Peace is the foundation of prosperity among the nation states of the world and harmony forms the basic foundation of that enterprise.Man is the wonderful creation of God with an inherent sense of metaphysical and worldly belongings. The savage societies of the pre-historic times without any order and hierarchy of social organisation subsequently in the long timeframe paved way for the foundations of nation states and social organisations with a proper moral and a social order.
Although, the onslaught of the forces of globalisation after post-modernism have added a new colour to the contours of social dynamics and set in motion a new wave of societal organisations in the world, the case of Kashmir portrays a different tale of ever evolving, unaltered communal harmony. The only narrative that can ensue an atmosphere of peace and prosperity is that of the peaceful coexistence in the society in order to avert the crisis that makes inroads within a society from time to time.
Jammu and Kashmir is the only northern state of India with a longest tag of amity and brotherhood that has survived the currents of time and remains so in the contemporary times. Kashmir called as the land of rishis, saints, seers and sadhus is known for its communal harmony not only at the local level, but also the world over since times immemorial.
The sort of mysticism that the Sufi and Bhakti movements have lent to the cultural ethos of Kashmir is found much nowhere in the world besides Kashmir. The vale of Kashmir is full of various religious faiths who have survived the onslaught of the forces of globalisation with the changing signs of time. Muslims form the majority of the vale along with the religious people of Hindus, sikhs, Buddhists, Christians; etc.
Over the period of time, a sort of communal harmony has permeated the socio-cultural space of the society creating a congenial atmosphere of communitarian responsibility and social bond among the people of Kashmir surpassing religious lines of thought. This has not only added to the peace horizon of the land, but also created a sense of mutual trust and unified bond among the various communities of the land. In Kashmir, the communal harmony is deep rooted in the historical narratives.
The ethos of the Kashmir culture has time and again withstood the travails and tribulations of the time despite the currents of odds and challenges through the changing times. On a miniscule scale, there has been disturbance to the communal harmony of the state following the partition of the Sub-continent into India and Pakistan.
The exodus of the Hindus in nineties ascribed to the circumstances was a gory chapter in the chronicles of Jammu and Kashmir history. However, the return of the same has added a new threshold to the scene. The separatist leadership has time and again been vocal for their return as being part and parcel of our composite Kashmiri culture.
However, the time has served as the best healer of the same wounds and paved renewed ways for the cherishment of the communal harmony. The social harmony vindicates the notions of love and affection among different religions and is a blessing in disguise for the times.
The state of Jammu and Kashmir reflects the true plural ethos of the secular India where people of different communities strive for the love and harmony, complementing the lives of each other on a day-to-day basis.
The festivals of one community are celebrated with gaiety and fervor by the other religious community, solidifying the ethos of multiculturalism and pluralism. Kashmir represents the thread of the confluence of communal harmony and brotherhood. The communal harmony of the state is neither instant nor accidental, but is a legacy of the past times till date that has permeated the psyche of the people and created a bond of unity in the socio-cultural milieu of the valley.
The recent installation of a church bell in a church at Srinagar after a span of 50 years by the Christian community with the support of the Sikh, Muslim and Hindu communities is a reminder of communal harmony that is deep rooted in the cultural milieu of the state.
The annual Hindu pilgrimage of the Amarnath yatra is the biggest and ever glaring example of the amity where old and young, men and women, etc all are hospitably treated with care and concern by the native Muslims and even carried on their shoulders towards the sacred place of cave through the difficult terrains and ways enroute to the cave.
In the town of Seer Hamdan, Anantnag, the legal heir of a deceased hindu Pandit namely Arzan Nath is a Muslim man namely Nissar Ahmad Wagay. Long ago, through the oral history of the people, have heard of him serving the former during ups and downs of life. Arzan Nath was a govt employee with no one to look after. Nissar Ahmad served him through the turbulent times and offered heart-catching services, which even a true descendent, could not offer. Nissar used to accompany Arzan Nath through thick and thin times of life. Having personally observed, both of them used to pay the dusk obeisance at the shrine of Hazrat Shahi Hamdan (R.A.). At the time of his death, it was none other than Nissar who performed the last services to the deceased.
