Children need space to grow and art plays a pivotal role in creating not just any space, but a creative and conducive space. Knowing that is one thing, making such space available for children is a whole new world.
This year, for the first time, the National Gallery of Singapore is making it possible. In its first Gallery Children’s Biennale, Singapore is leading the way in Asia to create space for children through art. The exhibition targets young visitors and it is curated in such a way that aim to captivate the imagination of the young: making art fun, interactive and accessible. The objectives are simple: to nurture children’s deeper understanding and appreciation of art since the young age and creatively engage children with art in a new innovative and educational way.
Ms. Chong Siak Ching, CEO, National Gallery Singapore said “The Gallery believes that art education plays an important role in developing innovative and expansive thinking in our young. For the Gallery Children’s Biennale, we engaged artists to create works accessible for young visitors to showcase how art can be fun, inspirational and educational. This will be a good platform for families to come together and explore fresh perspectives while engaging with art.”
Under the theme “Dreams and Stories”, Gallery Children’s Biennale is under the guiding philosophy that “every child is creative. We believe everyone dreams and has stories to tell – and we want to active their senses, and enable them to express their thinking, ideas emotions,” said Suenne Megan Tan, the Director of Audience Development and Engagement at the National Gallery Singapore.
“A key aim of the Gallery Children’s Biennale is to incubate, pilot and research new approaches of art engagement, within a museum context, where artists and visitors function as partners and contributors to-ward a shared learning experience. While this advances the development of art education and the learning of art by an individual, it also transforms museums into active learning environments in which people can feel, think, look and respond, moving comfortably from what they know to new areas of knowledge”, said Mrs. Tan.
To achieve this, the Gallery brought together 9 exceptional artists from Singapore and broader Southeast Asia to showcase their masterpieces. Some are existing work, some are newly commissioned. Ranging from art installations to performance art, the different forms of art present an inspiring sensory experience for young visitors to engage with art in a new and educational way.
Of all the installations, 5 are created by Singapore artists, 2 by Southeast Asian artists, and 2 by Asian art-ists. Four artists, namely, Singapore’s Cultural Medallion awardee, Chng Seok Tin, Vincent Leow, Ian Woo and Tran Trong Vu are part of the national collection, and whose works are also on display in the DBS Singapore Gallery and UOB Southeast Asia Gallery. The likes of team Lab and Mark Justiniani are artists of international repute that create unique participatory and immersive works. While world-renowned, Yayoi Kusama amplifies the Gallery’s mission of bringing high-level artworks that has the capacity to embrace the public and offer art that welcomes our children. Similarly, Robert Zhao and Lynn Lu have also created works to express their beliefs and concerns about the world we live in.
The special thing about these artists is that they are creating works that are more engaging for children, allowing children to touch, stick, walk, browse, organise and even perform an artwork in order to bring young audiences closer to the usually distant, if not venerated, art pieces. Through this process, it is hoped that visitors will be inspired to revisit works of art in the Gallery and contemplate the ever-changing ways in which art constitutes a larger story of who we are. Each art installation is created with accompanying activities and ideas for discussion that aim to spark the imagination of young minds, and generate creative thinking for a new generation of Singaporeans.
But all of these cannot be achieved over night.
Gallery Art Biennale is a small step toward a larger goal of instilling the love of art amongst Singaporean. It is an auspicious start for a long term process. There will be more activities throughout the year at the National Gallery to nurture the love for art for children. The Gallery believes that early exposure to art is beneficial to the holistic well-being of a child as it can improve a child’s literacy, critical thinking and creative skills, among other benefits. All year long, at the Keppel Centre for Art Education offers Family Weekends (a series of workshops, interactive tours and storytelling sessions the 2nd weekend of every month) to create a shared learning experience for children and their family. In conjunction with Gallery Children’s Biennale, a series of public programmes, film screenings, special tours for families, and artist-led workshops for children have been lined up. Visitors can also look forward to an outdoor festival in August.
Although the primary objective of the Biennale targets young visitors, the entire installation speaks to everyone in the family. Because “everybody has stories to tell”, the aim of Gallery Art Biennale is ambitious. It is hoped that through such interactive and engaging process using different kinds of art, the audience to the Biennale will go through a transformative experience, visitors will be emerged knowing more about themselves and the world around them.
“This first edition of Gallery Children’s Biennale welcomes the inner child in every one of us, regardless of age, to embark on this creative journey to explore the world through the eyes of nine artists from Singapore and beyond. We hope that both the young – and the young at heart – will be inspired by the installations and programmes,” added Ms Suenne Megan Tan
Gallery Children’s Biennale opens to public 20 May to 8 October 2017. The Gallery Children’s Biennale is a ticket exhibition. General admission rules apply. Free entry for Singaporeans & PRs. For more details, visit www.childrensbiennale.com. The Gallery Children’s Biennale will be held once every two years.
Camille Corot: Women
Camille Corot is best known as the great master of landscape painting in the 19th century who bridged the French neoclassical tradition with the impressionist movement of the 1870s. His figure paintings constitute a much smaller, less well-known portion of his work, but they appeared throughout his prolific fifty-year career, with particular force toward the end. Rarely seen outside his studio during his lifetime, these works made an impact on later nineteenth- and early twentieth-century modernist artists who copied or borrowed from them, such as Paul Cézanne, Pablo Picasso, and Georges Braque. Dressed in rustic Italian costume or stretched nude on a grassy plain, Corot’s women read, dream, and gaze directly at the viewer, conveying a sense of their inner lives. His sophisticated use of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. The forty-five paintings on display, created between the mid-1830s and the early 1870s, are largely divided into three major subjects: costumed single figures, nudes, and allegorical studio scenes.
