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SFMOMA Announces Five Summer 2019 Exhibitions

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Rick Guidice, Toroidal Colonies, cutaway view exposing the interior; courtesy NASA Ames Research Center

In addition to its major presentations of Andy Warhol—From A to B and Back Again, JR: The Chronicles of San Francisco and Suzanne Lacy: We Are Here, the San Francisco Museum of Modern Art (SFMOMA) announces an exciting schedule of architecture and design, contemporary and photography exhibitions opening at the museum this summer. On the occasion of the 50th anniversary of the Apollo 11 moon landing, Far Out: Suits, Habs, and Labs for Outer Space will include a wide range of visionary designs in pursuit of outer space ventures. SFMOMA’s New Work series will highlight recent sculptures and photographic works by multimedia artist Erin Shirreff.

SFMOMA’s Pritzker Center for Photography, the largest space dedicated to the medium in any art museum in the United States, will present three new shows this summer. In the New to the Collection gallery, a recently acquired archive of previously unseen Polaroids will feature the many faces of April Dawn Alison, photographed over the course of several decades. Don’t! Photography and the Art of Mistakes will explore dos and don’ts of “good” photography and the rule breakers who challenged those norms. Signs and Wonders: The Photographs of John Beasley Greene will highlight the 19th-century photographer’s stunning images of ancient Egyptian ruins and archeological sites in his first museum survey show.

Far Out: Suits, Habs, and Labs for Outer Space

July 20, 2019–January 20, 2020
Floor 6

Fifty years after the first footsteps on the moon, our ongoing journey into space continues to capture worldwide attention and global resources. Organized by SFMOMA’s Architecture and Design department, Far Out: Suits, Habs, and Labs for Outer Space will underscore the importance of both applied and theoretical design in forwarding new models for life beyond earth. California is uniquely poised to host an exhibition on this topic, with an established history of astronautic innovation and invested research on space exploration at two NASA centers — Ames and the Jet Propulsion Lab (JPL) — as well as Elon Musk’s SpaceX. Real and conceptual designs for space suits, habitats and laboratories will be on view, alongside a selection of films and visual art, including designs from Raymond Loewy, Rick Guidice, Neri Oxman and Tom Sachs, among others. Culled from many different collections, Far Out celebrates design in taking us far out to the final frontier.

Erin Shirreff, Bronze (Slivka, Burckhardt, Busch, Laocoön), 2018; photo: courtesy the artist and Sikkema Jenkins & Co., New York; © Erin Shirreff

New Work: Erin Shirreff

July 20, 2019–October 27, 2019
Floor 4

Working in various mediums, scales and modes, Erin Shirreff explores our relationship to objects and images, and between two- and three-dimensional space. In this exhibition, her first solo museum presentation on the West Coast, Shirreff will show a selection of recent sculptures and photographic works. Forms based on JPEGs are rendered in foamboard and bronze, and offset reproductions are enlarged and given a sculptural dimension of their own. Together, the works examine the slippage between the experience of an object in real space and its photographic representation, where scale, weight and physical presence are distorted.

Generous support for New Work: Erin Shirreff is provided by Alka and Ravin Agrawal, SFMOMA’s Contemporaries, Adriane Iann and Christian Stolz, and Robin Wright and Ian Reeves.

April Dawn Alison, Untitled, n.d.; collection SFMOMA, gift of Andrew Masullo

New Work: Erin Shirreff

July 6, 2019–December 1, 2019
Floor 3

Made over the course of some 30 years, the photographs in this exhibition depict the many faces of April Dawn Alison (1941–2008), the female persona of an Oakland, California–based photographer who lived in the world as a man. Upon her death, Alison left an archive of over 8,000 Polaroid photographs, the vast majority of which are self-portraits. This previously unseen body of work begins in the late 1960s or early 70s with tentative explorations in black-and-white photographs, and evolves in the 1980s into an exuberant, wildly colorful and obsessive practice inspired by representations of women in classical Hollywood cinema, pornography and advertising. An extraordinary long-term exploration of a private self, the Alison archive contains photographs that are beautiful, funny, enigmatic and heartbreakingly sad, sometimes all at the same time.

