[yt_dropcap type=”square” font=”” size=”14″ color=”#000″ background=”#fff” ] H [/yt_dropcap]ard power’ can no longer stop conflicts nor the rise of violent extremism and “ancient hatreds” such as antisemitism and racial discrimination, the head of the United Nations cultural agency said today, insisting that “we need ‘soft power’ of education, knowledge, culture, communication, the sciences, to strengthen the values we share and recognize the destiny we hold in common.”
Irina Bokova, the Director-General of the UN Education Scientific and Cultural Organization (UNESCO) made this call at the opening ceremony of the Fourth World Forum on Intercultural Dialogue hosted by the Government of Azerbaijan in the country’s capital, Baku, and co-organized along with UNESCO, the UN Alliance of Civilizations.
More than 500 participants from around the world are attending the Forum under the theme ‘Advancing Intercultural Dialogue – New avenues for human security, peace and sustainable development.’
Ms. Bokova praised President Ilham Aliyev of Azerbaijan for his “longstanding leadership in promoting intercultural dialogue” as well as the tireless engagement of the First Lady, Mehriban Aliyeva, as UNESCO Goodwill Ambassador for Oral and Musical Traditions.
Azerbaijan has a long history on the ‘Silk Road’ ancient trade route, as a centre for exchange, scholarship and art. Baku’s Walled City is also inscribed on the UNESCO World Heritage List.
Conflicts across the world are tearing countries apart with civilians hardest hit, Ms. Bokova warned, pointing to the rise of violent extremism and ‘cultural cleansing,’ as well as what she called “ancient hatreds” like antisemitism, racial discrimination and intolerance.
“We see mosques, churches and other temples destroyed and cultural diversity threatened,” the UNESCO chief told a room full of dignitaries and representatives of the public, private and non¬–profit sector. “We see education under attack and children forced out of learning. We see freedom of expression threatened, journalists attacked. We see societies closing against perceived ‘others,’ and minorities persecuted.”
In this context, Ms. Bokova argued, the world has no choice but to respond while remaining true to the compass setting of human rights and dignity.
Of late, she added, hard power is not enough. The world needs the soft power of education, knowledge, culture, communication, the sciences, to strengthen the values we share and recognize the destiny we hold in common.
Picking up that thread, Nassir Abdulaziz, UN High Representative for the Alliance of Civilizations (UNAOC), in his address said military actions and security measures cannot be the only response to the world’s challenges. “The interconnected nature of today’s crises requires us to connect our own efforts for peace and security, sustainable development and human rights, not just in words, but in practice,” he said.
“The challenge now is to make corresponding changes to our culture, strategy, structures and operations. We must commit to achieve human security and sustainable development, in partnership with regional organizations, mobilizing the entire range of those with influence, from religious authorities to civil society and the business community, he said, adding that women and youth must also be brought to the table.
The Baku Process has become a successful platform to promote “peaceful and inclusive societies” around the world. Since its inception, Mr. Al-Nasser said, the Forum has encouraged and enabled people and communities worldwide to take concrete measures to support diversity, dialogue and mutual understanding amongst nations.
The focus of this year’s Forum is particularly significant, he continued, adding that human security places people at the centre of multidisciplinary approaches and response, including development and human rights.
UNESCO is a main partner of the Forum in addition to organizations such as the UN World Tourism Organization, the Food and Agriculture Organization, the Council of Europe, the Islamic Educational Scientific and Cultural Organization (ISESCO) and the North-South Centre of the Council of Europe.
The Art of Architecture and Garden Design
Exploring Hangzhou is like walking through a Chinese watercolour painting, enchantingly brought to life. The capital of China during the Southern Song Dynasty (1127-1279), Hangzhou’s willow-fringed West Lake and mist-laced tea mountains dotted with ancient pagodas have enthralled generations of emperors, poets, artists and philosophers.
Sitting right on the banks of Hangzhou’s famed West Lake – a UNESCO World Heritage site – Four Seasons Hotel Hangzhou at West Lake is a charming microcosm of Hangzhou’s resplendent history, enriched with 21st century luxury and genuine hospitality.
Guests at Four Seasons Hotel Hangzhou at West Lake will find themselves in their own exclusive Chinese retreat fit for an emperor and empress. The entire resort is inspired by classic architecture from southeast China, giving guests an awe-inspiring insight into the privileged lifestyles of Hangzhou’s ancient literati.
