When it comes to the issues of eating disorders, which is the topic I am addressing today. Topics such as anorexia nervosa and bulimia.
The question for me has always been (as a fellow sufferer), why aren’t we telling our daughters that to be perfectionists it is ok? It is perfectly fine for a man to understand that. I’m not here to talk about entitlement, social cohesion and good governance, and land reform in Africa and elsewhere in the world and good schools.
The rich send their children to good schools. The poor send their children to no schools. I was a product of a lot of schools, and I knew intrinsically that something was wrong. It had come to that time when you make career decision. What are you going to do with the rest of your life? I didn’t want to do anything. All I wanted was to stay at home, drink coffee, and read books. She, my mother, began to live vicariously through me. For all of my life.
I am the bone-thin sweetheart under my kitchen table, with the not so perfect hair. I listen to Karen Carpenter and get the blues. I love to die a succession of deaths in under an hour. I’m obsessed with the Bang Bang Club. I’ve become obsessed with Kevin Carter’s psyche before he killed himself. I listen to the Manic Street Preachers. They have a design for life. Always have since I did my O’ levels in Swaziland.
Life is beautiful when I write. I adore the writing life. Aren’t glaciers even beautiful, the rush of winter in the trees, birdsong in the clear of day, and the clarity of the sensibility of all of them but writing, the book stuff is something else. It’s all a part of life, my life. My mother lived her own life. When she didn’t feel satisfied or fulfilled, she put all of her sexual inadequacy, insecurities and doubts on me.
And the only things that I seem to have on my mind is that I don’t have enough time in the world during the day to write, to perfect the craft of writing, the art of it. So, wish-fulfilment has been on my mind, that and everything else that is happening to ‘the people of the south’, the people in South Africa, the vulnerable. Everything is fleeting, including your youth. At the heart of it all we’re all poets. But most of all I’m frightened of the wild, of the wilderness disappearing. I am mourning our mountains, and rivers. Topic for another discussion for another day. Body dysmorphic disorder must be realised for what it is. A poor self-image.
What are your answers on how to sell a book and save the world at the same time? And I’m frightened all the time. Frightened of being an invisible person, an invisible woman for all of my life, because I was a prodigy, or am I forgetting myself again. Fear and anxiety rise up in my throat. The voices say that I am mad, that I will never get a man, and he will never trust my judgement. The loneliness wells up inside of me. I think of the reality of my dreams, and nightmares. The men that I telephone, who accepted my friendship when I was in my early twenties, who do not return, who have stopped returning my calls. Shy away from me.
The voices worship, and adore me. They do, they do, they do. They’re fierce creatures when it comes to the burden, and care of loving me, heavenly when they play my love songs on repeat. Video did really kill the radio star. Fear is what I hold dear. Anxiety is what I cherish. I am volcano lover versus oil on my hands. I am devilish. I am exquisite. I am poet. I am lake. Sometimes I go where the mood takes me. Sometimes I am numb with cold, then freezing to death because of the air in my room, salt, and light, and energy on the forsaken summer breeze, and I think of my arms, and legs as I do branches.
I smell like a forest of trees. Ancient and cool, like driftwood spat out of the cold sea. The men I once loved are decades older, and I still long to be in their arms, to be in their bed. I search the internet for online literary journals in Scandinavia, because the voices tell me I am something of a poet. I have sorrows on my mind, the colour blue, fish fingers on my plate heavy with ketchup, chapped lips, a greasy egg breakfast. Vertigo goes to my head. I watch Pastor Joel Osteen on the television.
After the television evangelist Joseph Prince’s show, they give me the good news that I want to hear. And yes, yes, I mustn’t waste my pain.
Of course, everyone understands my situation now after watching Homeland. Poor girl, they all say, the father substitutes feel sorry for me. Their wives, my surrogate mothers every one, roll their eyes heavenward. I know exactly how they feel about me. I replaced my own father’s affections for my mother My life is fodder for everything that I write. I just want to be happy. To be happy to me is to live on a diet of coffee and yoghurt and lettuce. Rabbit food and salad and literally eating mayonnaise out of a jar. Licking the back of the spoon makes me feel all-powerful.
