After waiting for over a year and plagued with production problems that could put the very word problem to shame, the DC Extended Universe’s (DCEU) latest offering, the Justice League opened in theatres this Friday, November 17, 2017. For the fans of DC comics, it is the first offering that has brought the greatest superheroes in the DC universe together on the silver screen.
They had very high hopes from the movie after the debacle of the past films, Wonder Woman aside and expected that Justice League would be surefire megahit that would not only earn money but also provide movie-goers with an experience of satisfaction and wholesomeness. And boy, they could never have been any more wrong.
While it is not true that the Justice League is a bad movie. Like all movies, it has its moments of glory and grandeur and there are moments where it is a stupid mess. It would not be wrong to say that some of the scenes in the movie are pure bliss, scenes that capture the very essence of the comics and pander to their fandom. I would not be lying if I said that a few scenes in the movie are some of the very best that could ever be in a super-hero film. The casting, DCEU’s strongest point, is further strengthened by the addition of highly talented actors. But it would be naïve to ignore the mess the movie is. Scenes are disjointed, there is a serious lack of co-ordination, heavy use of CGI and above all, a plot that feels rushed and under-developed. Justice League could have a sure-fire megahit (there is no doubt it will still make a ton of money) and a critic’s delight if it could just have been properly made but it appears that DCEU is yet to take lessons from last year’s Batman v Superman and Suicide Squad. And the worst part of all this is that the sole body responsible for this abysmal failure of the Justice League is none other than the studio behind it, Warner Bros. Dude, ever heard of the saying that don’t chop the very branch you are sitting on?
Ask any kid who grew up in the 90’s who their favorite comic book superheroes are? Most would say Superman or Batman (both DC properties) with an odd few naming Spiderman (Marvel) or Fantastic Four (also, Marvel). Iron Man, who? Thor, what? Black Widow? Never heard of her. But today, it should be a matter of grave concern to the makers of the Justice League if the movies containing the tent poles of comics are making far less money that the movies containing these non-descript heroes. For me, it was nothing less than a shocker when the Batman v Superman grossed a measly USD 875 million, far far less than any good Marvel Movie. Don’t get me wrong but it is not that DC movies are pure shit, the infamous “Martha-moment” or the entire Suicide Squad aside or Marvel Movies are all great. But it is really disheartening to see Superman and Batman being pummeled down by these beings of far lesser significance. Wonder Woman was great and well-loved by all. Why not the others?
The root cause in the DCEU’s repeated false starts is the behavior of the studio executives who know nothing about comics and everything about making money by the most shameless forms. The latest diktat by the CEO of Warner Bros that Justice League should be limited to around 2 hours of running time to maximize screens was stupid & ill-advised, at best or suicidal, at worst. The movie had to establish the Flash, Cyborg and the Aquaman as Justice League Members with credible back stories, pave the way for the resurrection of the Superman after his death near the end of Batman v Superman, initiate the coming of the big-bad Darkseid, explain the McGuffins, establish the role of the Green Lantern corps in the movies, provide enough groundwork for future ventures, be good enough and earn a hell lotta cash to justify the investments in the DCEU. This was compounded by the personal tragedy of Jack Snyder which led to him leaving the movie and the roping in of Joss Whedon to complete the movie. Whedon, unconfirmed reports suggest, re-shot over 30% of the movie and changed the movie’s tone (Take that Marvel-you copied our superheroes, we will copy your cinematic style). It would be an understatement to say that the production was under pressure and the diktat made the matters worse. How could anyone cram a plot so huge into a runtime so little? Did WB not learn even a single lesson from the receptions of the theatrical release of BvS and its extended edition? The butchering of the reels and the garbage that has filtered out is not the movie millions of fans were waiting for. It is smoking mess, nothing else. True, the individual scenes are pure gold and that is a testament to the entire production crew but the movie-goers went to watch a full solid movie not any disjointed mess of movie fragment of a few mins here and there.
This is unfortunate. Movie audiences are being taken for a ride by the big studios and this must stop. Injustice has been done to the Justice League. When will “Justice be served”? Who will truly “assemble the league”. This, only time will tell.
100 years of history: Historic hotel celebrates worker heritage
If you’re the curious sort who enjoys exploring historic sites in your free time, you’re far from alone.
Because people are fascinated with learning more about how Americans lived, thought and dreamed in the past, many seek out such cultural enclaves anytime they travel. That helps explain the $762 million in revenues logged by U.S. historic sites in 2013, according to Statista. Other research predicts the revenues realized by U.S. museums and historic sites will more than double between 2018 and 2022.
“Historic places create connections to our heritage that help us understand our past, appreciate our triumphs and learn from our mistakes,” the National Trust for Historic Preservation recently noted. “Historic places help define and distinguish our communities by building a strong sense of identity. When you visit a historic site, you learn from their stories.”
One fascinating and culturally rich historic site you may not have visited is The American Club, a Forbes Five-Star and AAA Five-Diamond resort hotel in the heartland of Kohler, Wisconsin. The iconic hotel owned by Kohler Co., global leader in plumbing, was built in 1918 as a dormitory for its immigrant workers. This year the multifaceted national attraction celebrates its centennial anniversary in grand style, with even more activities and offerings for its guests.