Left: Charles M. Taylor, Jr., Why My Photographs Are Bad. Philadelphia, PA: G.W. Jacobs & Co., 1902. Right: Ralph Eugene Meatyard, Untitled, ca. 1963; San Francisco Museum of Modern Art, gift of Dan Holland; © The Estate of Ralph Eugene Meatyard

Don’t! Photography and the Art of Mistakes

July 6, 2019–December 1, 2019
Floor 3

There’s no success like failure; artists know that better than anyone. Don’t! Photography and the Art of Mistakes explores how photographic techniques such as double exposure, lens flare and motion blur, deemed errors by one generation of photographers, became interesting aesthetic intentions by the next. In the late 19th and early 20th centuries, proscriptive texts by self-proclaimed photography experts proliferated in amateur manuals and periodicals. The next generation saw the rise of photographers who challenged these rules and strictures. Pairing modernist images by artists including Florence Henri, Lisette Model and Man Ray with historical documents, this exhibition examines the shifting definitions of “good” and “bad” photography, while considering how tastes evolved during this transformative period for the medium. The show concludes with a section of contemporary work by artists including Sara Cwynar, John Gossage and Andy Mattern that underscores concerns about failure and photographic rules that persist to this day.

John Beasley Greene, Giza. Pyramid of Cheops, or Khufu, 1853–54; National Gallery of Art, Washington, D.C.

Signs and Wonders: The Photographs of John Beasley Greene

August 31, 2019–January 5, 2020
Floor 3

In 1853, at the age of 21, John Beasley Greene (1832–56) set out for Egypt armed with a camera and a passion for archaeology. Over the course of an exceptionally brief career, he created a body of photographs in North Africa that was admired by his peers and which continues to capture the attention of contemporary audiences. Not only did he provide detailed records of Egyptian hieroglyphics and Algerian antiquities that helped advance the field, but his pictures also offer the sensitive impressions of a thoughtful visitor in an unfamiliar land. Greene was acutely attuned to the aesthetic possibilities of photography, and his compositions display a masterful grasp of the relationship between negative and positive space. He died at 24, leaving behind few records but hundreds of pictures. This exhibition, his first museum survey show, will present Greene’s visual record of the archaeological and colonial concerns of mid-19th-century France and a singular vision for the photographic description of landscape.

In conjunction with Signs and Wonders: The Photographs of John Beasley Greene, SFMOMA will present Hannah Collins: I Will Make Up a Song, a video and photography installation that explores the work of Egyptian Modernist architect Hassan Fathy. Fascinated by issues of housing, poverty and environmental sustainability, Collins (b. 1956) considers Fathy’s mid-20th-century utopian experiments in sustainable architecture and rural community building at New Gourna and New Baris in Egypt, which raised important questions that seem ever more pertinent today.

Generous support for Signs and Wonders: The Photographs of John Beasley Greene is provided by Wes and Kate Mitchell. Additional support is provided by Sakurako and William Fisher and Gary Sokol.

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New Narratives Lab Promotes Next Generation of Cultural Leaders to Advance Change

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The World Economic Forum today launches the New Narratives Lab, a year-long fellowship dedicated to fostering a new and diverse generation of Cultural Leaders. Through one-to-one mentorship by the World Economic Forum’s network of Cultural Leaders and support from peers, Fellows will develop leadership skills to navigate circles of power and decision-making to bring about change.

The Lab is developed in collaboration with 2020 Crystal Awardee Lynette Wallworth, with major support from the Ford Foundation. “Many artists from under-represented communities demonstrate great leadership potential and desire but may not have the access or resources to activate that leadership. This fellowship is a platform to support their journeys as leaders”, said Nico Daswani, Head of Arts & Culture at the World Economic Forum.

Fellows will engage with their Mentors throughout the course of 2020, including at the Annual Meeting in Davos in January, during a weeklong residency at their mentor’s location in the spring, during the UN General Assembly week in New York in September, and at other Forum events. In addition, Fellows benefit from targeted introductions to business leaders, policy-makers and media influencers in line with their development goals; a coordinated social media, media and documentation strategy; and a $15,000 stipend. Follow the Lab journey at #newnarrativeslab.

“By creating a new fellowship for cultural leaders who strive to create change and by surrounding them with a team of allies who have experience navigating corridors of power, we hope to elevate the role of artists as leaders and to lift them up as they generate urgent new narratives for a changing world”, said Lynette Wallworth, Artistic Director of the Lab and 2020 recipient of the Forum’s Crystal Award.

Fellow and Mentor pairings include:

Rena Effendi (Fellow, Istanbul) with Platon (Mentor, New York)

Rena Effendi is an award-winning photographer whose work portrays the socioeconomic effects of globalization on marginalized communities around the world. Effendi will be supported by Platon, one of the great photographers of our time, to combine powerful storytelling with real-world impact through the creation of multi-stakeholder coalitions.

Thando Hopa (Fellow, Johannesburg) with Angélique Kidjo (Mentor, Paris/New York)

Thando Hopa is a model, diversity activist and lawyer. In April 2019 she made history by becoming the first person with albinism to appear on the cover of Vogue. Hopa will be supported by Grammy Award winning musician and UNICEF Goodwill Ambassador Angélique Kidjo in advocating for more inclusive representation in media to benefit and support all bodies and identities.