Why does it seem that prodigies never want to grow up, accept the responsibilities of a 9-to-5 job, make a positive contribution to society? If they are a daughter-child they think that they will never find a man or partner love them as much as their father. So, they find themselves in therapy (I was in therapy since I was before 8 years old, and 40 years old before I understood the intricacies of the mind, how every brain disorder worked on a rational, irrational, realistic, non-realistic, reality, non-reality level). There is a lot of thought-work being put into having the psychological traits today of both mother and father. Today we are studying aspects of the brain that have never been studied before.
Spending quality time with the mother-figure/figures in your life, if you were so unlucky never to have, or, rather have a lack of a mother-figure in your life. We only have to look at the building-bridges architype between the Duchess of Sussex and her mother. The Duchess of Sussex is an outstanding role model for children of mixed-race relationships. I follow her brand of diplomacy in my own inter-personal relationships in my public and private and personal lives. Both the Duchess and her mother are the epitome of class and elegance in public. Kudos to them for winning the hearts of the public.
Living your life in a bubble is unimaginable sometimes. The public (I have realised through singular trial and error) will never see you at your most human when you are a public figure. What will always be key in all of our lives, whether we are famous or not, is how we master diplomacy, negotiation and reconciliation in our own life. Master respect and master forgiveness. Watching Jeff Bezos, Prince William and Prince Harry, Albert Einstein, Jean Rhys, Rilke, Nikolas Tesla, Elon Musk, the late filmmaker and visionary-creative Anthony Minghella (Mr Wonderful. The Talented Mr Ripley based on a Patricia Highsmith novel.
and The English Patient).
I began to see that from inconsolable grief, isolation from your peer group, losing a loved one, or, not having the love you need in your life we can use the presence of deep and emotional pain, what hurt us in our past, every incident of trauma, and even been bullied can begin to rebuild our mindsets’. Yes, it can I believe. I can only speak from my own experience. I have empowered and uplifted myself. Now I must do this with millions. Millions of the displaced, marginalised, vulnerable, and jobless. I want everyone to have a seat at the table.
I am glad the topic of sexual violence has come up in the pages of Modern Diplomacy and child rapists.
You know, I thought to myself it was about time, and then I cried because I was so happy. Gender-based violence is another topic close to my heart. If you are a woman of colour, reach out to all woman of colour especially those who want to ask your advice. We are building a nation not of equality, but cohesion. The following step is of course rehabilitation for both parties involved. The victim being abused, and the perpetrator of abuse. My aunt was an alcoholic.
The stigma in the coloured community of a woman drowning her sorrows in addiction was so great she died of alcoholism. She will never know her granddaughters. Racism is also a form of mental cruelty. Every violence, domestic, sexual, mental is a form of cruelty of the worst kind. There was domestic violence in my family. Everybody knew what was happening in the family, but nobody did anything about it. I watched all of this from afar.
All I want you to do is to remember me. Remember that children are not in the habit of wanting a lover, that’s grown up married stuff. Rather all they for most of their lives is accepting that I just need a friend, like I need sobriety, like I need a man in my life. Women don’t want to be my friend. They rather treat me unkindly. Laugh at me behind my back. Destroy my reputation just because they can. I will always remember you, you, and you. How you said I was behaving, like I had been misbehaving, not taking my medication. How you spoke to me as if was unwell. That I needed to be treated for the depression again, or, something, or, something else this time around.
I have stopped loving you. I am not in love with you anymore. I would be a fool. I would be the insecure coward. You win traitor. You’ve got the girl now. You’ve got that woman on your arm. You made a fool out of me. Never replied to my emails. Perhaps I was lovesick, traitor.
You’re yesterday, traitor. You’re suffering, traitor. You are kismet, milk-fed, champagne snorting through your nose at the parties, and social gatherings that you go to with that girl on your arm. When you move on the dance floor at the nightclub, you move into her, grasp her in your arms as if you will never let her go. You let me go, go, go.
I really wish you would smoke. Light up that joint, fall asleep with marijuana in your bone season, but you won’t. You won’t think of snorting cocaine up your nose. You’ll drink sherry, but half-half-heartedly, just to join in with the rest of your in-crowd.
You’re still as popular as you ever were in high school. All the girls, no matter what their age, they all fall for you. They are all in love with you. I feel split right down the middle, because of you traitor, part of me calls you vulnerable, part of me remembers the intimacy of our conversations.
