn’t as easy as I thought. It took me four months to finish producing my human trafficking song, “Heed The Plea and Set Them Free.” I couldn’t imagine the amount of time it would take for me to achieve this dream on my own. So I thought, why not feature different artists around the world, let them tell their own stories, and write their own lyrics in the languages closest to their hearts?
With the help of MUN Impact, I was able to launch my music project—The SDG Album, which involves youth from all over the world, creating songs about various global goal targets in the local language of their respective regions. Through all the hard work from MUN Impact, the outreach team, Mr. Andrew Newman, Ms. Lisa Martin, and the UNODC Education 4 Justice team, the album is now receiving submissions on a rolling basis. A winner, selected for demonstrating the most influential and effective idea through their song, will win a trip to MUN Impact Morocco in June!
During the High-level conference’s first break, UNODC conference press Ryan Haidarian decided to interview me about my motives behind my song and my vision after this once in a lifetime experience. I had the honor to have this video featuring me shared across UN social media platforms such as Twitter and Facebook.
This event has helped me come to the realization that young people do have the power to make an impact on this world. The reality is, we, the youth, may not have as many resources, connections, or some would even say, maturity to handle the pressure. What we do have, however, is the most impact when it comes to advocacy because people will think, “If a 16-year-old can do it, I can do it too.” From a middle school student miserably figuring out how Model UN works and how to overcome a paralysing fear of public speaking to an advocate for the SDGs, trying to change the world with his voice and guitar, I have grown. After the conference, it feels strange to receive messages and tweets from UN officials and high-level diplomats complimenting my work and effort in promoting the rule of law. I can’t believe the profound changes a UN conference could bring to a teenager. From the media attention from Twitter and new insights about the United Nations to connections with people from educational institutions, UN agencies, and people with the same musical passion as me, leading to collaboration projects on song-productions on UN Global Goal topics, I can finally tell my friends from Model UN… I made it to the UN!
New Narratives Lab Promotes Next Generation of Cultural Leaders to Advance Change
The World Economic Forum today launches the New Narratives Lab, a year-long fellowship dedicated to fostering a new and diverse generation of Cultural Leaders. Through one-to-one mentorship by the World Economic Forum’s network of Cultural Leaders and support from peers, Fellows will develop leadership skills to navigate circles of power and decision-making to bring about change.
The Lab is developed in collaboration with 2020 Crystal Awardee Lynette Wallworth, with major support from the Ford Foundation. “Many artists from under-represented communities demonstrate great leadership potential and desire but may not have the access or resources to activate that leadership. This fellowship is a platform to support their journeys as leaders”, said Nico Daswani, Head of Arts & Culture at the World Economic Forum.
Fellows will engage with their Mentors throughout the course of 2020, including at the Annual Meeting in Davos in January, during a weeklong residency at their mentor’s location in the spring, during the UN General Assembly week in New York in September, and at other Forum events. In addition, Fellows benefit from targeted introductions to business leaders, policy-makers and media influencers in line with their development goals; a coordinated social media, media and documentation strategy; and a $15,000 stipend. Follow the Lab journey at #newnarrativeslab.
“By creating a new fellowship for cultural leaders who strive to create change and by surrounding them with a team of allies who have experience navigating corridors of power, we hope to elevate the role of artists as leaders and to lift them up as they generate urgent new narratives for a changing world”, said Lynette Wallworth, Artistic Director of the Lab and 2020 recipient of the Forum’s Crystal Award.
Fellow and Mentor pairings include:
Rena Effendi (Fellow, Istanbul) with Platon (Mentor, New York)
Rena Effendi is an award-winning photographer whose work portrays the socioeconomic effects of globalization on marginalized communities around the world. Effendi will be supported by Platon, one of the great photographers of our time, to combine powerful storytelling with real-world impact through the creation of multi-stakeholder coalitions.
Thando Hopa (Fellow, Johannesburg) with Angélique Kidjo (Mentor, Paris/New York)
Thando Hopa is a model, diversity activist and lawyer. In April 2019 she made history by becoming the first person with albinism to appear on the cover of Vogue. Hopa will be supported by Grammy Award winning musician and UNICEF Goodwill Ambassador Angélique Kidjo in advocating for more inclusive representation in media to benefit and support all bodies and identities.