Year-long features of the celebration include a new history exhibit, guided tours and a new cast iron sculpture installation, “The Immigrant,” created by artist Stephen Paul Day. Day took part in the Arts/Industry program and was inspired by the company history. The four-star restaurant, The Immigrant, will offer a tasting menu featuring dishes from France, the Netherlands, Germany, Normandy, Denmark and Great Britain — the primary homelands of original Kohler employees. Group Director Lodging for Kohler Co., Christine Loose explains, “The concept of gracious living and creating a sense of belonging has always been important to the company and our heritage.”
With its trademark red brick, striking Tudor architecture and soaring roof peaks and slate tile, the landmark is recognized by both the Historic Hotels of America and the National Register of Historic Places.
Aside from the historic elements of The American Club, visitors and guests can partake of several other features offered in or near the surrounding resort known as Destination Kohler. Key attractions include the Forbes Five-Star Kohler Waters Spa; a lakeside boutique hotel known as the Inn at Woodlake; cycling and yoga studios; four championship golf courses (Blackwolf Run and Whistling Straits, the latter hosting the revered 2020 Ryder Cup); 12 dining establishments, renovation inspiration at the Kohler Design Center, and daily factory tours led by retired Kohler employees spotlighting the evolution of day-to-day manufacturing operations.
Destination Kohler is an hour north of Milwaukee and 2.5 hours north of Chicago. Learn more about its many attractions at DestinationKohler.com.
Weaving profits in Azerbaijan
Artisans in Azerbaijan who practice the traditional art of carpet making are being provided with new business opportunities thanks to a project supported by the UN Development Programme (UNDP).
Weaving carpets is a skill that has been passed down through the generations and in the central Asian country is largely the work of women.
Although Azerbaijan is located on the ancient trading route known as the Silk Road, many artisans, especially those living in mountainous areas, are finding it increasingly difficult to get their carpets to market.
Small and Medium sized enterprises, like the carpet weavers of Azerbaijan, account for 60-70 per cent of global employment, according to the UN.
As the International Micro-, Small and Medium-sized Enterprises Day is marked across the world on June 27, the Azerbaijani authorities, with the support of UNDP, are boosting efforts to help artisans sell their goods.
New interactive Story Maps make Europe’s cultural heritage more accessible
On the occasion of the first ever European Cultural Heritage Summit, the European Commission has released a set of interactive maps which will help to raise awareness of cultural heritage in Europe.
Speaking at the European Cultural Heritage Summit in Berlin today, Tibor Navracsics, Commissioner for Education, Culture, Youth and Sport, responsible for the Joint Research Centre, said: “Making cultural heritage more accessible to everyone is one of my main goals for the European Year. The Story Maps will play an important role in this, offering valuable information in a user-friendly way. The Joint Research Centre has already developed a number of tools that help us preserve cultural heritage, such as 3D scanning technologies that can be used to map heritage sites as well as smart materials for their reconstruction. Now the interactive Story Maps will help open up opportunities for Europeans to explore our shared heritage and get involved in safeguarding it for the future.”
The Story Maps, developed by the Joint Research Centre, the Commission’s science and knowledge service, inform in an easily accessible way about several initiatives across Europe linked to cultural heritage. These include actions like the European Heritage Days, the EU Prize for Cultural Heritage or the European Heritage Label, funded by Creative Europe, the EU programme that supports the cultural and creative sectors. The website also contains links to the digital collections of Europeana – the EU digital platform for cultural heritage. This platform allows users to explore more than 50 million artworks, artefacts, books, videos and sounds from more than 3500 museums, galleries, libraries and archives across Europe. These maps will be updated and developed, for example taking into account tips from young people exploring Europe’s cultural heritage through the new DiscoverEU initiative.
The online tool was launched by Commissioner Tibor Navracsics at the European Cultural Heritage Summit in Berlin today. This Summit is one of the main events of the 2018 European Year of Cultural Heritage and is attended by high-level representatives of EU Institutions, civil society organisations and Member States, including German Federal President Frank-Walter Steinmeier. to protect, promote and raise awareness of cultural heritage in Europe. to protect, promote and raise awareness of cultural heritage in Europe. to protect, promote and raise awareness of cultural heritage in Europe.
The Story Maps were presented to a wider audience at the European Cultural Heritage Summit, co-hosted by Europa Nostra, the Prussian Cultural Heritage Foundation and the German Cultural Heritage Committee. The Summit is one of the key events of the European Year of Cultural Heritage taking place in Berlin from 18 to 24 June. It will see the adoption of the “Berlin Call to Action – cultural heritage for the future of Europe”, which supports the idea of a European Action Plan on Cultural Heritage, announced by the Commission in the New Agenda for Culture proposed in May. The Call to Action asks citizens, institutions and organisations to build on the momentum of the European Year, to recognise the positive and cohesive power of shared cultural heritage and values to connect Europe’s citizens and communities and to give a deeper meaning to the entire European project.
The purpose of the European Year of Cultural Heritage is to raise awareness of the social and economic importance of cultural heritage. Thousands of initiatives and events across Europe will give citizens from all backgrounds opportunities to discover and engage with cultural heritage. The aim is to reach out to the widest possible audience, in particular children and young people, local communities and people who are rarely in touch with culture, to promote a common sense of ownership.
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