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The Baqee Organization to Washington to denounce cultural genocide

Marwa Osman

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Civilizations are proud of traditions and construct relics to build heritage sites honoring revered personalities. The Saudi government defies normal traditions by destroying the relics & shrines of all religions including Islam. Baqee is a cemetery in Saudi Arabia where Prophet Mohammed’s children, wives, companions, and relatives are buried. Since the destruction of Baqee in 1925 AD, it has become a symbol of the atrocities and brutality committed by Saudi Arabia and like-minded terrorist organizations such as ISIS, Al-Qaeda, Taliban, Boko Haram and other offshoots.

This is the exact same ideology that resulted in the destruction of Gautama Buddha statues in Afghanistan, Temple of Palmyra in Syria and the Tomb of Prophet Jonah in Iraq. These atrocities are a direct result of theWahhabi (Salafi) sect teachings, promoted by Saudi Arabia and exemplify their lack of tolerance, respect, peace and humanity. Apart from the destruction of heritage sites, the Saudi police display physical aggression on pilgrims visiting the cemetery especially women, which is a humanitarian issue.

A protest against Saudi Human Rights abuse held on July 13th in Washington DC, organized by The Baqee Organization, to denounce the disappearing of Islam’s holy sites.

Since Wahhabism (Saudi Arabia’s state religion) first rose its head in the desert of Nejd in the Hijaz, in the 18th century Islam, Christianity, Judaism and all other religious denominations have suffered a veritable cultural genocide.

Over 7000 Islamic sites have been destroyed to assuage Wahhabis’ own sense of self-righteous bigotry, still the world has sat in silence. Firmly anchored in intolerance for they think their ideology holy, and pure, Wahhabi clerics have rationalized religious oppression and brutality, turning it into a well-honed system.

Amid the many crimes which were committed over the years one has towered over all as it spoke of a hate so entrenched in itself it could never be defined other than in ideological absolutism.

In 1925, Al-Saud regime took its wrath on al Baqee cemetery, where some of Islam’s most noble personalities, including members of the Prophet Muhammad’s family, are buried. As it lies in ruins, al Baqee came to represent Resistance – the call of a people against the injustice of radicalism, the need for a people to reclaim its History so that cultural and religious identity would not be lost.

Wahhabism has claimed many holy sites over the centuries — Gautama Buddha statues in Afghanistan, the Temple of Palmyra in Syria and the Tomb of Prophet Jonah in Iraq. Before Wahhabism, the world stands to see its memory erased. It is this violence, this insane pursuit for religious absolutism which the Baqee Organization ambitions to denounce, and oppose so that justice could be reclaimed.

Muslims and non-Muslims – beyond creed, ethnicity, and political persuasions, people from across the United States will stand in solidarity with the embattled citizens of Saudi Arabia and the countries it oppresses. Similar protests were also held at Saudi Arabian Consulates and Embassies in Los Angeles.

In the face of tyranny, we are all minorities. It is how we face injustice which truly defines our character.

Ms. Marwa Osman. PhD Candidate located in Beirut, Lebanon. University Lecturer and host of the political show “The Middle East Stream” broadcasted on Al-Etejah English Channel. Member of the Blue Peace Media Network and political commentator on issues of the Middle East on several international and regional media outlets.

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The feminist inspiration of Mona Lisa

MD Staff

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This year marks the 500th anniversary of the death of the Italian genius, Leonardo da Vinci, who died on 02 May 1519. On this occasion, UNESCO highlights some of the comments concerning the origins of one of the most famous paintings in history: Was Mona Lisa painted in a feminist spirit?

The thesis of the American art lover William Varvel highlights the links between feminism and the painting. According to his findings, Mona Lisa would represent a figure in the fight for gender equality. Why? William Varvel insists on “the theological rights of women” claimed through the vision of the famous painting from the Renaissance Period. These rights are linked to the status of priests, which women do not have access to. Therefore, the painting representing Mona Lisa would have for true desiderata the possibility for the women to have access to the priesthood. William Varvel assures that “Mona Lisa is a kind of declaration for the rights of women”.

To support his argument, the author of The Lady Speaks: Uncovering the Secrets of the Mona Lisa explains how Leonardo hid clues in the painting: in total, not less than “40 symbols, taken from the 21 verses of the chapter 14 of the Book of the Prophet Zechariah” in the painting.

Therefore, there is a link between religion, the painting of the Italian master and his feminist commitment. It is precisely this link that William Varvel wishes to highlight in order to allow a reflection on the subject. A new definition of the place of Mona Lisa in the artworks from the Renaissance is necessary to apprehend the political and feminist scope of this masterpiece.