Wanuri Kahiu (Fellow, Nairobi) with Jin Xing (Mentor, Shanghai)

Wanuri Kahiu is a filmmaker whose award-winning stories and films have received international acclaim and screened at more than 100 film festivals worldwide. Celebrated abroad, her latest film Rafiki was banned by her government for depicting a joyful lesbian love story. Kahiu will be supported by choreographer, media personality and one of China’s most popular TV hosts, Jin Xing, in developing the narratives that will empower artists in Kenya and beyond to advocate effectively for their freedom of expression.

“This fellowship is a response to the critical need for a diversity of perspectives and voices, including those of artists, to be in conversation at the most influential levels, about a world guided by the goals of equity, justice and dignity.” Said Cara Mertes, Project Director, Moving Image Strategies, International Programs, Ford Foundation

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2020 European Capitals of Culture: Rijeka and Galway

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As of 1 January 2020, Rijeka (Croatia) and Galway (Ireland) will hold the title of European Capital of Culture for one year.

“Thanks to their title of European Capital of Culture, Rijeka and Galway will be harnessing the full potential of culture to enrich our life experience and to bring our communities closer together”, stated Vice-President for Promoting our European Way of Life Margaritis Schinas. “Promoting culture as a core element of our way of life has many positive impacts on society, in terms of social inclusion, integration and economic growth. It enables people to gain new experiences, skills and opportunities to participate in society and to make our societies fairer and more inclusive. I wish them every success in this endeavour.”

“The European Capital of Culture initiative brings people together and highlights the role of culture in promoting the values on which our European Union is built: diversity, respect, tolerance and openness”, statedCommissioner for Innovation, Research, Culture, Education and Youth, Mariya Gabriel. “A successful Capital of Culture is inclusive and meaningful to its citizens. It is also open to the world, illustrating our Union’s willingness to promote culture as a driver for peace and mutual understanding worldwide whilst bringing long-lasting socio-economic benefits to its region. I very much look forward to visiting both Rijeka and Galway and wish them every success in 2020.”

Rijeka is the first Croatian European Capital of Culture bringing it international visibility, which will extend to the rest of the Western Balkan region. ‘Port of Diversity’ will be the motto, with hundreds of projects among 250 partners from 40 countries. Rijeka’s cultural programme focuses on the themes of water, work and migration, connected to its identity, but also current issues in the wider world. The opening exhibition will feature Rijeka’s famous artist, David Maljković, with other highlights including ‘The Sea is Glowing’ exhibition; a world music and gastronomy festival – ‘Porto Etno’; and new permanent installations of contemporary art on the coastline. Opening celebrations will take place on 1-2 February 2020.

Galway, Ireland

Galway is the third city in Ireland to hold the European Capital of Culture title (after Dublin in 1991 and Cork in 2005). Galway’s cultural programme motto is ‘Let the Magic In’, exploring quintessential local themes of language, landscape and migration – with a European and universal relevance and resonance. The ‘Hope it rains’ theme will use Galway weather as a source of creativity; while other highlights include a celebration of world literature – with a dramatic interpretation of the world’s oldest surviving literary epic, the story of Gilgamesh; and excerpts from Homer’s Odyssey, read on Galway beaches. Meanwhile, new installations will celebrate the beauty of Connemara and County Galway. Galway 2020 will begin in February 2020, at the start of Imbolc – the first Celtic season in Ireland’s ancient, pre-Christian calendar.

Background

Melina Mercouri, then Greek Minister of Culture, took the initiative to start the European Capital of Culture in 1985. It has since become one of the most high-profile cultural initiatives in Europe. Cities are selected based on a cultural programme that must have a strong European dimension – promoting participation and active involvement by city inhabitants, communities and various stakeholders; and it must contribute to the long-term development of the city and its surrounding region.

Holding the title of European Capital of Culture gives cities the chance to boost their image, put themselves on the world map, promote sustainable tourism and rethink their development through culture. The title has a long-term impact, not only on culture but also in social and economic terms, both for the city and the region.

In 2019, Plovdiv in Bulgaria and Matera in Italy were European Capitals of Culture. Following Rijeka and Galway in 2020, the future European Capitals of Culture will be Timisoara (Romania), Elefsina (Greece) and Novi Sad (Serbia, candidate country) in 2021, Esch (Luxembourg) and Kaunas (Lithuania) in 2022, Veszprém (Hungary) in 2023 and Tartu (Estonia), Bad Ischl (Austria) and Bodø (Norway, EFTA/EEA country) in 2024.

