The second edition of the Global Migration Film Festival opened yesterday (05/12) with the screening of Lost in Lebanon, at the Graduate Institute of International and Development Studies in Geneva, Switzerland.
Addressing more than 350 attendees, Leonard Doyle, UN Migration Agency Head of Media and Communications introduced the film, announcing that this year, the Festival will present films in over 100 countries from Niger to Indonesia.
“This festival is a truly global event, sometimes taking place in venues like this, sometimes in a thousand-mile caravan driving through the desert from Agadez, Niger up to the border with Algeria, and sometimes in detention centers in Libya where migrants are suffering appallingly,” said Doyle.
Lost in Lebanon tells the stories of Sheik Abdo, Nemr, Reem and Mwafak, four Syrian refugees living in Lebanon. The documentary follows their struggle after leaving behind their friends and families, through the uncertainty that ensues when they lose their residency visas at the end of Lebanon’s open-door policy for refugees in early 2015, which rendered them unable to stay or return to their home country.
The four protagonists were not alone – by the end of 2016, 600,000 Syrians had lost their legal status in Lebanon. Despite the challenges, these characters remain committed to helping their displaced communities, whether by teaching young children at an informal school, offering counselling to fellow refugees, or sharing their artistic skills.
The film was followed by a panel discussion moderated by Riccardo Bocco, Professor of Anthropology and Sociology at the Graduate Institute, with directors Georgia and Sophia Scott, and Pindie Stephen, IOM Integration Senior Specialist.
“As filmmakers, we open a window for you to look through, and as a viewer you can do your own research, or lobby your own governments to change policy,” said Sophia Scott. “This film can have a great impact, but we need to partner with organizations,” she added.
Asked about how this film impacts the work of IOM, Stephen praised the film as a tool to help dispel the many myths about refugees. “As I watched this film it reminded me of how important it is to have these tools to share with others… It’s amazing to see how much these refugees contribute to their own people,” said Stephen. “It can also serve to prepare communities that are receiving refugees and can help prepare for their integration challenges,” she added.
The Global Migration Film Festival, organized by IOM with support from DHL and other partners, showcases films that capture the promise and challenges of migration. It runs from 5 to 18 December, International Migrants Day.
A committee of international film professionals and migration specialists will select three winners from the Emerging Filmmakers category and one from the Professional Filmmakers category.
Each winner will receive USD 1,500. The award ceremony will take place on 18 December in Les Cinémas du Grütli, Geneva.
Turning air pollution into art
Artists are known to take inspiration from the world around them. So it’s no surprise that some have begun shining light on one of the most pressing environmental issues of our time—air pollution.
According to the World Health Organization, every year around 7 million premature deaths are caused by air pollution, with 9 out of 10 people breathing toxic air. Air pollution is also known to contribute to climate change and so efforts to tackle it can also help address the climate crisis.
The time to act is now, and artists, like so many others are looking at ways to raise awareness about air pollution, find solutions to reduce it and even use it as a resource.
Michael Pinsky got inspired by the differences between the various types of air pollution, when he set out to make Pollution Pods. The project consists of five domes, each imitating air in five different areas of the world: Northern Norway, London, New Delhi, Beijing and São Paulo. As you move through the domes you experience varied levels and sources of air pollution.
“I wanted to have very different sensations from one dome to another,” Pinsky told UN Environment. “It’s not just a question of how strong the pollution is but that they have very different characteristics as well.”
For London, Pinsky recreates the smell of diesel. For Beijing, he mixes the smells of industrial fumes, coal or wood-based heating, and transportation emissions. While New Delhi whiffs of burnt plastic and grass, as citizens still burn a lot of their rubbish.
Luckily, the pollution is only in smell and visibility, without the actual harmful gases. But Pinsky says the experience still isn’t very pleasant. That’s the whole point: air pollution isn’t pleasant.
Pinsky hopes Pollution Pods will lead to a more “radical approach” when dealing with air pollution, particularly with transportation. “It’s not so easy to apply the same advocacy or philosophy towards different cities in the world,” he said. “But in some cases, you could turn the problem around in two years with the right policies.”
