Alone in the dark: The Sylvia Plath Effect and the Northern Areas poet

I was 16 when I first attempted to take my own life. I was seeing a psychiatrist (he of the Einsteinian-hair, he had studied at a university in Vienna, his son went to the same high school my brother went to, the highly-prestigious Grey High School for Boys) at the time who was convinced that Risperdal could help me, elevate my mood. I was depressed, very, very depressed. I drank some red wine, and took some pills, and slept it off. There have been other attempts.

Anti-depressants, counselling, psychiatrists, a coma, psychosis, hallucinations (some auditory), but there also have been periods of intense creativity. The psychotropic medication seems to have not impacted my imagination, only my dopamine and serotonin levels. I felt down a lot in high school. I had no one to eat lunch with. One friend.

Every year I had one friend. One black friend. I got tired of being tired (they call it chronic fatigue syndrome). Sometimes I thought I was just pretending. That was why I was attracted to acting in the first place.

I didn’t have to be me anymore. I still think at 40 what people think of me, I’m still dying for my mother’s approval. There were crushing-and-numbing lows that felt like a succession of deaths, clinical depression, insomnia (I found it very difficult to fall asleep, would toss and turn the entire night listening to my parents fight behind their closed bedroom door, I read into the early hours of the morning with a torch under the covers). I’m fragile. I was abused mentally, verbally, physically by my mother for most of my childhood.

Later she isolated me from my so-called friends, from so-called family, and then rejected me because of the texture of my kinky-peppercorn hair. In her words I was an “wretchedly-ugly mistake”, who was “nothing special to look at”, “an intellectual like your father”, “take your smarties yet”. According to my mother, for years, I did not have a mental illness (see bipolar mood disorder), I was demon-possessed and needed prayer.

High school was difficult for me. I was bullied, and I was a bully. I was an obsessive-compulsive perfectionist, a high achiever academically but after the first two years of high school my grades started to slip). You would think that this would have been a warning sign for either my mother, or my manic-depressive father, who was also an over-achiever as I was. So, I felt pain every day, no one was pulling me through this pain, I hardly could get out of bed in the morning, there were no romantic entanglements with boys my own age (which meant no heavy petting, French-kissing, making out, distracted by sex, boyfriends, or popularity), no girlfriends who came to the house, no experimenting with the smoking of cigarettes. I decided I as an atheist, although I still went to church with my parents, and my siblings, my younger brother, and sister. I can’t put all my happy memories, and my childhood, and my elegant and narcissistic mother in a time capsule. I have the same nose like my mother.

My mother thought the obvious, it was drugs. I was smoking marijuana.

It was my peer-group. I was hanging out with the wrong friends. She blamed anything, everything, everyone, family, estranged family, cousins, except herself. I take tranquilisers at night to sleep, fall asleep watching television. Then there are my sleeping pills, my father’s sleeping pills, my aunt’s sleeping pills. Then there’s Pax, Lithium, Zolnox, Arizofy, Puricos for the gout, Puresis, the water tablet, for my chronic kidney disease. It seems that all I’ve seem to do for most of my life is take pills to make me happy, scale the seawalls of the depression, but it is seeming, writing keeps finding me, and I keep finding writing. Books, plays, novellas, poetry, essays, and blog posts. I was a teenage runaway. Sometimes I’m stressed out. I know how to deal with that kind of currency now. I’m still insecure. I’m like the most vulnerable person I know. I can’t turn back time.

I ran away to Johannesburg, and then to Swaziland, and wanted to go to the London Film School when I was 16. I’m designer playwright, keen diarist, hooked on becoming a memoirist, and inspiring ideas when I’m found hibernating in my room, lying in the foetal position on my bed listening to music blaring from my radio, and yes, I’m still running, carrying the cross. I’m only happy though when I’m a failure. I’m only unhappy when I’m adding another accomplishment, onto an already full list of accomplishments. Acting my heart out on the stage, drama rehearsals at the Opera House, lead role in the house play, Quiz, editor of the school newspaper, swimming laps in the local Gelvandale Olympic-sized swimming pool etcetera, etcetera. The everlasting list goes on, and never-ending on. I make money out of writing now.