Another Hindu Pandit Shadi Lal in the same town is a hope for the hopeless patients who turn up in large numbers at his Ayurvedic shop. The most important trait of the said person is that he cares and heals the patients of the whole South Kashmir. In other words, he has turned out to be a savior of the whole community. Come dawn, the people could be seen in large flocks outside his shop. People respect him out of reverence and reciprocate in great regard. Recently, after suffering from body disease, the final remedy to my ailment surfaced only after i took the herbal medicine of the pandit gee.
The biggest obstacle and roadblock for the cherishment of the ideal of communal harmony in India is the fanaticism and extremism of fringe elements of the society. Since, all religions preach the message of peace and harmony, there can be no way to justify the claims of the demeaning and demoralizing of whatsoever religious community a society carries on. The biggest issue of the current and contemporary times is to contain the fringe elements of the society and let the people live in whatsoever capacity they live to carry on the cog in the wheel of the life.
The Few reasons in the path of communal harmony are:- Egoism, Lack of vision in Education, Lack of discipline, Lack of Cooperation, Social disorder, Casteism, Violence, Immorality ,Lack of faith in true religious values, deficit of good leadership, etc.
Education can be exploited as a powerful tool against these threats in the path of Communal Harmony. On his return from South Africa, Gandhiji envisioned for a unity among different communities of India and did his best in capacity for the realization of the same.
In order to realise the goal of communal harmony, peace is the main pre-requisite and a necessary condition. Disharmony creates the forces of disarray and disruption, rendering harmony handicapped and ultimately towards a state of paralysis. To promote the ethic of communal harmony, it is imperative for all the stakeholders of the society to play a part in particular and work in sync for the realization of the same in general.
Youth as a main driving force and an asset of a nation can be the best ambassadors of peace and communal harmony. The only way to achieve that goal is the proper education of the youth across the spectrum of education spanning the whole level of education. This way youth can learn to make communal harmony as a way of living, rather than ethic in simpler terms. Besides, the govt of the state as well as the centre have a shared responsibility to promote communal harmony further.
Although, some ground work has been done, but, there are still miles to go before we sleep. The need of the hour is the further promotion of the communal harmony in the society. The recent publication of ‘Living in Harmony’ books for school going children by Oxford University Press (OUP) in India to foster values of peace and cooperation is a good attempt.
Also, the Social media and yellow journalism of the mainland India should try to cherish the instances of communitarian love and amity in Jammu and Kashmir. Instead of fomenting trouble to earn TRP’s and portrayal of the news which creates wedge in the bond of the society, the main urge should be to plead the cases of injustices and show a solidarity for the same. The problem of binary has to do away with.
Today, when the world is envisioning for the state of annihilation of crisis, the crisis in Kashmir takes a major sway with each passing day. The gory tales of widows, half-widows and orphans who have been rendered so after the loss of their dear ones has permeated the society deeply and created a multidimensional layer of unwithering pain and sorrow and a state of unabated alienation of the masses.
The question is not of the otherness of the other, but, of oneself in tandem with the other. Not a single day is devoid of pain, agony, and other tragedies. The question is the question of order. The major onus lies on the representatives of the people who represent the masses which have been rendered heart-broken and empty hoped. Let the seers of politics take on. The answer to all the problems can be cherished in unity within the broader perspectives of the humane approach by which peace can return to a treacherous path within the domain of the whole society. Government in J&K should understand and circumvent in Toto and try to dive from the static deficit of governance to good governance. After all, time in consonance with care serves as the best cosset.
Arguing Over Petty Things: Turkish Pop or Poop Art?
