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Kashmir’s plural ethos and communal harmony

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Peace is the foundation of prosperity among the nation states of the world and harmony forms the basic foundation of that enterprise.Man is the wonderful creation of God with an inherent sense of metaphysical and worldly belongings. The savage societies of the pre-historic times without any order and hierarchy of social organisation subsequently in the long timeframe paved way for the foundations of nation states and social organisations with a proper moral and a social order.

Although, the onslaught of the forces of globalisation  after post-modernism have added a new colour to the contours of social dynamics and set in motion a new wave of  societal organisations in the world, the case of Kashmir portrays a different tale of ever evolving, unaltered communal harmony. The only narrative that can ensue an atmosphere of peace and prosperity is that of the peaceful coexistence in the society in order to avert the crisis that makes inroads within a society from time to time.

Jammu and Kashmir is the only northern state of India with a longest tag of amity and brotherhood that has survived the currents of time and remains so in the contemporary times. Kashmir called as the land of rishis, saints, seers and sadhus is known for its communal harmony not only at the local level, but also the world over since times immemorial.

The sort of mysticism that the Sufi and Bhakti movements have lent to the cultural ethos of Kashmir is found much nowhere in the world besides Kashmir. The vale of Kashmir is full of various religious faiths who have survived the onslaught of the forces of globalisation with the changing signs of time. Muslims form the majority of the vale along with the religious people of Hindus, sikhs, Buddhists, Christians; etc.

Over the period of time, a sort of communal harmony has permeated the socio-cultural space of the society creating a congenial atmosphere of communitarian responsibility and social bond among the people of Kashmir surpassing religious lines of thought. This has not only added to the peace horizon of the land, but also created a sense of mutual trust and unified bond among the various communities of the land. In Kashmir, the communal harmony is deep rooted in the historical narratives.

The ethos of the Kashmir culture has time and again withstood the travails and tribulations of the time despite the currents of odds and challenges through the changing times. On a miniscule scale, there has been disturbance to the communal harmony of the state following the partition of the Sub-continent into India and Pakistan.

The exodus of the Hindus in nineties ascribed to the circumstances was a gory chapter in the chronicles of Jammu and Kashmir history. However, the return of the same has added a new threshold to the scene. The separatist leadership has time and again been vocal for their return as being part and parcel of our composite Kashmiri culture.

However, the time has served as the best healer of the same wounds and paved renewed ways for the cherishment of the communal harmony. The social harmony vindicates the notions of love and affection among different religions and is a blessing in disguise for the times.

Status

The state of Jammu and Kashmir reflects the true plural ethos of the secular India where people of different communities strive for the love and harmony, complementing the lives of each other on a day-to-day basis.

The festivals of one community are celebrated with gaiety and fervor by the other religious community, solidifying the ethos of multiculturalism and pluralism. Kashmir represents the thread of the confluence of communal harmony and brotherhood. The communal harmony of the state is neither instant nor accidental, but is a legacy of the past times till date that has permeated the psyche of the people and created a bond of unity in the socio-cultural milieu of the valley.

The recent installation of a church bell in a church at Srinagar after a span of 50 years by the Christian community with the support of the Sikh, Muslim and Hindu communities is a reminder of communal harmony that is deep rooted in the cultural milieu of the state.

The annual Hindu pilgrimage of the Amarnath yatra is the biggest and ever glaring example of the amity where old and young, men and women, etc all are hospitably treated with care and concern by the native Muslims and even carried on their shoulders towards the sacred place of cave through the difficult terrains and ways enroute to the cave.

In the town of Seer Hamdan, Anantnag, the legal heir of a deceased hindu Pandit namely Arzan Nath is a Muslim man namely Nissar Ahmad Wagay. Long ago, through the oral history of the people, have heard of him serving the former during ups and downs of life. Arzan Nath was a govt employee with no one to look after. Nissar Ahmad served him through the turbulent times and offered heart-catching services, which even a true descendent, could not offer. Nissar used to accompany Arzan Nath through thick and thin times of life. Having personally observed, both of them used to pay the dusk obeisance at the shrine of Hazrat Shahi Hamdan (R.A.). At the time of his death, it was none other than Nissar who performed the last services to the deceased.