Southeast China architecture style whitewashed buildings topped with dramatic grey-tiled, wing-tipped roofs can be seen throughout Hangzhou. The masterfully crafted rooflines are also a signature feature of Four Seasons Hotel Hangzhou at West Lake, where they appear both flamboyant and calmingly aen like. They are equally delightful when viewed from within – cast your eyes up to the soaring ceilings to appreciate the timeless beauty of the exposed interlocking dark-wood beams that have been hand-crafted according to traditional techniques.
The layout of the Hotel follows traditional Chinese courtyard design and feng shui philosophy, where symmetry is key. Guests enter into a grand central pavilion overlooking the lakefront infinity pool and gardens. Residential wings extend on either side leading to the guest rooms, restaurants and wellness facilities, intermingled with gardens, rockeries, streams and waterfalls to create a restorative sense of intimacy with nature. Many rooms open out to their own terrace conservatory with views of the lake, gardens and forest glades.
The pinnacle of the resort design is its landscaped grounds edging West Lake. As Hangzhou’s most famous attraction, it’s a rare privilege to be able to enjoy your own private slice of the legendary lake. The stunning water gardens embrace the central outdoor infinity pool and lawns leading directly to the lake shore and jetty.
Linking indoors and outdoors is the Hotel’s signature serpentine covered walkway through lush glades planted with willow, pine, maple and bamboo. It took Chinese artisans to carve the intricate lattice beams and hand-paint the colourful traditional designs on the interior roof of the walkway. Wandering along the corridor feels like a portal to an age of indulgence, where guests connect with natural and simple pleasures in this unforgettable part of China.
Leaders Will Address the Cultural Dimensions of “Globalization 4.0” in Davos
The World Economic Forum announced today that several cultural leaders will participate in its Annual Meeting 2019 in Davos-Klosters. These cultural leaders will join their peers from business, government, the media and civil society to advance dialogue on how inclusivity and sustainability can be the pillars of change under the meeting’s theme, Globalization 4.0: Shaping a Global Architecture in the Age of the Fourth Industrial Revolution.
Cultural leaders will include the 2019 Crystal Award recipients conductor Marin Alsop (USA), film director Haifaa Al-Mansour (Saudi Arabia), and broadcaster and naturalist Sir David Attenborough (UK). Others include the “world’s best teacher” Andria Zafirakou (UK), VR filmmaker Milica Zec (USA), photographer Rena Effendi (Turkey), robotics artist Madeline Gannon (USA), and the 2018 winner of the Young Wildlife Photographer of the Year award, 16-year-old Skye Meaker (South Africa).
“All the major intractable issues we face, from inequality to climate change, have important cultural dimensions. Our goal is to help identify roadblocks, shift perceptions, and inspire change,” said Nico Daswani, Head of Arts and Culture at the World Economic Forum.
Arts and Culture will be integrated across disciplines and in joint efforts with several partners to advance change in the following areas:
A focus on disability inclusion for the one billion people in the world living with a disability. The main exhibition at the Annual Meeting, ACCESS+ABILITY, developed in collaboration with Cooper Hewitt, Smithsonian Design Museum, will present 20 ingenious, recent designs made with and by people with disabilities. Items include an eye-tracking device for hands-free communication, adaptive clothing and a Braille smartwatch. The items demonstrate that designing for inclusion spurs innovation and benefits everyone. Several related sessions including interactive workshops, the “Business Case for Disability Inclusion” panel, the Sensory Dinner in the Dark experience every evening, by Sight of Emotion and led by visually-impaired guides, and the insights of several people with disabilities, will contribute to providing leaders with tools for making businesses, schools and cities more accessible. #WEFaccessible #valuable
At a time of catastrophic destruction of our natural habitat, biodiversity will also be on the agenda with activities that include the groundbreaking Tree VR, an award-winning multi-sensory experience that simulates becoming a tree; the Wildlife Photographer of the Year Award exhibition from the Natural History Museum, London, showcasing some of the world’s best nature photography through immersive projection-mapping; and the private, world-premiere screening of segments of Our Planet, a new series from Netflix in collaboration with the World Wide Fund for Nature (WWF) and Silverback Films, which will be presented and narrated live on stage by Sir David Attenborough (22 January). Several panels will also promote the #newdealfornature for leaders to set and agree on new environmental targets for 2021.