Talking about the relationship between art and politics corresponds to an intellectually provocative action for the vast majority. When we view history, we can see that art in Nazi Germany legitimized the position of high culture and added many symbols and images to the cultural missions of the Nazis. According to Walter Benjamin, fascism can be called as “aestheticized politics“.
Art in Turkish context has been instrumentalized by the ruling elites most of the time so far however this time it also seems that art is also used as a tool by the unaudited local governments. This article is an attempt to address the current debates around controversial sculptures dominating Turkish social media. The headline of this article has been given as an inspiration from the recent debates circulated on Twitter.
Turkey is famous for its plethora of historical places and impressive monuments. However the controversial sculptures built in some cities raised debates. A prominent Turkish artist Gürkan Coşkun has defended sculptures and statues that mostly stand at the entrances of the cities depicting things those cities are known for, saying that they were “examples of Turkish pop art.” According to Coşkun, “these artistic works are popular and absolutely creative,” and “Turkish contemporary art must follow these works’ steps. These are the symbols of the people of this region expressing themselves in their own ways.”
Some people reacted on social media over the artist’s evaluation and called these sculptures and statues as “poop art”. There are quite bizarre sculptures and statues built in some particular cities. For instance, in capital Ankara there is a T-Rex dinosaur statue and researcher Mete Sohtaoğlu in an ironic way says that it replaces ‘Transformers’ robot.
Journalist Arzu Geybulleva argues that Turkey’s spectacular city statues raise questions about art and corruption. In a detailed news-analysis she wrote, she said that “The watermelon statue in Diyarbakir reportedly cost 4.4 million Turkish Lira (517,000 US dollars)… The budget for these statues is not transparent and is often associated with corruption at the local government level.”
UNESCO open exhibition “The World in Faces” at its Paris headquarters
On Thursday, July 8, at the headquarters of UNESCO (The United Nations Educational, Scientific and Cultural Organization) in Paris, the exhibition “The World in Faces” of the famous Russian photographer Alexander Khimushin opened. The author personally presented a collection of more than 170 artistic photographic portraits of representatives of different peoples of the world, shot in authentic national dress in places of residence. The exhibition is dedicated to the upcoming International Decade of the World’s Indigenous Peoples and Their Languages. It is a celebration of multiculturalism and our incredible ethnic diversity at its best.
“In the photographs from the project “The World in Faces” I express my philosophy of life, which has been formed over the years of travel. It was through meetings with representatives of different nationalities, contact with their cultures, that I came to understand that all of them – with an incredible ethnic diversity – are people just like you and me. They are simply trying to artificially divide us by borders and ideologies,” explains Khimushin.
The exhibition is a great way to tell the world about indigenous peoples and draw attention to their problems.
The people in Khimushin’s portraits managed to preserve their originality, traditions and former way of life. But it is more and more difficult for them to do this – small peoples are rapidly approaching complete extinction, the languages and traditions of their ancestors are forgotten. “The world in Faces” reminds how important it is not to let them disappear without a trace.
The idea to create a collection of photographic portraits of indigenous peoples in national dress and in their native environment was born in 2014, when Alexander had already accumulated a considerable amount of work done in the most exotic locations – from Samoa and Fiji to Swaziland. Since then, he has never stopped traveling around the world, and his project is growing and becoming a phenomenon.
“Initially, when I started working on the project, I had a dream – to exhibit at the UN. UNESCO is a UN structure that deals specifically with cultural issues and, accordingly, since I am engaged in the preservation of cultures, traditions, languages that are disappearing today – it was important and honorable for me to exhibit my works at UNESCO. I don’t know what will happen next. In principle, I think that these should be large international platforms, since the project goes beyond Russia. The project is worldwide. I’m not going to complete the project. I plan to travel and collect stories, photographs, from all over the world – and I will be glad to consider proposals for global exhibitions that would show us – humanity – that we live in this world are different, each has its own culture, traditions, we must respect people who belong to other cultures. At the same time, the general humanistic component is that the whole world is one and all people are brothers,” notes Khimushin.