UNESCO

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How UN cultural treasures helped set the stage for Game of Thrones

MD Staff

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From King’s Landing to the Iron Bank, so many of the breath-taking backdrops seen on the smash hit Game of Thrones television series are available for future generations to enjoy,  thanks to a key, but little-known role played by the United Nations cultural agency.

Established in 1945, the UN Educational, Scientific and Cultural Organization (UNESCO) has worked to improve dialogue and understanding between civilizations, cultures and peoples. One of UNESCO’s methods of doing this is by designating and preserving World Heritage Sites, defined as having outstanding universal value to humanity, which it inscribes on the World Heritage List to be protected for posterity.

To date, there are 1,092 natural and cultural places inscribed. The diverse and unique treasures range from the Great Barrier Reef in Australia to the Pyramids of Egypt and the Taj Mahal in India.

Since 2011 UNESCO’s work has become inseparable with the magnificent film locations of the wildly popular Game of Thrones series.

For those tuning in to the show’s final episodes, here’s a look back at the Seven Kingdoms with a nod to the UN cultural agency.

Capital of the Seven Kingdoms

Long before it became known as King’s Landing – one of the Seven Kingdoms and seat of the mighty Iron Throne – the old city of Dubrovnik in Croatia was an important Mediterranean seat of power from the 13th century onwards. Severely damaged by an earthquake in 1667 and by armed conflict in the 1990s, UNESCO is co-coordinating a major restoration programme.

Dubrovnik joined the UNESCO List of World Heritage Sites in 1979.

Old City of Dubrovnik (Croatia).UNESCO/Francesco Bandarin

Battle of the Blackwater 

You may recall the fiery Battle of the Blackwater, or scenes where King Robert Baratheon rules from the Iron Throne in the Red Keep, overlooking Blackwater Bay: Fort Lovrijenac, outside the western wall of the Croatian city, actually played an important role in resisting Venetian rule in the 11th century.

Cannon in Old City of Dubrovnik (Croatia).UNESCO/Silvan Rehfeld

Private retreat for House Martell

It is easy to see why Doran Martell called the Water Gardens of Dorne “my favourite place in this world”.  Actually located in the heart of Seville, the Royal Palace of Alcázar is imbued with Moorish influences that date back from the Reconquest of 1248 to the 16th century. UNESCO points to it as “an exceptional testimony to the civilization of the Almohads as well as that of Christian Andalusia”. 

UNESCO inscribed the Royal Palace of Alcázarin in 1987.

Cathedral, Alcázar and Archivo de Indias in Seville (Spain).UNESCO/José Puy

Daenerys’ journey through Essos

When you look at the Medina of Essaouira in Morocco, perhaps you can image The Khaleesi lining up The Unsullied eunuch slave-soldiers in the city of Astapor before renaming Slaver’s Bay,  the Bay of Dragons. But for UNESCO, Essaouira is an exceptional example of a late-18th-century fortified town in North Africa. Since its creation, it has been a major international trading seaport, linking Morocco and its Saharan hinterland with Europe and the rest of the world.

The Medina of Essaouira joined the UNESCO List of World Heritage Sites in 2001.

Medina of Essaouira, formerly Mogador (Morocco).UNESCO/Leila Maizaz

Yunkai: ‘A most disreputable place’

In the Yellow City, Daenerys’ language skills are useful with the Yunkai’i, who speak a dialect of High Valyrian. But in Berber, the village of Ait-Ben-Haddou was a popular caravan route long before current-day Morocco was established. The crowded together earthen buildings surrounded by high walls offer a view of a traditional pre-Saharan habitat. 

Ait-Ben-Haddou was designated a UNESCO World Heritage Site in 1987.

Ait-Ben-Haddou (Morocco).UN News/Jing Zhang

Theon returns to Lordsport Harbour

County Antrim envelops UNESCO-designated Giant’s Causeway and Causeway coast. It is also home to the small fishing harbour of Ballintoy, known to fans as the port of Pyke, home to the Iron Islands of the Greyjoys. Located in real-life Northern Ireland, the Causeway consists of some 40,000 massive black volcanic rock columns sticking out of the sea. Over the last 300 years, geographical studies have greatly contributed to the development of the earth sciences.

The Causeway coast was declared a World Heritage Site by UNESCO in 1986.

Giant’s Causeway (Northern Ireland).UNESCO/Stefano Berti

Cersei’s ‘Walk of Shame’

The iconic scene in in which Cersei Lannister is forced to walk naked through the streets of King’s Landing began atop of the baroque Jesuit Staircase, which leads to the Church of St. Ignatius of Loyola and Jesuit College in the UNESCO-desnigated Old City of Dubrovnik .