A focus on youth, diversity and freedom of expression, including the Opening Concert (21 January) led by Crystal Awardee Marin Alsop conducting the Taki Concordia Orchestra, in association with Southbank Centre and the Royal Academy of Music, London. Featured will be special guest Clara Shen, a 13-year-old winner of the 2018 Junior Menuhin Competition, and a world-premiere composition by Anna Clyne. The concert is supported by Intesa Sanpaolo. The Closing Concert (25 January) will feature a quartet from the Sphinx Virtuosi, that includes some of the best young African-American and Latino soloists in the USA, performing to awe-inspiring imagery from National Geographic of the Earth from Space. The concert is supported by Robert Smith, Founder, Chairman and Chief Executive Officer of Vista Equity Partners, and Board Chairman, Carnegie Hall. The meeting will also feature the exhibition “Cartooning for Peace – Davos Edition” in collaboration with editorial cartoonist Patrick Chappatte. It presents the work of cartoonists from around the world, who have taken on cultural taboos and thorny issues through art and humour. Finding Hope, a monumental site-specific surrealist mural inside the Congress Centre by Iranian artist Mehdi Ghadyanloo will offer an evocative reminder of our need to eschew simplistic narratives and engage with the myriad complexities of our global society.
Plovdiv and Matera: 2019 European Capitals of Culture
As of 1 January 2019, Plovdiv (Bulgaria) and Matera (Italy) will hold the title of European Capital of Culture for one year.
European Commissioner for Education, Culture, Youth and Sport, Tibor Navracsics, said: “The programmes for Plovdiv and Matera show how these cities envisage both their own future and that of Europe, whilst celebrating their extraordinary centuries-old heritage. The European Capital of Culture initiative brings people together and highlights the role of culture in building a European identity. Both cities will help ensure a long-term impact of last year’s successful European Year of Cultural Heritage, which has demonstrated how culture can transform our cities and regions for the better. I wish Plovdiv and Matera every success in the coming year.”
Plovdiv is the first ever Bulgarian city to be chosen as European Capital of Culture. With a full programme under the motto “Together”, 2019 will bring new opportunities to the region and international visibility for the city. More than 300 projects have been organised in Plovdiv, as well as the South Central Region of Bulgaria, and the cities of Varna, Sofia and Veliko Tarnovo, including festivals and community-based projects, structured around themes linked to the characteristic features of Plovdiv, its history, cultural heritage, as well as the challenges facing the city. From discovering the Cyrillic alphabet through various exhibitions, to joint theatre productions with the Western Balkans and the Roma and Turkish communities, visitors will have an array of activities to participate in. The opening celebrations will take place from 11 – 13 January, with a series of indoor and outdoor events, including a music, light and dance performance on the evening of 12 January. Commissioner for Digital Economy and Society Mariya Gabriel will attend the official opening ceremony on 12 January.
The programme for Matera has been organised under the motto “Open Future”, and will have a special focus on social and cultural inclusion and collaborative innovation. Highlights include “Ars Excavandi”, a contemporary look at the history and culture of subterranean architecture; “Re-reading Renaissance”, a journey through the artistic past of Basilicata and Apulia; and “Poetry of primes”, an exhibition on the central role of mathematics in the work of artists throughout the ages. Matera will also stage the first open-air performance of the opera Cavalleria Rusticana in co-operation with Teatro San Carlo, as well as 27 projects developed with local creative communities and partners from Europe. The opening celebrations will take place on 19 and 20 January and will gather 2,000 musicians from all the villages of the Basilicata region and many other parts of Europe. Commissioner Navracsics will attend the official opening ceremony on 19 January.
Melina Mercouri, the then Greek Minister of Culture, took the initiative to start the European Capital of Culture in 1985. It has since become one of the most high-profile cultural initiatives in Europe. The cities are selected on the basis of a cultural programme that must have a strong European dimension, promote the participation and active involvement of the city’s inhabitants and contribute to the long-term development of the city and its surrounding region.
Holding the title of European Capital of Culture is also an excellent opportunity for the cities to change their image, put themselves on the world map, attract more tourists and rethink their development through culture. The title has a long-term impact, not only on culture but also in social and economic terms, both for the city and the region.
In 2018, Valletta in Malta and Leeuwarden in The Netherlands were European Capitals of Culture. Following Plovdiv and Matera in 2019, the future European Capitals of Culture will be Rijeka (Croatia) and Galway (Ireland) in 2020, Timisoara (Romania), Elefsina (Greece) and Novi Sad (Serbia, candidate country) in 2021, Esch (Luxembourg) and Kaunas (Lithuania) in 2022, and Veszprém (recommended) in Hungary in 2023.
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