Another Hindu Pandit Shadi Lal in the same town is a hope for the hopeless patients who turn up in large numbers at his Ayurvedic shop. The most important trait of the said person is that he cares and heals the patients of the whole South Kashmir. In other words, he has turned out to be a savior of the whole community. Come dawn, the people could be seen in large flocks outside his shop. People respect him out of reverence and reciprocate in great regard. Recently, after suffering from body disease, the final remedy to my ailment surfaced only after i took the herbal medicine of the pandit gee.

Challenges

The biggest obstacle and roadblock for the cherishment of the ideal of communal harmony in India is the fanaticism and extremism of fringe elements of the society. Since, all religions preach the message of peace and harmony, there can be no way to justify the claims of the demeaning and demoralizing of whatsoever religious community a society carries on. The biggest issue of the current and contemporary times is to contain the fringe elements of the society and let the people live in whatsoever capacity they live to carry on the cog in the wheel of the life.

The Few reasons in the path of communal harmony are:- Egoism, Lack of vision in Education, Lack of discipline, Lack of Cooperation, Social disorder, Casteism, Violence, Immorality ,Lack of faith in true religious values, deficit of good leadership, etc.

Education can be exploited as a powerful tool against these threats in the path of Communal Harmony. On his return from South Africa, Gandhiji envisioned for a unity among different communities of India and did his best in capacity for the realization of the same.

Last Word

In order to realise the goal of communal harmony, peace is the main pre-requisite and a necessary condition. Disharmony creates the forces of disarray and disruption, rendering harmony handicapped and ultimately towards a state of paralysis. To promote the ethic of communal harmony, it is imperative for all the stakeholders of the society to play a part in particular and work in sync for the realization of the same in general.

Youth as a main driving force and an asset of a nation can be the best ambassadors of peace and communal harmony. The only way to achieve that goal is the proper education of the youth across the spectrum of education spanning the whole level of education. This way youth can learn to make communal harmony as a way of living, rather than ethic in simpler terms. Besides, the govt of the state as well as the centre have a shared responsibility to promote communal harmony further.

Although, some ground work has been done, but, there are still miles to go before we sleep. The need of the hour is the further promotion of the communal harmony in the society. The recent publication of ‘Living in Harmony’ books for school going children by Oxford University Press (OUP) in India to foster values of peace and cooperation is a good attempt.

Also, the Social media and yellow journalism of the mainland India should try to cherish the instances of communitarian love and amity in Jammu and Kashmir. Instead of fomenting trouble to earn TRP’s and portrayal of the news which creates wedge in the bond of the society, the main urge should be to plead the cases of injustices and show a solidarity for the same. The problem of binary has to do away with.

Today, when the world is envisioning for the state of annihilation of crisis, the crisis in Kashmir takes a major sway with each passing day. The gory tales of widows, half-widows and orphans who have been rendered so after the loss of their dear ones has permeated the society deeply and created a multidimensional layer of unwithering pain and sorrow and a state of unabated alienation of the masses.

The question is not of the otherness of the other, but, of oneself in tandem with the other. Not a single day is devoid of pain, agony, and other tragedies. The question is the question of order. The major onus lies on the representatives of the people who represent the masses which have been rendered heart-broken and empty hoped. Let the seers of politics take on. The answer to all the problems can be cherished in unity within the broader perspectives of the humane approach by which peace can return to a treacherous path within the domain of the whole society. Government in J&K should understand and circumvent in Toto and try to dive from the static deficit of governance to good governance. After all, time in consonance with care serves as the best cosset.

 

The author has done M.Sc.(Biochemistry),B.Ed from Jamia Millia Islamia New Delhi,M.A.(History) and also qualified CTET from CBSE. Previously,he was also working as a project trainee at JNU,New Delhi.He writes for a number of platforms on socio-politico-economic issues and currently works in J&K, government education department. He can be reached at abidjmi121[at]gmail.com

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A Season of Classic Films: European classics screened at cultural heritage venues across Europe

MD Staff

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This summer, European film classics will be screened in some of Europe’s most iconic cultural heritage venues. From tomorrow until the end of September, classic films from across the EU will be screened free of charge in a wide variety of venues in 13 EU countries – from small towns to capital cities – highlighting Europe’s rich and diverse cultural heritage. As part of the wider restoration and digitisation of heritage films, the event series “A Season of Classic Films” is supported by Creative Europe MEDIA programme.

