Member States of the United Nations Educational, Scientific and Cultural Organization (UNESCO) on Friday appointed Audrey Azoulay, a former culture minister of France, to the top post of the agency.
“I now think of all the people I met in recent months, or had met in my various professional capacities, who have great expectations from UNESCO,” Ms. Azoulay told the UNESCO General Conference, which endorsed her 13 October nomination by agency’s Executive Board.
Ms. Azoulay, who will replace outgoing Director-General Irina Bokova, will take office on 15 November.
“I think of UNESCO’s mandate, which is strikingly modern. I think of all of you who are aware of the difficulties of the Organization but who know that it is irreplaceable, that it is essential, in facing current global challenges and who aspire to the unity and serenity necessary to let it exercise its mandate to best effect,” Ms. Azoulay said.
Born in 1972, Ms. Azoulay was France’s Minister of Culture and Communication from February 2016 to May 2017.
She has occupied senior positions in France’s public broadcasting sector and then served as rapporteur to France’s public auditing authority, the Cour des comptes, and as a European Commission legislative expert on issues of culture and the media.
Ms. Azoulay served France’s National Cinema Centre (CNC), first as Deputy Audiovisual Director, then as Director of Financial and Legal Affairs, and finally as Deputy Director-General.
A graduate of the Ecole National d’Administration and the Paris Institut d’études politiques, Ms. Azoulay also holds a Masters degree in Business Administration from the University of Lancaster (UK).
She is the 11th Director-General of UNESCO and the second woman to occupy this position.
UNESCO is responsible for coordinating international cooperation in education, science, culture and communication. The organization’s theme is ‘Building peace in the minds of men and women,’ and the themes that fall under its mandate include education in the twenty-first century, fostering free expression, protecting cultural heritage and stewardship of the planet’s oceans.
Building intercultural competences in Costa Rica
In cooperation with the Ministry of Culture and Youth of Costa Rica, Parque La Libertad, the Costa Rican National Human Rights Institution and the Spanish Cultural Centre in Costa Rica, UNESCO conducted the third pilot of the UNESCO Manual on Intercultural Competences based on Human Rights in San José, Costa Rica, from 7 to 9 March 2018.
Building on the previous pilot sessions in Bangkok, Thailand, and Harare, Zimbabwe, the Costa Rican pilot provided an additional opportunity to test the manual’s adaptability and effectiveness in different contexts, both from the perspective of facilitation, and with regard to its ability to build individual capacities for intercultural dialogue and understanding.
Over the course of three days, UNESCO led a training of trainers session with national authorities, local NGO leaders, educators and other community leaders, as well as two pilot sessions – facilitated by the newly trained local personnel – with over 70 participants from a broad cross-section of Costa Rica’s population. The pilot sessions included a particular focus on indigenous groups, and community-level work for youth-focused violence prevention.
Ms Viviana Boza, Vice-Minister of Youth from Costa Rica, opened the proceedings, highlighting “the importance of this collaboration which allows us to enhance our comprehension of the cultural differences and challenges facing Costa Rica to advance the resolution of intercultural and intergenerational conflicts”.
Against the backdrop of growing cultural diversity and intercultural interaction within the sub-region, the methodology proposed in this manual provides an accessible activity based on story-telling to bring people together to reflect upon their differences and challenge their preconceptions. It provides a unique opportunity for participants to improve their capacity for empathy, tolerance, listening and understanding, and therefore reflect on sources of conflict and misunderstanding.
Indeed, given the serious global challenges facing humanity in the 21st century, learning how to live together is an imperative for advancing sustainable and inclusive development. To this end, learning to be intercultural competent – in other words, having the skills needed to enhance connections and understanding across difference – is essential.
The lessons learnt from this pilot session will inform final adaptions to the manual to maximize its relevance once publically released, including within the Latin American and Caribbean context. It also contributed to the building of a strong foundation of trained facilitators to help mobilize the manual’s wide dissemination and use following its expected publication before the end of 2018.
Ballet and Opera Set Sail With Silversea in 2018 and 2019
Ultra-luxury Silversea has announced a new collection of ballet and opera-themed sailings for 2018 and 2019. These Enriched Voyages, designed to blend culture and travel for a more immersive experience, will feature evocative opera shows performed by the world-renowned Accademia Teatro alla Scala and classic ballet performances by soloists from such legendary companies as the State Academic Bolshoi Theater of Russia. Along with lectures and Q&A sessions, guests will have the chance to mingle with the artists at a signature cocktail party.
“We are thrilled and honored to welcome such extraordinary talent from the performing arts,” said Barbara Muckermann, Silversea’s chief marketing officer. “I know our guests on these exclusive voyages will be both enriched and inspired by the exceptional onboard entertainment experience.”
Based in Milan, Italy, Accademia Teatro alla Scala (La Scala Theater Academy) is one of the world’s foremost performing arts academies. Its internationally renowned performers and instructors offer the highest level of artistic education for aspiring and gifted singers, dancers, and musicians from every corner of the world. Four soloists from its Academy of Lyric Opera and a piano accompanist will perform a selection of opera’s most beautiful librettos for the enjoyment of Silversea guests aboard:
—Silver Muse departs September 28, 2018 on a 10-day voyage from Venice to Athens with calls in Rovinj, Dubrovnik, Corfu, Katakolon, Nafplion, Santorini and Rhodes. Early Booking Bonus fares start at $9,360 per guest.
