The elegance, the refinement and the technical nature of the ultra-thin L.U.C XP Urushi watch have made it a cult model. Each year, Chopard draws inspiration from the repertoire of Chinese astrology to offer a fresh interpretation of its Urushi dial, an ancestral Japanese technique. Staging an encounter between beauty and precision, East and West, Chopard places creativity at the heart of cultural ties and of its commitment to perpetuating traditions.
2018 marks the celebration of the Year of the Dog. Its iconography, its universal symbolism and its mythological strength are showcased in an exceptional L.U.C watch issued in an 88-piece limited series: The L.U.C XP Urushi –Year of the dog. This masterpiece of fine craftsmanship began with an encounter between two perspectives. That of the Urushi master and of the master-watchmaker at Chopard Manufacture in Fleurier, both intently focused on their work. The deft hands decorating the dial of the L.U.C XP Urushi, just like those capable of developing and producing the L.U.C 96.17-L calibre, perpetuate time-honoured skills bearing authentic testimony to their respective cultures. Together, they celebrate the Year of the Dog, the 11th sign of the Chinese zodiac, for a year dedicated to generosity and loyalty.
Generosity meets loyalty
In the Chinese zodiac, each sign is the expression of a distinctive nature. The entire range of qualities associated with the dog is thus reflected in the L.U.C XP Urushi – Year of the Dog watch. Eager for justice, sensitive and faithful by nature, dogs devote all their strength to serving others, without ever impinging on others’ freedom. Their devotion withstands every trial and when they love, it is for life. They also cultivate an attitude to work based on commitment, personal involvement and a serious-minded attitude that implies making the most of individual skills, giving true meaning to their existence, and basically leading a useful, honest and consistent life. Dogs are builders and protectors demonstrating unfailing loyalty. Chopard has decided to embody this canine through a representative of the extremely beautiful Asian ‘Akita’ breed, depicted in a lush natural setting dotted with wild orchids and enhanced by the fluttering presence of a dragonfly, regarded as a lucky charm and a good omen.
Urushi: a time-honoured art
Urushi is an ancestral lacquer technique. Its name stems from the tree whose resin is patiently harvested, once a year, in very small quantities. Three to five years after being collected, the resin is treated in such a way as to become a highly resistant lacquer applied in a number of extremely fine layers. The Urushi Master then imprisons within it a number of tiny iridescent particles that endow it with distinctive depth, luminosity, and exquisitely fine nuances. Only a rare few artists have the skills required to perform this technique. Chopard called upon Master Kiichiro Masumaro to oversee the creation of the L.U.C XP Urushi dials. He is recognised as a master of his art and has been raised to the status of “national human treasure” in Japan. The dials were executed by the Urushi Grand Master Minori Koizumi. For this collaborative endeavour, Chopard secured the services of the Yamada Heiando company, official purveyor to the Japanese imperial family.
An exceptional watch Manufacture
An exceptional movement was needed to give life to this dial. At the heart of the ultra-thin case measuring 39.5 mm in diameter and 6.8 mm thick beats the mechanical self-winding L.U.C 96.17-L movement. Equipped with two barrels ensuring a 65-hour power reserve by means of Twin® technology, this calibre achieves the feat of fitting inside such a slim case thanks to the off-centred 22-carat gold micro-rotor. It is bevelled, engraved and guilloché, while the bridges are adorned with Côtes de Genève. This sophisticated movement decoration and finishing is performed by expert hands at Chopard Manufacture in Fleurier, in accordance with the highest aesthetic quality standards of traditional watchmaking. The calibre is visible through the transparent exhibition back of the 18-carat rose gold case. A single glance reveals a tradition and a fascinating range of deft skills ranging from Switzerland to Asia, shaping the frontiers of a universal dialogue revolving around the spirit of excellence.
The feminist inspiration of Mona Lisa
This year marks the 500th anniversary of the death of the Italian genius, Leonardo da Vinci, who died on 02 May 1519. On this occasion, UNESCO highlights some of the comments concerning the origins of one of the most famous paintings in history: Was Mona Lisa painted in a feminist spirit?
The thesis of the American art lover William Varvel highlights the links between feminism and the painting. According to his findings, Mona Lisa would represent a figure in the fight for gender equality. Why? William Varvel insists on “the theological rights of women” claimed through the vision of the famous painting from the Renaissance Period. These rights are linked to the status of priests, which women do not have access to. Therefore, the painting representing Mona Lisa would have for true desiderata the possibility for the women to have access to the priesthood. William Varvel assures that “Mona Lisa is a kind of declaration for the rights of women”.