Daan Roosegaarde was motivated by living in Beijing and witnessing the city’s strive for economic development and citizen wellbeing, when he created the Smog-free Tower. The “largest smog vacuum cleaner in the world”, as Roosegaarde calls it, sucks up polluted air, cleans it and releases it back into the atmosphere.
“I thought to myself, ‘I’m not a minister, I cannot give 20 billion euros to green energy today. But I’m an engineer and an artist, I can create a clean-air park, like an oasis.’”
The premise is that the smog-free tower sits in a city park, making the air 20–70 per cent cleaner than the rest of the city. It uses positive ionisation technology, which Roosegaarde says is the only way to clean large volumes of ultra-fine particles while using little energy.
Towers are now found around the world in China, Poland, the Netherlands, and soon, South Korea and Mexico. It’s also led to a global campaign, with local partners in each country replicating the towers. Roosegaarde has now introduced the smog-free ring—made of compressed smog particles—and the smog-free bicycle as well.
“This is not utopia. It’s a pro-topia where we, step-by-step, try to improve our cities,” he said. “The grand goal is to have them not needed anymore, but until then, you do what you can to remain healthy.”
Air pollution-based ink
Anirudh Sharma was visiting his family in Mumbai, India, when he began to notice that in the evening his white shirts would gradually turn speckled with something that resembled dirt.
“I realized this was air pollution, or sooty particulate matter, made of black particles released from exhaust of vehicles,” Sharma told his alma matter Massachusetts Institute of Technology (MIT) Media Lab. “This is a major health issue.”
When he returned to Massachusetts Institute of Technology, Sharma decided to do something about the air pollution back home. So he set up Graviky Labs—a start-up that has developed a technology to attach to diesel exhaust systems to capture particulate matter. The team at Graviky treat the soot to turn it into ink, called Air-Ink, for use by artists around the world.
So far, the start-up has captured 1.6 billion micrograms of particulate matter, or the equivalent of collecting 1.6 trillion litres of outdoor air.
“Less pollution, more art. That’s what we’re going for,” Sharma said.
The feminist inspiration of Mona Lisa
This year marks the 500th anniversary of the death of the Italian genius, Leonardo da Vinci, who died on 02 May 1519. On this occasion, UNESCO highlights some of the comments concerning the origins of one of the most famous paintings in history: Was Mona Lisa painted in a feminist spirit?
The thesis of the American art lover William Varvel highlights the links between feminism and the painting. According to his findings, Mona Lisa would represent a figure in the fight for gender equality. Why? William Varvel insists on “the theological rights of women” claimed through the vision of the famous painting from the Renaissance Period. These rights are linked to the status of priests, which women do not have access to. Therefore, the painting representing Mona Lisa would have for true desiderata the possibility for the women to have access to the priesthood. William Varvel assures that “Mona Lisa is a kind of declaration for the rights of women”.
To support his argument, the author of The Lady Speaks: Uncovering the Secrets of the Mona Lisa explains how Leonardo hid clues in the painting: in total, not less than “40 symbols, taken from the 21 verses of the chapter 14 of the Book of the Prophet Zechariah” in the painting.
Therefore, there is a link between religion, the painting of the Italian master and his feminist commitment. It is precisely this link that William Varvel wishes to highlight in order to allow a reflection on the subject. A new definition of the place of Mona Lisa in the artworks from the Renaissance is necessary to apprehend the political and feminist scope of this masterpiece.
How UN cultural treasures helped set the stage for Game of Thrones
From King’s Landing to the Iron Bank, so many of the breath-taking backdrops seen on the smash hit Game of Thrones television series are available for future generations to enjoy, thanks to a key, but little-known role played by the United Nations cultural agency.
Established in 1945, the UN Educational, Scientific and Cultural Organization (UNESCO) has worked to improve dialogue and understanding between civilizations, cultures and peoples. One of UNESCO’s methods of doing this is by designating and preserving World Heritage Sites, defined as having outstanding universal value to humanity, which it inscribes on the World Heritage List to be protected for posterity.