The exhibition is curated by Mary Morton, curator and head of the department of French paintings, National Gallery of Art, Washington September 9 – December 31, 2018
Dawoud Bey: Night Coming Tenderly, Black
Dawoud Bey’s latest body of work is a series of black-and-white photographs that reimagine sites along the last stages of the Underground Railroad.
Photographer Dawoud Bey, the recent recipient of a MacArthur genius grant, decided to make a fresh start soon after his 60th birthday. Already renowned as a portraitist, he turned his camera on architecture and landscapes; accustomed to urban scenes, he decided to photograph thickets, a picket fence, and Lake Erie. Bey also returned to black-and-white printing, and more particularly to gelatin silver prints, which he had not used since the early 1990s. Through these choices Bey wanted to make a far greater shift: from pictures of the here and now to the vast, historical subject of the Underground Railroad, the network of secret routes and safe houses that aided enslaved African Americans on their path to freedom.
Bey also wished to pay homage to photographer Roy DeCarava (1919–2009) and poet Langston Hughes (1901–1967), who each addressed the African American experience in their work in part by foregrounding what DeCarava called “a world shaped by blackness.” DeCarava’s mastery of even the darkest tones gave Bey a model for depicting the twilight uncertainty that those fleeing slavery confronted as they traveled northward. Meanwhile, the closing couplet of Hughes’s short poem “Dream Variations”—“Night coming tenderly / Black like me.”—inspired the exhibition title. Bey has said that he wanted to hold darkness itself in a tender embrace.
The result is a series of 25 large-scale photographs, most of which are on view in this presentation—the first showing of Bey’s latest body of work in a museum. All the pictures were made around Cleveland and Hudson, Ohio, a final way station for those seeking freedom in Canada. The photographs show homes and patches of land that are rumored to have formed part of the invisible railroad “track,” leading those seeking freedom from one unfamiliar place to the next.
Bey chose a dense, vibrant selection of 19th- and 20th-century photographs from the Art Institute’s collection to hang directly outside the exhibition gallery, works that complement the exhibition by suggesting the range of ways that the American landscape has been represented in photographs and the place of African Americans within that physical and social landscape.
Night Coming Tenderly, Black was commissioned by FRONT International: Cleveland Triennial of International Art. Art Institute of Chicago Jan 11–Apr 14, 2019
Crystal Award Winners 2019
Conductor Marin Alsop, film director Haifaa Al-Mansour, and broadcaster and naturalist Sir David Attenborough, are the recipients of the 25th Annual Crystal Award, the World Economic Forum announced today. The award celebrates the achievements of leading artists and cultural figures whose leadership inspires inclusive and sustainable change. The winners will be honoured in the opening session of the World Economic Forum Annual Meeting 2019 in Davos-Klosters, Switzerland, at 18.00 CET on Monday 21 January. The ceremony will be webcast live at www.weforum.org.
“Any new architecture for ‘Globalization 4.0’ will need to be both inclusive and sustainable. The remarkable achievements of the recipients of the 25th Annual Crystal Award inspire us to see beyond the limits of convention to find solutions for the current issues the world faces,” said Hilde Schwab, Chairwoman and Co-Founder of the World Economic Forum’s World Arts Forum, which hosts the awards.
Marin Alsop, for her leadership in championing diversity in music
Marin Alsop, Music Director of the Baltimore Symphony since 2007, is one of the greatest conductors of our time. Earlier this year she was the first woman to be appointed Chief Conductor of the Vienna Radio Symphony Orchestra and, in 2013, was the first woman in 118 years to conduct the BBC’s “Last Night of the Proms”. She has tirelessly endeavored to provide opportunities for all people to access music for a world where diversity in classical music is the norm rather than the exception. In Baltimore she launched the “OrchKids” programme to serve the city’s less privileged children, and the BSO Academy and Rusty Musicians for adult amateur musicians. She is also Music Director of the São Paulo Symphony Orchestra. A graduate of Yale University and a MacArthur Fellow (2005), at the Annual Meeting, she will lead the Opening Performance with the Taki Concordia Orchestra.
Haifaa Al-Mansour, for her leadership in cultural transformation in the Arab world
Haifaa Al-Mansour is the first female filmmaker in Saudi Arabia. “Wadjda”, Al Mansour’s feature debut, was the first feature film shot entirely in Saudi Arabia and the first by a female director. The success of her 2005 documentary “Women Without Shadows” was a breakthrough that was followed by a new wave of Saudi filmmakers and front-page headlines of Saudi Arabia finally opening cinemas in the kingdom. She was recently appointed to the Board of the General Authority for Culture to advise on the development of the cultural and arts sectors in Saudi Arabia. She recently released “Mary Shelly” starring Elle Fanning, and “Nappily Ever After” starring Sanaa Lathan. Al Mansour is the first artist from the Arabian Gulf region to be invited to join the Academy of Motion Picture Arts and Sciences.
Sir David Attenborough, for his leadership in environmental stewardship
Sir David Attenborough’s broadcasting career spans more than six decades during which he has played an extraordinary role both reinventing and developing the medium of television and connecting people to the wonders of the natural world, bringing distant peoples, animals and habitats into living rooms across the planet. As a BBC producer and executive, he has played a crucial role in creating new forms of programming and scheduling that, to this day, influence global broadcasting. His work includes many iconic productions, from the ground-breaking “Zoo Quest” series to landmarks including “Life on Earth”, “The Living Planet”, “The Trials of Life”, “The Private Life of Plants”, “Life of Mammals” and “Planet Earth”. At the Annual Meeting, Sir David will present key sequences from “Our Planet”, a new series by WWF, Netflix and Silverback Films, focusing on the preservation of life on Earth.
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