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2020 Crystal Award Winners

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Deepika Padukone

Artist Theaster Gates, choreographer and media personality Jin Xing, actor Deepika Padukone and artist Lynette Wallworth are the recipients of the 26th Annual Crystal Award, the World Economic Forum announced today. The award celebrates the achievements of artists and cultural figures whose leadership inspires inclusive and sustainable change. The winners will be honoured in the opening session of the World Economic Forum Annual Meeting 2020 in Davos-Klosters, Switzerland, on Monday 20 January.

“These wonderful cultural leaders are bridge-builders. They connect us to each other, they help us reflect on the human condition and they provide visions of the world that can cut through the limitations of short-term or linear thinking,” said Hilde Schwab, Chairwoman and Co-Founder of the World Arts Forum, which hosts the awards.

Award recipients

Theaster Gates, for his leadership in creating sustainable communities
Theaster Gates is an artist who lives and works in Chicago. Drawing on his interest and training in urban planning and preservation, Gates creates works that focus on space theory, land development, sculpture and performance. In 2010, Gates established the Rebuild Foundation to galvanize communities through neighbourhood regeneration and the development of educational and arts programming. Many of the foundation’s initiatives are centred on the revitalization of Chicago’s South Side, creating hubs and archives for black culture that serve as catalysts for discussions on race, equality, space and history. Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College. His work has been exhibited internationally.

“Special thanks to the World Economic Forum for this most prized Crystal Award. I am always reminded that the impact of the arts and artists is incomparable when we think about the transformation of cities and towns. I am honoured to work as a believer in beauty and creativity and hope the work and the ideals that I lead within Chicago have resonance throughout the world,” said Gates.

Jin Xing, for her leadership in shaping inclusive cultural norms
Jin Xing is a choreographer, media personality and China’s most popular TV host. She is a former male ballet dancer and army colonel, who was the first person, publicly, to undergo gender reassignment surgery in her country. She is the founder of the award-winning Jin Xing Dance Theatre, the country’s first independent dance company. Her television shows, which include Venus Hits Mars, The Jin Xing Show and Chinese Dating, draw more than 100 million viewers a week and create a space for discussion on contemporary life in China. She is a Chevalier de l’Ordre des Arts et des Lettres of France and received an honorary Doctorate of Dance from the Royal Conservatoire of Scotland.

“In today’s complex and fractured world, I pursue my mission to be true to the society, to be a true voice for the public, as an artist, a public figure and as a human being. I’m grateful and honoured to receive this year’s Crystal Award. This honour encourages me to continue my mission and be crystal clear towards life,” said Jin.

Deepika Padukone, for her leadership in raising mental health awareness
Deepika Padukone is an internationally acclaimed actor, fashion icon and mental health ambassador from India. She has acted in close to 30 feature films across genres and won several awards for her performances. Many of her films also rank among the highest grossing films of all time. Padukone was diagnosed with clinical depression in 2014 and sought professional help to aid her recovery. In June 2015, she founded The Live Love Laugh Foundation (TLLLF) to give hope to every person experiencing stress, anxiety and depression (SAD). The foundation’s programmes and initiatives include nationwide public awareness and destigmatization campaigns, adolescent mental health programmes, funding support for treatment in rural communities, training general physicians in common mental health disorders, research and an annual lecture series featuring the world’s foremost thinkers and achievers.

“With more than 300 million people suffering with the illness, depression is the leading cause of ill health and disability in the world today and a major contributor to the overall global burden of disease. It is therefore increasingly clear that, now more than ever before, we need to aggressively address what is an invisible and overlooked health and social burden. I am humbled and deeply honoured to be chosen for this year’s Crystal Award and dedicate the award to the millions around the world who experience stress, anxiety and depression, and other forms of mental illness,” Padukone said.

Lynette Wallworth, for her leadership in creating inclusive narratives
Lynette Wallworth is an Australian artist whose immersive video installations, virtual reality and film works reflect the connections between people and the natural world, as well as exploring the nature of resilience. She won an Emmy Award for her virtual reality film Collisions, which the World Economic Forum commissioned, premiered and executive-produced. Wallworth was named one of the “100 Leading Global Thinkers” by Foreign Policy magazine for immersing audiences in the destructive power of nuclear weapons. Her 2018 mixed-reality film Awavena, the story of the first woman Shaman from the Yawanawa tribe in Brazil, as well as her most recent works, have been made at the invitation of indigenous communities. She is a member of the World Economic Forum’s Global Future Council on Virtual and Augmented Reality and a member of the Board of Trustees of the Sundance Institute.

“I have sought to use my skills as an artist to bring unheard voices, including indigenous voices, into the rooms they have been excluded from. These voices ring out with resilience, persistence, power and grace. In supporting my work, the creation and the presentation of it, the World Economic Forum has helped me place it in front of those I most wished to impact, those whose decisions help shape our shared future. I am immensely grateful that these works, these voices, have been heard and are being honoured by a Crystal Award,” said Lynette Wallworth

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