The prodigy is frightened of the world, does not understand how critical it is to be ‘people who need people, and that they are the luckiest people in the world’. And he grows up, she grows up so focused on achieve, achieve, achieve. Accomplish, accomplish, accomplish. Give me grandchildren. Marry. But all they hear are is that they are not children anymore. They have to marry now, have sexual relations, join the adult workforce, and they think their glory days are over. That they will never be truly loved again. Then when they are not loved, they consider everybody in their adult life as traitor.
How I long for a bowl of black olives. I long to spit the stone out, like you spat me out, traitor, as if I was the criminal in this narrative. I’ll write a book about you one day, see if I don’t. I swear on my father’s wheelchair, I swear on his life, I will, I will, I will. I won’t call you sweetheart. Just remember me, please. They don’t know anything about the longevity of a career, how time-consuming it is. They just want to remember that once they were a gifted child.
So, topics today concern children. I espouse family values. This is very important to me. Children must be protected at all times. We have discussed mental wellness. Suicide is on the increase. Children must play. I was always at a drama rehearsal at a very young age. I never wanted to go home to that hellhole. A dysfunctional family who could see that I was different, told me so, destroyed my self-esteem and identity. Even the person I loved most in the world. My brother turned on me as an adult.
Do I advocate free clinics around the world dealing with issues of mental wellness for men, and young men, women, and young women, people of every age, especially widows and orphans, the homeless (when I was homeless, I stayed at the Salvation Army and a shelter for abandoned women and children).
They call themselves places of safety. Yes, I do think people should be trained to deal with people who are mentally ill. Most of all have empathy for them. We must not fail to realise what is at stake here and all the stakeholders involved. Especially our sons and daughters.
They are of course the next generation. We must protect the most vulnerable stakeholders when it comes to mental wellness. Understand that where ignorance is bliss, it is folly to be wise.
On watching David Mamet in an African context
His boots made a squelching sound. In the whorl of her ear a squelching noise on the welcome home mat. The man was quick. The girl was slow. The woman was slow to speak. She was slow to communicate what she was thinking and feeling. The secret part of the actor was valid. Her fear, anxiety and chemistry becoming like the flapping wings of a Bach woman. After the interview came the hurricane. Late morning the man realizes his mistake. The woman remembers her parents’ relationship from childhood. The man remembers how the young woman looked the day he married her. He remembers their courtship and the day they got married. How he squinted at her through the sunlight that fell upon her hair that day at the beach. He had gone fishing. Caught nothing.
He had left her alone to read a magazine on the beach. The town was near decay. It was a tourist destination for the mega rich. She will think one day (the girl inside of her) that she married the wrong one. The apparitions come at night. The snow in winter. David Mamet is a mega rich American writer and Republican intellectual. He has made it. Millions won’t. Millions idolize him. Thousands want to be him. They want to live his life for him. They admire him for living so well. There is driftwood on the beach. The chips of wood are like a magnet almost as if they are chipping away something of life at the root heart of humanity. There is always a story to be told from life, from everything. Everyone has a story to tell. The girl sighs with a thousand other girls. Her soul is bitter. She has lost something. She feels she has lost everything because the guy has up and left her stranded with the baby. What is she thinking, what is she feeling? David Mamet is a well-known playwright. In a shining circle the bleak ones live in this world feeling nothing. Existing on the fringes of this life world. They wait in unison for the hereafter. I realize my mistake now. The young girl fell for the wrong guy. The twig sucks me in. The man walks in beauty. Wild geese are calling with a purpose. Music in Africa has its own language.
We are conditioned to think that nothing lasts forever in politics. The only thing that really lasts is a story. It has prophecy and legacy combined. Which one lasts longer? What of our playwrights and our songwriters? It is a summer evening. People are dancing in the street. The smell of barbecue is smoky. She looks at her face as she passes a shop window that is brightly lit up and doesn’t recognize her own face. The wretched and forlorn look upon her face. The young girl smells of bloom ad smoke. She thought she would give it up for Lent. David Mamet is a world-famous director and writer who understands the nature of art and truth when it comes to telling and writing original stories. He started his own theatre company. He married an actress. Conquerors know of miracles. The house has a room that has been standing empty for years. The naming of parts comes with having a range of intelligence, scrutiny, wearing a sorrowful mask, understanding suffering. The woman has a slender body. The actress has a stunning face. The woman has a confession. There is a sharp intake of breath as the man’s fist comes crashing down on the table. You cut your finger with a kitchen knife. Remember, the day you cut your finger with the kitchen knife. Or was it really your fingernail?