The Jesuit Staircase is located on the south side of Gundulic Square in UNESCO World Heritage Site of the Old City of Dubrovnik.UN News/Mita Hosali

Kingslayer for gender equality

The connection between the United Nations and Game of Thrones does not end with UNESCO’s inspiring  sites.

While Jaime Lannister is the twin brother of Cersei and slayer of the Mad King, Aerys II Targaryen, real-life actor Nikolaj Coster-Waldau is a Goodwill Ambassador for the UN Development Fund. Passionate about ending discrimination and violence against women, the father of two girls is focusing his considerable talents on drawing attention to critical issues, such as gender equality – encouraging everyone to be agents of change.

Mr. Coster-Waldau was appointed a UNDP Goodwill Ambassador in 2016.

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Baku forum to push back against ‘rise of hate’ with strong call for cultural and religious tolerance

MD Staff

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Just off a plane from Sri Lanka, Miguel Angel Moratinos, United Nations High Representative for the Alliance of Civilizations (UNOAC), said on Wednesday that tomorrow’s 5th World Forum for Intercultural Dialogue is opening at a “very timely” moment.

Speaking in Baku, Azerbaijan, ahead of the UN-backed Forum, Mr. Moratinos told UN News about his “emotional visit” to Colombo, the capital of Sri Lanka, where he paid his respects to victims of the suicide bombings that took place on Easter Sunday which killed more than 250 people at churches and hotels across several cities.

“Sri Lanka has been an open country with different religions and cultures, and suddenly there was this massacre”, he said, adding that it had dealt a “tremendous blow to a country that is trying to live together in peace.”

While social intolerance is not new, Mr. Moratinos was concerned about what he called “the return of hate.”

“Hate is the word that mobilizes certain communities to destroy”, he said, adding: “It drives people past the point of not being able to live together to the direction of exterminating their opponents and that is very dangerous.”

“This Forum is important to send a strong message to the international community that it is possible to live together, that we can respect each other and that we have to better understand different cultures and religions,” he told UN News.

Complex situations need clarity

He said that as the world is becoming more complex and uncertain, a global strategy for intercultural dialogue is ever more important.

“Solutions sought through financial, military and political means take a simplistic view”, he stated, noting that sustainable solutions require a social-cultural approach that digs deep into the roots of different societies to bring clarity.

“Unless you understand the mentality of your neighbor, the history of an issue, how you come to this situation, what the consequences are and the relationship is, it is very difficult to find sustainable solutions,” he maintained.

The High Representative is taking up this approach wholeheartedly, using it as a new tool “to explore and develop in the near future”.

Mr. Moratinos also spoke about the message of interfaith dialogue and tolerance on which both the Grand Imam of Al Azhar and the Pope agreed.

He said the historic declaration that Al Azhar and the Vatican had produced was about “brotherhood, mutual understanding and overcoming past controversies to look toward the future”.

“And it is not only between Islam and the Catholic Church, they want to go larger, to ask other religious faiths to join them”, he said, noting that is provides “a good basis for discussion and for interreligious dialogue”.

Turning to the global plan of action to safeguard religious sites – a fresh mandate given to UNAOC last month by UN chief António Guterres in the wake of the horrific mass shooting at two New Zealand mosques – Mr. Moratinos told UN News that while working on the draft, his Officer was “shocked by what happened in Sri Lanka”, stressing that those attacks further demonstrated the urgency of developing a plan.

He detailed some of the work his team is doing to this end, such as in Sri Lanka, where they reached out to the Congress of Religions and “went into specific elements”, including on how national legislation should be adapted “to meet new challenges” and the work needed to “put an end to social networks of hate and discrimination”.

The High Representative shared his hope that by end-July a draft plan should be ready for adoption and implementation.

The 5th World Forum, which will open in Baku tomorrow, 2 May and through Friday, will examine the critical role of intercultural dialogue as an actionable strategy for building human solidarity and helping localities counter the violence and discrimination in diverse communities.

Running under the theme Building dialogue into action against discrimination, inequality and violent conflict, the Forum will also host the 2nd High Level Panel of the Heads of International Organizations and the Ministerial Panel, in order to build synergy and partnership among political, economic, financial, military, humanitarian and social organizations along with other stakeholders to elaborate a common roadmap for assisting public, private and third sector organizations in building inclusive and sustainable societies through promoting intercultural dialogue and human dignity.  

The Government of Azerbaijan, in partnership with the UN Education, Scientific and Cultural Organization (UNESCO), UNAOC, the UN World Tourism Organization (UNWTO), the Council of Europe and the Islamic Educational, Scientific and Cultural Organization (ISESCO) is the host of the Forum.

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