To support his argument, the author of The Lady Speaks: Uncovering the Secrets of the Mona Lisa explains how Leonardo hid clues in the painting: in total, not less than “40 symbols, taken from the 21 verses of the chapter 14 of the Book of the Prophet Zechariah” in the painting.
Therefore, there is a link between religion, the painting of the Italian master and his feminist commitment. It is precisely this link that William Varvel wishes to highlight in order to allow a reflection on the subject. A new definition of the place of Mona Lisa in the artworks from the Renaissance is necessary to apprehend the political and feminist scope of this masterpiece.
How UN cultural treasures helped set the stage for Game of Thrones
From King’s Landing to the Iron Bank, so many of the breath-taking backdrops seen on the smash hit Game of Thrones television series are available for future generations to enjoy, thanks to a key, but little-known role played by the United Nations cultural agency.
Established in 1945, the UN Educational, Scientific and Cultural Organization (UNESCO) has worked to improve dialogue and understanding between civilizations, cultures and peoples. One of UNESCO’s methods of doing this is by designating and preserving World Heritage Sites, defined as having outstanding universal value to humanity, which it inscribes on the World Heritage List to be protected for posterity.
To date, there are 1,092 natural and cultural places inscribed. The diverse and unique treasures range from the Great Barrier Reef in Australia to the Pyramids of Egypt and the Taj Mahal in India.
Since 2011 UNESCO’s work has become inseparable with the magnificent film locations of the wildly popular Game of Thrones series.
For those tuning in to the show’s final episodes, here’s a look back at the Seven Kingdoms with a nod to the UN cultural agency.
Capital of the Seven Kingdoms
Long before it became known as King’s Landing – one of the Seven Kingdoms and seat of the mighty Iron Throne – the old city of Dubrovnik in Croatia was an important Mediterranean seat of power from the 13th century onwards. Severely damaged by an earthquake in 1667 and by armed conflict in the 1990s, UNESCO is co-coordinating a major restoration programme.
Dubrovnik joined the UNESCO List of World Heritage Sites in 1979.
Battle of the Blackwater
You may recall the fiery Battle of the Blackwater, or scenes where King Robert Baratheon rules from the Iron Throne in the Red Keep, overlooking Blackwater Bay: Fort Lovrijenac, outside the western wall of the Croatian city, actually played an important role in resisting Venetian rule in the 11th century.
Private retreat for House Martell
It is easy to see why Doran Martell called the Water Gardens of Dorne “my favourite place in this world”. Actually located in the heart of Seville, the Royal Palace of Alcázar is imbued with Moorish influences that date back from the Reconquest of 1248 to the 16th century. UNESCO points to it as “an exceptional testimony to the civilization of the Almohads as well as that of Christian Andalusia”.
UNESCO inscribed the Royal Palace of Alcázarin in 1987.
Daenerys’ journey through Essos
When you look at the Medina of Essaouira in Morocco, perhaps you can image The Khaleesi lining up The Unsullied eunuch slave-soldiers in the city of Astapor before renaming Slaver’s Bay, the Bay of Dragons. But for UNESCO, Essaouira is an exceptional example of a late-18th-century fortified town in North Africa. Since its creation, it has been a major international trading seaport, linking Morocco and its Saharan hinterland with Europe and the rest of the world.
The Medina of Essaouira joined the UNESCO List of World Heritage Sites in 2001.
Yunkai: ‘A most disreputable place’
In the Yellow City, Daenerys’ language skills are useful with the Yunkai’i, who speak a dialect of High Valyrian. But in Berber, the village of Ait-Ben-Haddou was a popular caravan route long before current-day Morocco was established. The crowded together earthen buildings surrounded by high walls offer a view of a traditional pre-Saharan habitat.
Ait-Ben-Haddou was designated a UNESCO World Heritage Site in 1987.
Theon returns to Lordsport Harbour
County Antrim envelops UNESCO-designated Giant’s Causeway and Causeway coast. It is also home to the small fishing harbour of Ballintoy, known to fans as the port of Pyke, home to the Iron Islands of the Greyjoys. Located in real-life Northern Ireland, the Causeway consists of some 40,000 massive black volcanic rock columns sticking out of the sea. Over the last 300 years, geographical studies have greatly contributed to the development of the earth sciences.
The Causeway coast was declared a World Heritage Site by UNESCO in 1986.
Cersei’s ‘Walk of Shame’
The iconic scene in in which Cersei Lannister is forced to walk naked through the streets of King’s Landing began atop of the baroque Jesuit Staircase, which leads to the Church of St. Ignatius of Loyola and Jesuit College in the UNESCO-desnigated Old City of Dubrovnik .