The director goes back and forth, back and forth cutting between the tension and the dialogue of the actors. He walks them through their paces. The actors take a well-deserved break. They talk and interact with each other. They smoke and laugh. The girl throughs her head back and sounds silly when she tries to put everyone else at ease when she is not with her own performance. There is some insecurity there. Some self-doubt. They run lines. The gravity of the thing comes into view. We all struggle. Don’t we all, someone in the group says. There are confessions. Then there are more confessions with a trimmed and a manicured nail. I am getting old. I can feel it in my bones. The flesh of my flesh was very tender that day I cut my finger with the kitchen knife. I sliced it like a pear. Prizes make you happy and sad. Here is the ballad of a growing intimacy, a camaraderie amongst the actors in this theatre company. They mill around. No one wants to end the flow of the conversation. They want to work. They don’t want to go home yet. It means sitting at home alone for some. It means a lonely night. The beauty of the dahlias is complicated. Will there be real flowers or plastic fruit on opening night on the table? My sister doesn’t phone to talk to me.
When she does telephone, she speaks to my mother. I wish I was more real than having this kind of a fake personality. The actress is deciding whether to paint her toenails a fire engine red to stay in character. Pain helps you to grow. If you forsake pain, you also forsake growth. All of us should conquer something in life. Let us go into the wild that is calling. My life has always been on this path.
On the edge of uncertainty. My soul is gone to tell you the truth. It has lost a bit of its own mystery.
When I speak of David Mamet, I think that in the context of Africa that there is the worker Mamet in all of us. Whether it comes to the tradition of oral storytelling or not, the linear arrangement of the goal of the storyline or in the sheltered pose of the actor reading their lines from a script. The past slips out of its calling. Its shell of water. It passes away into nothingness. That means absolutely nothing and everything to me.
I feel it coming. I feel it coming on. Turning me around. This lonely night. Beyond the trees I feel the thaw.
Covid-19 and recovering from the first wave of the pandemic
I always wanted to be an African writer living and working in Paris. Eating onion soup and fresh bread rolls at a café for lunch but mostly I am a woman reading, translating work through editing, writing and working in the macrocosm of the narrative that is modern day Africa. I am a woman who feels compelled to tell stories. It is a fundamental part of my day and one of the basics of my life. I want to be honest, but it hasn’t brought me happiness all the way. I go outside and loneliness meets me there. It is too authentic for its own good. It smells like spirit and behaves like wild horses. I admit that I am like water. I am tired of braving hospital life after braving hospital life again. Swimming against the tide of the kindness of strangers. Those nurses and caregivers. Covid-19 there, there, there everywhere and then manifesting inside of me.
What to do with illness? The aberrations of mental illness and physical illness. What to speak of it and to whom? I drink coffee. Too much coffee. Underneath all that coffee is a field. A field of illness. Health is wealth. But I have realized this much too late. The pills glow at night and during the day I take them with gulps of water. My mind palace is awaiting harvest. Too divine. Every day is a day of hope and recovery and renewal. There was a man in the picture, but he is gone now. I thought a man was going to save me. But he didn’t. Now he sits in a house, occupied with thought and calling. All I have ownership of is purpose. It is capable of many beauties. Many things. Once I was in love. Now I find territories to conquer and one of them happens to be life itself. I am a warrior with intent. I am happy, content and satisfied to be a puppet again engineered by the ways of a materialistic society. A puppet named outsider. I don’t pay attention to my mother as often as I should have. I chide myself. I should have been more on her side, placated her more, laughed more with her then I wouldn’t have been rejected by her I tell myself. Now that I am older, I don’t know what truth is anymore. Most of the time life perplexes me. In all my life Rilke has been in my hands like summer. I dance towards battle.