In 2018, Khimushin went to the Russian Arctic – Taimyr. The result was a series of portraits of the region’s indigenous inhabitants – Dolgans, Nganasans, Enets, Nenets, Evenks.
“Taimyr is unique in that it is a distant, cold place. For me, this was not something new, since I grew up in Yakutia (the Far East of Russia is the cold pole on the planet), but it is the peoples living there – the Nenets, Dolgans, Nganasans, they have a unique culture, their way of life and reindeer husbandry have been preserved. It was interesting to visit, thanks to Norilsk Nickel (The world’s largest high-grade nickel and palladium producer), to get to these places. I would like to return to Taimyr, shoot more there, if there is such an opportunity,” the artist noted.
The Norilsk Nickel company, which takes an active part in the fate of the small peoples of the Arctic, supported the Khimushin project.
“Our company supports the work of Alexander Khimushin, because thanks to his work, the whole world can see amazing, beautiful people living in remote corners of our planet. Including representatives of the indigenous peoples of the North of Russia, who managed to preserve a unique, original culture and traditions. The preservation of nature, traditions and culture of indigenous peoples, support and new opportunities for the development of ancestral activities – these are the themes that bring countries, international and commercial organizations, artists and creators together, “said Tatyana Smirnova Head of Public Relations MMC Norilsk Nickel.
Khimushin became the first Russian photographer to have an exhibition at the UN headquarters in New York. Works from The World in Faces project were exhibited at the University of Lille in France, and for six months were broadcast on the screen of the world’s largest digital art center in Bordeaux.
The exhibition at the headquarters of UNESCO will run until the end of August 2021.
Russia, Egypt Launch the Year of Humanitarian Cooperation
Russia and Egypt have opened the next chapter in their bilateral relations as the Assistant Foreign Minister for Cultural Relations, Ambassador Mahmoud Talaat, described the launch of the Russia-Egypt Year of Humanitarian Cooperation as a “bright spot” in the history of joint relations.
Addressing the launch ceremony on behalf of Foreign Minister Sameh Shoukry, Talaat said the event comes within the framework of strategic relations between the two countries that reflected in a humanitarian exchange document, which was signed by President Abdel Fattah El Sisi and his Russian counterpart Vladimir Putin in Sochi.
Both officials reviewed Cairo-Moscow distinguished relations that have been growing in all fields, mainly at the political, economic, scientific, cultural and social levels. They pointed out to the close historic ties binding both counties and their peoples.
Russia’s Deputy Minister of Culture Olga Yarilova who led the Russian delegation in the meeting emphasized the strength of relations between Cairo and Moscow. She added that the agenda of the Cairo-Moscow year of human exchange will include several cultural, tourism, sports, youth and educational events and activities among the two countries’ cities and regions.
Culture Minister Enas Abdel Dayem and Russia’s Deputy Minister of Culture Olga Yarilova jointly launched the kick-off event at the Cairo Opera House, in the presence of Chairman of the Cairo Opera Magdy Saber, alongside a number of ministers, ambassadors and leaders of the Ministry of Culture.
Beryozka (Berezka) Dance Ensemble, one of the internationally renowned and oldest Russian dance troupes, presented a number of artistic shows on Russian folklore. The Ensemble is a troupe of female dancers founded by Russian choreographer and dancer Nadezhda Nadezhdina in 1948 in the Soviet Union which specializes in performing in long gowns and moving across the stage as though on wheels or floating.
It is worth mentioning that Russia has been chosen as the guest of honor for the Ismailia International Festival for Documentary and Short Films, set for June 16-22.
The Egyptian culture and foreign ministries and Russian bodies concerned have prepared an agenda, including 23 cultural and artistic events throughout the whole year, with the participation of the culture ministry’s sectors and authorities. The cultural programmes will run till May 2022, and as part of the preparations for the second Russia-Africa summit planned for next year in Addis Ababa, Ethiopia.
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