Kingslayer for gender equality
The connection between the United Nations and Game of Thrones does not end with UNESCO’s inspiring sites.
While Jaime Lannister is the twin brother of Cersei and slayer of the Mad King, Aerys II Targaryen, real-life actor Nikolaj Coster-Waldau is a Goodwill Ambassador for the UN Development Fund. Passionate about ending discrimination and violence against women, the father of two girls is focusing his considerable talents on drawing attention to critical issues, such as gender equality – encouraging everyone to be agents of change.
Mr. Coster-Waldau was appointed a UNDP Goodwill Ambassador in 2016.
Baku forum to push back against ‘rise of hate’ with strong call for cultural and religious tolerance
Just off a plane from Sri Lanka, Miguel Angel Moratinos, United Nations High Representative for the Alliance of Civilizations (UNOAC), said on Wednesday that tomorrow’s 5th World Forum for Intercultural Dialogue is opening at a “very timely” moment.
Speaking in Baku, Azerbaijan, ahead of the UN-backed Forum, Mr. Moratinos told UN News about his “emotional visit” to Colombo, the capital of Sri Lanka, where he paid his respects to victims of the suicide bombings that took place on Easter Sunday which killed more than 250 people at churches and hotels across several cities.
“Sri Lanka has been an open country with different religions and cultures, and suddenly there was this massacre”, he said, adding that it had dealt a “tremendous blow to a country that is trying to live together in peace.”
While social intolerance is not new, Mr. Moratinos was concerned about what he called “the return of hate.”
“Hate is the word that mobilizes certain communities to destroy”, he said, adding: “It drives people past the point of not being able to live together to the direction of exterminating their opponents and that is very dangerous.”
“This Forum is important to send a strong message to the international community that it is possible to live together, that we can respect each other and that we have to better understand different cultures and religions,” he told UN News.
Complex situations need clarity
He said that as the world is becoming more complex and uncertain, a global strategy for intercultural dialogue is ever more important.
“Solutions sought through financial, military and political means take a simplistic view”, he stated, noting that sustainable solutions require a social-cultural approach that digs deep into the roots of different societies to bring clarity.
“Unless you understand the mentality of your neighbor, the history of an issue, how you come to this situation, what the consequences are and the relationship is, it is very difficult to find sustainable solutions,” he maintained.
The High Representative is taking up this approach wholeheartedly, using it as a new tool “to explore and develop in the near future”.
Mr. Moratinos also spoke about the message of interfaith dialogue and tolerance on which both the Grand Imam of Al Azhar and the Pope agreed.
He said the historic declaration that Al Azhar and the Vatican had produced was about “brotherhood, mutual understanding and overcoming past controversies to look toward the future”.
“And it is not only between Islam and the Catholic Church, they want to go larger, to ask other religious faiths to join them”, he said, noting that is provides “a good basis for discussion and for interreligious dialogue”.
Turning to the global plan of action to safeguard religious sites – a fresh mandate given to UNAOC last month by UN chief António Guterres in the wake of the horrific mass shooting at two New Zealand mosques – Mr. Moratinos told UN News that while working on the draft, his Officer was “shocked by what happened in Sri Lanka”, stressing that those attacks further demonstrated the urgency of developing a plan.
He detailed some of the work his team is doing to this end, such as in Sri Lanka, where they reached out to the Congress of Religions and “went into specific elements”, including on how national legislation should be adapted “to meet new challenges” and the work needed to “put an end to social networks of hate and discrimination”.
The High Representative shared his hope that by end-July a draft plan should be ready for adoption and implementation.
The 5th World Forum, which will open in Baku tomorrow, 2 May and through Friday, will examine the critical role of intercultural dialogue as an actionable strategy for building human solidarity and helping localities counter the violence and discrimination in diverse communities.
Running under the theme Building dialogue into action against discrimination, inequality and violent conflict, the Forum will also host the 2nd High Level Panel of the Heads of International Organizations and the Ministerial Panel, in order to build synergy and partnership among political, economic, financial, military, humanitarian and social organizations along with other stakeholders to elaborate a common roadmap for assisting public, private and third sector organizations in building inclusive and sustainable societies through promoting intercultural dialogue and human dignity.
The Government of Azerbaijan, in partnership with the UN Education, Scientific and Cultural Organization (UNESCO), UNAOC, the UN World Tourism Organization (UNWTO), the Council of Europe and the Islamic Educational, Scientific and Cultural Organization (ISESCO) is the host of the Forum.
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