To date, there are 1,092 natural and cultural places inscribed. The diverse and unique treasures range from the Great Barrier Reef in Australia to the Pyramids of Egypt and the Taj Mahal in India.
Since 2011 UNESCO’s work has become inseparable with the magnificent film locations of the wildly popular Game of Thrones series.
For those tuning in to the show’s final episodes, here’s a look back at the Seven Kingdoms with a nod to the UN cultural agency.
Capital of the Seven Kingdoms
Long before it became known as King’s Landing – one of the Seven Kingdoms and seat of the mighty Iron Throne – the old city of Dubrovnik in Croatia was an important Mediterranean seat of power from the 13th century onwards. Severely damaged by an earthquake in 1667 and by armed conflict in the 1990s, UNESCO is co-coordinating a major restoration programme.
Dubrovnik joined the UNESCO List of World Heritage Sites in 1979.
Battle of the Blackwater
You may recall the fiery Battle of the Blackwater, or scenes where King Robert Baratheon rules from the Iron Throne in the Red Keep, overlooking Blackwater Bay: Fort Lovrijenac, outside the western wall of the Croatian city, actually played an important role in resisting Venetian rule in the 11th century.
Private retreat for House Martell
It is easy to see why Doran Martell called the Water Gardens of Dorne “my favourite place in this world”. Actually located in the heart of Seville, the Royal Palace of Alcázar is imbued with Moorish influences that date back from the Reconquest of 1248 to the 16th century. UNESCO points to it as “an exceptional testimony to the civilization of the Almohads as well as that of Christian Andalusia”.
UNESCO inscribed the Royal Palace of Alcázarin in 1987.
Daenerys’ journey through Essos
When you look at the Medina of Essaouira in Morocco, perhaps you can image The Khaleesi lining up The Unsullied eunuch slave-soldiers in the city of Astapor before renaming Slaver’s Bay, the Bay of Dragons. But for UNESCO, Essaouira is an exceptional example of a late-18th-century fortified town in North Africa. Since its creation, it has been a major international trading seaport, linking Morocco and its Saharan hinterland with Europe and the rest of the world.
The Medina of Essaouira joined the UNESCO List of World Heritage Sites in 2001.
Yunkai: ‘A most disreputable place’
In the Yellow City, Daenerys’ language skills are useful with the Yunkai’i, who speak a dialect of High Valyrian. But in Berber, the village of Ait-Ben-Haddou was a popular caravan route long before current-day Morocco was established. The crowded together earthen buildings surrounded by high walls offer a view of a traditional pre-Saharan habitat.
Ait-Ben-Haddou was designated a UNESCO World Heritage Site in 1987.
Theon returns to Lordsport Harbour
County Antrim envelops UNESCO-designated Giant’s Causeway and Causeway coast. It is also home to the small fishing harbour of Ballintoy, known to fans as the port of Pyke, home to the Iron Islands of the Greyjoys. Located in real-life Northern Ireland, the Causeway consists of some 40,000 massive black volcanic rock columns sticking out of the sea. Over the last 300 years, geographical studies have greatly contributed to the development of the earth sciences.
The Causeway coast was declared a World Heritage Site by UNESCO in 1986.
Cersei’s ‘Walk of Shame’
The iconic scene in in which Cersei Lannister is forced to walk naked through the streets of King’s Landing began atop of the baroque Jesuit Staircase, which leads to the Church of St. Ignatius of Loyola and Jesuit College in the UNESCO-desnigated Old City of Dubrovnik .
Kingslayer for gender equality
The connection between the United Nations and Game of Thrones does not end with UNESCO’s inspiring sites.
While Jaime Lannister is the twin brother of Cersei and slayer of the Mad King, Aerys II Targaryen, real-life actor Nikolaj Coster-Waldau is a Goodwill Ambassador for the UN Development Fund. Passionate about ending discrimination and violence against women, the father of two girls is focusing his considerable talents on drawing attention to critical issues, such as gender equality – encouraging everyone to be agents of change.
Mr. Coster-Waldau was appointed a UNDP Goodwill Ambassador in 2016.
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