There is certain kind of darkness visible in my nerves. I have known and lived alongside suffering emphasized by psychological insight. It has been majestic in the way that only inconsolable sorrow can be. I am too primitive for this world. I have known love but not enough of it to marry and be happy. My brother says there are married people who feel deeply unloved and who are unhappy. There began to be patterns in my life that marked me, and the world seemed to reject the sunlight inside of me, inside the ancestral worship, Christian psychiatrist of my head. On returning home I began to step out in faith. I watched Joyce Meyer. I wanted to be worthy. Even comets have the air of having a complex about them. Time has a refrain. It is leaving me and with its return come all the stars of the universe. I wanted to know more, do more, I wanted to know what my inheritance was. I remembered myself as a bone thin girl in my twenties wanting to be ambitious but already jaded of the people around me, in their spiritually diminishing crowds. Their mystery attracted me. Their personalities seemed to reject the introvert that I was. I always viewed it as a rejection of me. Rejection of self I suppose.
My mother’s destructive self-sabotaging behavior milking my father’s manic-depressive personality. My own dark struggle with mental illness defined who I was for much of my adult life. My middle sister made her escape to Europe, my paternal family into the church, establishing the bonds of close-knit nuclear family, religion and my maternal family into wealth and privilege. The quiet honey of money. Rich and thick. I found a spiritual habitat in writing poetry, cognitive behavioral therapy and stream of consciousness writing was unleashed. I found there that life shimmers in both joy and solace. I found the edge of the impossible in reasoning, balancing and prayer. We tend to find the human being in the minority, the lesser being in the outsider and locate glory in the majority. In the pages of my diary I find the destruction of the earth there, moral being. For as long as the man was in my life, he was wondrous, and I felt tethered and I discovered that the empirical nature of childhood functions as the creative’s unweaving. When I wrote I felt bird flight in my veins, bird flight in Provincial Hospital, bird flight in my brainwaves, in the cavernous vibrations of my body and something was manifested.
It felt as if I was manifesting the exposed. The spiritual embodiment of the plains of the journeys we mature in confidence in, the districts of human nature, the rooftops of the birds and while society paints the iris, we contemplate the beauty in the world. On the wings of the unpeeled, the astonishing, the extraordinary the capable scientists flutter in the medical fraternity, on the cusp of innovation in pharma. I am left to glitter. Like an octopus I wade into the supreme self-correcting depths. There was an otherworldly renewal to my limbs when I recovered from the first wave of Covid-19 and life felt supernatural to me. Everything was faster, faster, faster and I began to live in a magical reality. Millions live life like this. On this precarious edge of the device of breathing with this kind of survival mechanism built into them. When you descend into illness you also descend into a kind of sustained despair that never leaves. That seems to float like the leaves, that has the hardy vertebrae of branches, the activity found in furious churning of the gulping mouth of a shaking fish. I never contemplated my own death in the hospital.
I never contemplated that life would go on, that I would recover, that I would write again. The day was filled with silence and longing in the ward filled with young women. Psychotic. Aggressive were words that were used. I had my period when I was admitted to the hospital. The depression I had when I got out of the hospital had the body length of an elephant. It curled up inside of me like a snake connected to my bones in the fetal position. My mother had a kind of tender fragility leaning towards sainthood when I came home. My father was sad. My brother did not pick up the phone when the hospital telephoned him to come and fetch me. I had been discharged. My mother told me he had feared the worst. I had to stay an extra day in the hospital. My mother explained they were not ready for me to come home yet. What did that mean, I wondered? I still don’t know how I made it through that passage of time, fought my way through. All I know is I still need to heal. I still need to heal and that takes practice and getting used to, engaging, involving yourself in the pursuit of daily activities, not words.
Things are returning to normal. My brother wants to get away to Canada now. Even the holy is visible here in my childhood home. Incarnated here if it is possible to use a word like that. It feels as if some days there is an anointing on everything that I touch. The day is golden and bright with promise. You don’t come all the way back from the experience of near death. I want you to remember that.
Mining and apartheid in South Africa are unfinished business
Corruption doesn’t discriminate. No one is immune to it. Everyone is fair game whether you’re connected to a high-ranking politician or a powerful family or working in local government or even an individual. Miners working under deplorable conditions is nothing new. Alan Paton wrote about that in, ‘Cry the Beloved Country’ and this engrossing book has now been around for decades. It is now part of school curriculums.
The mines in South Africa have been part of the fabric of the consciousness, the landscape of this country since the inner workings of apartheid were put into motion. Nothing has changed and yet it seems on the surface that everything has. You hear about these stories every day and you become so desensitised to it and at the end of the day you realise that there is nothing really that you can do constructively, except keep the faith that things will gradually move off by itself in the direction from the worst of conditions to the better.