—Silver Spirit departs April 25, 2019 on a 7-day voyage from Barcelona to Rome with calls in Porto Mahon, Alghero, Cagliari, Trapani and Sorrento. Early Booking Bonus fares start at $3,150 per guest.
—Silver Shadow departs October 22, 2019 on an 11-day, roundtrip voyage from Athens with calls in Mykonos, Crete, Kusadasi, Rhodes, Limassol, Haifa and Ashdod. Early Booking Bonus fares start at $4,230 per guest.
Daria Khokhlova and Artemy Belyakov, acclaimed ballet solo performers of the State Academic Bolshoi Theater of Russia, one of the world’s most renowned ballet companies, are returning to Silversea for an exclusive engagement aboard Silver Muse’s August 19, 2018 sailing from Venice to Monte Carlo. The 10-day voyage will visit Opatija, Dubrovnik, Valletta, Trapani, Olbia, Portofino and Livorno. Early Booking Bonus fares start at $6,480 per guest.
Silver Muse’s March 21, 2019 voyage from Singapore to Hong Kong will feature soloists from a yet-to-be-announced ballet company. The 13-day voyage will feature calls in Koh Samui, Bangkok, Ho Chi Minh City and Da Nang. Early Booking Bonus fares start at $6,300 per guest.
L.U.C XP Urushi Year of the dog Artistic crafts share unique perspectives
The elegance, the refinement and the technical nature of the ultra-thin L.U.C XP Urushi watch have made it a cult model. Each year, Chopard draws inspiration from the repertoire of Chinese astrology to offer a fresh interpretation of its Urushi dial, an ancestral Japanese technique. Staging an encounter between beauty and precision, East and West, Chopard places creativity at the heart of cultural ties and of its commitment to perpetuating traditions.
2018 marks the celebration of the Year of the Dog. Its iconography, its universal symbolism and its mythological strength are showcased in an exceptional L.U.C watch issued in an 88-piece limited series: The L.U.C XP Urushi –Year of the dog. This masterpiece of fine craftsmanship began with an encounter between two perspectives. That of the Urushi master and of the master-watchmaker at Chopard Manufacture in Fleurier, both intently focused on their work. The deft hands decorating the dial of the L.U.C XP Urushi, just like those capable of developing and producing the L.U.C 96.17-L calibre, perpetuate time-honoured skills bearing authentic testimony to their respective cultures. Together, they celebrate the Year of the Dog, the 11th sign of the Chinese zodiac, for a year dedicated to generosity and loyalty.
Generosity meets loyalty
In the Chinese zodiac, each sign is the expression of a distinctive nature. The entire range of qualities associated with the dog is thus reflected in the L.U.C XP Urushi – Year of the Dog watch. Eager for justice, sensitive and faithful by nature, dogs devote all their strength to serving others, without ever impinging on others’ freedom. Their devotion withstands every trial and when they love, it is for life. They also cultivate an attitude to work based on commitment, personal involvement and a serious-minded attitude that implies making the most of individual skills, giving true meaning to their existence, and basically leading a useful, honest and consistent life. Dogs are builders and protectors demonstrating unfailing loyalty. Chopard has decided to embody this canine through a representative of the extremely beautiful Asian ‘Akita’ breed, depicted in a lush natural setting dotted with wild orchids and enhanced by the fluttering presence of a dragonfly, regarded as a lucky charm and a good omen.
Urushi: a time-honoured art
Urushi is an ancestral lacquer technique. Its name stems from the tree whose resin is patiently harvested, once a year, in very small quantities. Three to five years after being collected, the resin is treated in such a way as to become a highly resistant lacquer applied in a number of extremely fine layers. The Urushi Master then imprisons within it a number of tiny iridescent particles that endow it with distinctive depth, luminosity, and exquisitely fine nuances. Only a rare few artists have the skills required to perform this technique. Chopard called upon Master Kiichiro Masumaro to oversee the creation of the L.U.C XP Urushi dials. He is recognised as a master of his art and has been raised to the status of “national human treasure” in Japan. The dials were executed by the Urushi Grand Master Minori Koizumi. For this collaborative endeavour, Chopard secured the services of the Yamada Heiando company, official purveyor to the Japanese imperial family.
An exceptional watch Manufacture
An exceptional movement was needed to give life to this dial. At the heart of the ultra-thin case measuring 39.5 mm in diameter and 6.8 mm thick beats the mechanical self-winding L.U.C 96.17-L movement. Equipped with two barrels ensuring a 65-hour power reserve by means of Twin® technology, this calibre achieves the feat of fitting inside such a slim case thanks to the off-centred 22-carat gold micro-rotor. It is bevelled, engraved and guilloché, while the bridges are adorned with Côtes de Genève. This sophisticated movement decoration and finishing is performed by expert hands at Chopard Manufacture in Fleurier, in accordance with the highest aesthetic quality standards of traditional watchmaking. The calibre is visible through the transparent exhibition back of the 18-carat rose gold case. A single glance reveals a tradition and a fascinating range of deft skills ranging from Switzerland to Asia, shaping the frontiers of a universal dialogue revolving around the spirit of excellence.
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