Commissioner Tibor Navracsics, in charge of Education, Culture, Youth and Sport, said: “European cultural heritage, including our great film classics, should be accessible to everyone. I am pleased to see that the Season of Classic Films makes it possible for everyone interested to be part of an experience shared across Europe, even when attending a local event.”

Commissioner Mariya Gabriel, in charge of Digital Economy and Society, added: “Cinema is an essential part of our rich and diverse European culture and is contributing to reinforce bonds between people feeling the same passion and emotion for films. Digital transformation has a decisive potential to strengthen the positive effects of culture, both economically and socially. This is the challenge of our strategy Digital4Culture, to take advantage of this successful connection between digital technologies and culture.”

The classic films season starts tomorrow at the Bologna Film Festival with a presentation of some of the restored films shot using Gaumont’s Chronochrome colour system, one of the earliest colour filming techniques. Among the classic films to be screened throughout the season are some of the best-known titles in world cinema, including Fritz Lang’s “Metropolis” (1927), Francois Truffaut’s “The 400 blows” (1959), and “Cinema Paradiso” (1988) by Giuseppe Tornatore. The iconic venues hosting the screenings include Aristotelous Square in Thessaloniki, Greece, Kilkenny Castle in Ireland, and the Piazza Maggiore in Bologna, Italy. The full programme of the season is available here.

Background

Since 1991, the European Commission has been supporting Europe’s audiovisual sector, contributing to is competitiveness and to cultural diversity in Europe, through the MEDIA Programme. One of its most substantial actions is providing financial support to the distribution of European films outside their country of production. Every year, on average over 400 films are made available to audiences in another European country with MEDIA’s help. In May 2018, the Commission proposed to increase the budget of the programme by almost 30% for the next EU long-term budget for 2021-2027.

Within this project, Creative Europe MEDIA will also fund the restoration and digitisation of heritage films in order to ensure that the European culture is passed down to future generations. The event series for this summer was planned as part of the 2018 European Year of Cultural Heritage and reinforced by the Digital4Culture strategy.

“A Season of Classic Films” follows a first initiative, the “European Cinema Night”’, which programmed 50 free screenings of 20 MEDIA-supported films from 3 to 7 December 2018 across the EU and reached almost 7,200 people. The classic films season is expected to attract 15,000 Europeans to the free screenings.

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The Sounds of the Islands: Junkanoo Cultural Festival

MD Staff

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It starts with a deep drumbeat, a baritone sensation that vibrates within your chest. An instant tingle of rhythm journeys up your spine in anticipation of the cadence to come. What follows is nothing short of remarkable; a symphony of unconventional sounds blend together to create the most infectious melodies. This is Junkanoo: a long-standing semi-annual Bahamian tradition birthed from the islands’ early ancestors. Whistles, cowbells and even conch shells are used in this charismatic exhibition of island culture that is now revered around the world.  

History of the Tradition

The earliest rumoured origin stories for the bi-annual festival stems from an African Chief by the name of John Canoe. After being kidnapped and enslaved in the West Indies, John Canoe appealed for the right of his people to partake in their celebratory traditions. The most notable time for the festival to be orchestrated is around the Christmas holiday. The most illustrious part of the festival takes place on Boxing Day and New Year’s Day at the capital island of New Providence. On these days, what was once regarded as an expression of freedom and cultural identity has now transformed into one of the fiercest national competitions. On-lookers crowd the parade routes, cheering on their favourite groups and chanting competitive mantras from the bleachers. The four most famous Junkanoo groups face off at the parades every year in hopes to win prizes and highly coveted national bragging rights.

How to Experience Junkanoo Year Round

Due to the increased popularity of the Bahamian tradition, Junkanoo can now be experienced year-round. The splashy display of costumed dancers and musicians highlight many destination-weddings. Hosts desiring to offer guests an authentic and lively environment can contract a Junkanoo band to create a unique entertainment experience. If you are in attendance at any of the local seasonal festivals, you are sure to close out the day with a Junkanoo rush out.  In recent years, a junior edition of the Junkanoo competition has been added to the winter line up of events. The littlest natives of the island adorn painted faces and tiny drums in hand, skipping and twirling to the rhythmic music.