Of course, my heart bleeds for them, those miners. They’re only human. They have families, wives and children. But that’s not the first thing people see when they open a newspaper in the morning with their coffee. To them, the miners, employment is employment is employment (they see it as nothing else) and that is why education is so important. Conditioning shouldn’t be addressed or implemented as a ‘just cause’.
The sensitive and emotionally mature amongst us will not shy away from issues of the day that have to be addressed, not just for the sake of addressing them. To change anything today is a revolutionary mission but it is one that begins with clarity of vision, equality, respect and recognition of communities at the grass roots level slipping into being. (I hope I have answered your question to the best of my ability. Please feel free to continue with this line of discussion).
No and I must say this with huge emphasis. Service delivery in the rural areas, the townships where unemployment is high, skills development is low, is non-existent and so nothing is forthcoming from the government of the day except it seems empty promises when local government elections roll around. There is crime, criminal syndicates operating in the major cities. Clean, running tap water, sanitation, waste removal and electricity should be high on the priority list because it concerns the poorest of the poor; the majority of the population is living in squalor, slums, raising their children, families literally on bread and water. What kind of society treats its most vulnerable citizens in such an unjust way? Children are raising children. Sisters and brothers are playing the role of the absent parent in their younger siblings’ lives and that is the travesty, the legacy of HIV/AIDS has left behind in its wake.
Xenophobia is a large-scale diabolical injustice in South Africa. It is pure evil what humanity is capable of doing physically, emotionally and mentally to one another. It is unnatural and disturbing to see this level of poverty, crime and death in the aftermath of the ‘Rainbow Nation’ and ‘African Renaissance’. People are selfish, self-absorbed and self-indulgent but what they don’t realise is that the world doesn’t owe them anything. We are so consumed by money, cars, employment, visions of glory and wealth and personal success. You must make your own way in this world even though mountains like punishment and stage fright are staring you down, at every turn, every corner with snake eyes.
The world we are living in today is a world filled with madness, wide-open despair and it is like a fire tugging at your heartstrings, the pathways of nerves that connect to your consciousness; the effects, the torment of depression and mental illness are everywhere to see. Its existence can no longer be furiously hidden away from view and denied. On the outside everything glitters but inside there is still urgency for freedom and a living, breathing self-awareness. I feel, for this nation.
I didn’t deliberately set out to leave apartheid out or not write about it. In the end, it just happened that way. It wasn’t a conscious decision. Only when I began this conversation with you, did I realise just how much of a role I played as a ‘witness’ to this/these heinous crime’s committed, in the name of the law of the land of this country, at the time when apartheid was what people were thinking was triumphing over the weak, the infirm and the destitute at its peak.
Apartheid deserves a book all its own. One subject under the sun that I feel I will take on as I mature more and more as a writer. It will be challenging. There is so much rage, sorrow, a visceral disconnect between people who were the ‘privileged minority’ during apartheid and then there were the ‘shamed majority’ living stuck in the trenches of poverty and death. There are a lot of things, themes of the South Africa that I knew as a child that I left out of it (the poetry book Africa Where Art Thou), when I look back on the book in retrospect. Yes, you’re right. So much more could have been said. Perhaps I should have spoken about it; the life experience of a majority living in a case of perpetual state of feeling anxious, humiliated to the core, self-conscious and apartheid closed in on me, every facet, aspect and abstract of my childhood, adolescence and youth. Not just me but an entire country. On the one hand it was flourishing and on the other it was a complete paradigm shift; in other words, infinite good on the one side versus resident evil. I did not want to state the negative, the negative, the negative repeatedly because it was omnipresent in every sphere, realm, empire, castle wall, ivory tower that apartheid was built on. If I had a book of hellish negatives (as a writer you can’t work in that oppressive and claustrophobic realm, I mean, I can’t deliver what I feel to be my very best work) how would people be drawn to it, was what I asked myself over and over again?
Thinking about it I am glad I did not pay any sort of ‘homage’ to apartheid in my first book. The market here (South Africa) is saturated with books on that subject. No one talks about Africa, the continent, the people, the inhabitants in a way that I feel I do in my first book. I’m happy with the book but can any writer or poet really say that they’re completely happy or that they feel it’s finished-ish? You always want to go back and change something and there is always something you’re not happy with in the end, but in a way, it is also liberating to feel, speak, act, react towards the cause of justice and emancipation.
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