I’ve lived with the naming, the shame-and-blame for all of my life.

Whose fault was it that I was abused, or that I was molested as an adolescent, or that I was too trustworthy of men in positions of power, and thought that every female that I met was my friend. Last year, I baked a cake for my birthday. It was the most beautiful cake in the world. I decorated it with mini-meringues and African violets, but nobody touched it, put it past their lips. And so, my 39th birthday collapsed, fell to pieces around me. I cut out recipes from magazines, and in the kitchen, I have this burning desire, this burning search to be chef, and baker. I sleep with cookbooks next to me on my bed. And like the high priestess of soul, Nina Simone, or the actress-celebrity Dorothy Dandridge, Oprah Winfrey, Misty Upham, you can only bury your thoughts, your shame, the people that you hold responsible for not loving you unconditionally, or protecting you.

Or nurturing you, or saying that they were proud of you, you can only bury your feelings for so long. So, now I write about the stigma, the bipolar struggle, the anxiety and fear that depression brings up inside of me like a storm, and you will usually find me crying in the dark, stifling my sobs into my pillow at night, dark is the night, winter has moved on, and I shy away from autumn, I’m battling survival, my survival, and I’m so well aware of the women who have not lived to fight another day (Sylvia Plath, Anne Sexton, Assia Wevill, Virginia Woolf, Elizabeth Donkin, Iris Chang, Petya Dubarova). I’m battling daily. There are days that I feel deceived with burning desire by every single man, woman, and child that I encounter. I think of my happy childhood memories. I think of my sadness, my introspection, my reflections that mirror my soul. Sometimes a certain smell will take me back to childhood. Usually my mother’s perfume.

YSL’s Opium. To this day, that perfume gives me flashbacks.

Sometimes, just sometimes I think of the love of my life touching my face, and then I see him walking away from me in a parking lot, and I smile at this memory. I smile at the injustice of it all, that a man had loved me after all, and I ask myself, do you want even more heartache, more pain, more despair, then tell him that you love him back, that you only live for him. I smile at the memory of Ted Hughes, and Sylvia Plath, because after all he chose her to be his wife, and the mother of his children. Weddings are happy occasions marked by pomp and ceremony, and the happiness, and difficulties of both bride, and groom. It hurts too much on the inhale of the howl, and inside I’m a philosopher in the tradition of Nietzsche, and inside I’m a preacher. And sometimes, just sometimes the history of the bipolar, the madness life, the life that I live on my terms hurts too much on the exhale. In the bathroom mirror I write the narrative of love to myself.

There is a link between creativity, and mental illness, genius, and madness, and then I think of my extraordinary achievements, of my father’s giftedness, my mother’s own capacity for spells of melancholy, and giddy happiness, her talent for flowers. I see things that other people can’t. I hear things that other people can’t. I can’t turn back time to the good old days. I have moths, and butterflies, and swallows, and birds in my stomach, a reputation, an angel-tongue in my mouth. Love has passed me by. I made a conscious decision not to marry, not to have children, but it didn’t make me less unafraid of the world around me. I made a conscious choice not to experiment with illicit drugs. I don’t drink. And, yes, I thought the love of my life, and I would live the years together, from the infatuation-phase to the honeymoon-phase. It is better to have loved, and lost, than never to have loved at all.

I have tried to take my own life four times now. I have relapsed more times than I can care to remember, but I still believe in the inter-communicative, inter-related, grassroots-secret of longevity. I love life.

Abigail George
Abigail George
Pushcart Prize and Best of the Net nominated shortlisted and longlisted poet Abigail George is a recipient of four writing grants from the National Arts Council, the Centre for Book and ECPACC. She briefly studied film, writes for The Poet, is an editor at MMAP and Contributing Writer at African Writer. She is a blogger, essayist, writer of several short stories, novellas and has ventured out to write for film with two projects in development . She was recently interviewed for Sentinel, and the BBC.