Whether you are a first-time visitor of the islands or one who calls The Bahamas home, once experienced, the rush of Junkanoo will never leave you.  

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Turning air pollution into art

MD Staff

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Photo by Studio Roosegaarde

Artists are known to take inspiration from the world around them. So it’s no surprise that some have begun shining light on one of the most pressing environmental issues of our time—air pollution.

According to the World Health Organization, every year around 7 million premature deaths are caused by air pollution, with 9 out of 10 people breathing toxic air. Air pollution is also known to contribute to climate change and so efforts to tackle it can also help address the climate crisis.

The time to act is now, and artists, like so many others are looking at ways to raise awareness about air pollution, find solutions to reduce it and even use it as a resource.

Pollution Pods

Michael Pinsky got inspired by the differences between the various types of air pollution, when he set out to make Pollution Pods. The project consists of five domes, each imitating air in five different areas of the world: Northern Norway, London, New Delhi, Beijing and São Paulo. As you move through the domes you experience varied levels and sources of air pollution.

“I wanted to have very different sensations from one dome to another,” Pinsky told UN Environment. “It’s not just a question of how strong the pollution is but that they have very different characteristics as well.”

For London, Pinsky recreates the smell of diesel. For Beijing, he mixes the smells of industrial fumes, coal or wood-based heating, and transportation emissions. While New Delhi whiffs of burnt plastic and grass, as citizens still burn a lot of their rubbish.

Luckily, the pollution is only in smell and visibility, without the actual harmful gases. But Pinsky says the experience still isn’t very pleasant. That’s the whole point: air pollution isn’t pleasant.

Pinsky hopes Pollution Pods will lead to a more “radical approach” when dealing with air pollution, particularly with transportation. “It’s not so easy to apply the same advocacy or philosophy towards different cities in the world,” he said. “But in some cases, you could turn the problem around in two years with the right policies.”

Smog-free towers

Daan Roosegaarde was motivated by living in Beijing and witnessing the city’s strive for economic development and citizen wellbeing, when he created the Smog-free Tower. The “largest smog vacuum cleaner in the world”, as Roosegaarde calls it, sucks up polluted air, cleans it and releases it back into the atmosphere.

“I thought to myself, ‘I’m not a minister, I cannot give 20 billion euros to green energy today. But I’m an engineer and an artist, I can create a clean-air park, like an oasis.’”

The premise is that the smog-free tower sits in a city park, making the air 20–70 per cent cleaner than the rest of the city. It uses positive ionisation technology, which Roosegaarde says is the only way to clean large volumes of ultra-fine particles while using little energy.

Towers are now found around the world in China, Poland, the Netherlands, and soon, South Korea and Mexico. It’s also led to a global campaign, with local partners in each country replicating the towers. Roosegaarde has now introduced the smog-free ring—made of compressed smog particles—and the smog-free bicycle as well.

“This is not utopia. It’s a pro-topia where we, step-by-step, try to improve our cities,” he said. “The grand goal is to have them not needed anymore, but until then, you do what you can to remain healthy.”

Air pollution-based ink

Anirudh Sharma was visiting his family in Mumbai, India, when he began to notice that in the evening his white shirts would gradually turn speckled with something that resembled dirt.

“I realized this was air pollution, or sooty particulate matter, made of black particles released from exhaust of vehicles,” Sharma told his alma matter Massachusetts Institute of Technology (MIT) Media Lab. “This is a major health issue.”

When he returned to Massachusetts Institute of Technology, Sharma decided to do something about the air pollution back home. So he set up Graviky Labs—a start-up that has developed a technology to attach to diesel exhaust systems to capture particulate matter. The team at Graviky treat the soot to turn it into ink, called Air-Ink, for use by artists around the world.

So far, the start-up has captured 1.6 billion micrograms of particulate matter, or the equivalent of collecting 1.6 trillion litres of outdoor air.

“Less pollution, more art. That’s what we’re going for,” Sharma said.

UN Environment

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