Wanuri Kahiu (Fellow, Nairobi) with Jin Xing (Mentor, Shanghai)
Wanuri Kahiu is a filmmaker whose award-winning stories and films have received international acclaim and screened at more than 100 film festivals worldwide. Celebrated abroad, her latest film Rafiki was banned by her government for depicting a joyful lesbian love story. Kahiu will be supported by choreographer, media personality and one of China’s most popular TV hosts, Jin Xing, in developing the narratives that will empower artists in Kenya and beyond to advocate effectively for their freedom of expression.
“This fellowship is a response to the critical need for a diversity of perspectives and voices, including those of artists, to be in conversation at the most influential levels, about a world guided by the goals of equity, justice and dignity.” Said Cara Mertes, Project Director, Moving Image Strategies, International Programs, Ford Foundation
2020 European Capitals of Culture: Rijeka and Galway
As of 1 January 2020, Rijeka (Croatia) and Galway (Ireland) will hold the title of European Capital of Culture for one year.
“Thanks to their title of European Capital of Culture, Rijeka and Galway will be harnessing the full potential of culture to enrich our life experience and to bring our communities closer together”, stated Vice-President for Promoting our European Way of Life Margaritis Schinas. “Promoting culture as a core element of our way of life has many positive impacts on society, in terms of social inclusion, integration and economic growth. It enables people to gain new experiences, skills and opportunities to participate in society and to make our societies fairer and more inclusive. I wish them every success in this endeavour.”
“The European Capital of Culture initiative brings people together and highlights the role of culture in promoting the values on which our European Union is built: diversity, respect, tolerance and openness”, statedCommissioner for Innovation, Research, Culture, Education and Youth, Mariya Gabriel. “A successful Capital of Culture is inclusive and meaningful to its citizens. It is also open to the world, illustrating our Union’s willingness to promote culture as a driver for peace and mutual understanding worldwide whilst bringing long-lasting socio-economic benefits to its region. I very much look forward to visiting both Rijeka and Galway and wish them every success in 2020.”
Rijeka is the first Croatian European Capital of Culture bringing it international visibility, which will extend to the rest of the Western Balkan region. ‘Port of Diversity’ will be the motto, with hundreds of projects among 250 partners from 40 countries. Rijeka’s cultural programme focuses on the themes of water, work and migration, connected to its identity, but also current issues in the wider world. The opening exhibition will feature Rijeka’s famous artist, David Maljković, with other highlights including ‘The Sea is Glowing’ exhibition; a world music and gastronomy festival – ‘Porto Etno’; and new permanent installations of contemporary art on the coastline. Opening celebrations will take place on 1-2 February 2020.
Galway is the third city in Ireland to hold the European Capital of Culture title (after Dublin in 1991 and Cork in 2005). Galway’s cultural programme motto is ‘Let the Magic In’, exploring quintessential local themes of language, landscape and migration – with a European and universal relevance and resonance. The ‘Hope it rains’ theme will use Galway weather as a source of creativity; while other highlights include a celebration of world literature – with a dramatic interpretation of the world’s oldest surviving literary epic, the story of Gilgamesh; and excerpts from Homer’s Odyssey, read on Galway beaches. Meanwhile, new installations will celebrate the beauty of Connemara and County Galway. Galway 2020 will begin in February 2020, at the start of Imbolc – the first Celtic season in Ireland’s ancient, pre-Christian calendar.
Melina Mercouri, then Greek Minister of Culture, took the initiative to start the European Capital of Culture in 1985. It has since become one of the most high-profile cultural initiatives in Europe. Cities are selected based on a cultural programme that must have a strong European dimension – promoting participation and active involvement by city inhabitants, communities and various stakeholders; and it must contribute to the long-term development of the city and its surrounding region.
Holding the title of European Capital of Culture gives cities the chance to boost their image, put themselves on the world map, promote sustainable tourism and rethink their development through culture. The title has a long-term impact, not only on culture but also in social and economic terms, both for the city and the region.
In 2019, Plovdiv in Bulgaria and Matera in Italy were European Capitals of Culture. Following Rijeka and Galway in 2020, the future European Capitals of Culture will be Timisoara (Romania), Elefsina (Greece) and Novi Sad (Serbia, candidate country) in 2021, Esch (Luxembourg) and Kaunas (Lithuania) in 2022, Veszprém (Hungary) in 2023 and Tartu (Estonia), Bad Ischl (Austria) and Bodø (Norway, EFTA/EEA country) in 2024.
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