“According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.”― Plato, The Symposium
“Life is like arriving late for a movie, having to figure out what was going on without bothering everybody with a lot of questions, and then being unexpectedly called away before you find out how it ends.” ― Joseph Campbell, Creative Mythology
Author’s Preface: What follows is a spirited, imaginary conversation across time, between a two well-known scholars: one an ancient philosopher and the other the foremost modern authority on myths and symbols, at a café in Athens overlooking the acropolis. While the conversation is purely imaginary, not overly academic, and rather colloquial at that, the integrity of the thought of its interlocutors on myth, reason and religion has been scrupulously respected, for not to do so would be to fail at arriving at the truth and run the danger of falling into the worst kind of sophistry as described by the ancients.
Plato: Good morning Professor Campbell!
Campbell: Good morning Professor Plato! I trust you don’t mind the title, even though you are so famous that your nick name would suffice to identify you. After all, you were the founder- director-manager, the first professor so to speak, of the ancient Greek Academy; a supreme intellectual institutional achievement which lasted a thousand years.
Plato. Oh, yes, yes, why don’t we simply dispense with formal academic titles? May I just call you Joe and you call me Plato? After all, we are not at a formal symposium or at a formal academic conference; we’re just sipping cognac and chatting at a café in modern Athens in view of the acropolis.
Campbell. By all means, Plato. In modern America, in fact, we prefer to dispense with too many social formalities and pomposity as you seem to prefer in Europe. Perhaps later we may even engage in a chess game and a pipe smoke, should you have the time. Those are pastimes suitable to reflective minds such as ours. I could teach you, if you are unfamiliar with those pastimes.
Plato. Sounds like a good idea, Joe. That way, while we may be discussing transcendent ideas beyond time and space unfamiliar to most ordinary people, we shall not give the false impression to passerby that we are two of those stereotypical unpractical philosophers with a beard, with their heads in the clouds of Mount Olympus, exchanging recondite abstract theories and reveries while smoking a pipe in an club’s armchair; rather, that we are practical men of the world, clever and democratic enough to mingle with the people while putting theory ahead of practice.
Campbell. Indeed, Plato, indeed. Human nature being what it is, it cannot have been a piece of cake for you to manage the logistics of the administration of a great academy and keep discipline among rowdy students and petty competing professors and their contemptuous ad hominem antics and juvenile slanderous attacks on each other. I know something about that. I am an insider at the academy, where I have sojourned all my life, but in reality, intellectually and spiritually that is, I have always felt like an outsider, a non-conventional academic who did not even bother to finish his Ph.D. dissertation, albeit I am presently widely known as the foremost mythology expert and scholar of the Western world.
Plato. Ah yes, I know your reputation, I have also heard about “the Ph.D. octopus,” the essay on the subject made famous by our colleague, your fellow countryman, William James. Excellent insightful essay; an exposé of sorts, it almost made me ashamed of having been the source of the term “academic.”
Campbell: Oh, well. Tell me Plato, do you think we moderns are justified in recognizing you as the first philosopher who brought to a head the conundrums of myth/history, reason/myth, religion/myth; all the more since you yourself repeatedly utilizes mythology and concocted myths galore in your dialogues and treatises, the best known of course being the myth of the cave as found in The Republic?
Plato: Indeed, Joe. The Myth of the Cave, whose narrative occurs in the Republic is a fantastical story, but it does not deal explicitly with the beyond, and is thus different from the traditional myths I myself used and invented. Strictly speaking, the Cave is an analogy, not a myth. Also in the Republic, Socrates says that until philosophers take control of a city “the politeia whose story we are telling in words (muthologein) will not achieve its fulfillment in practice”. The construction of the ideal city itself may be called a “myth” in the sense that it depicts an imaginary polis where we imagine the happy state.
In the Phaedrus I use the word muthos to name the rhetorical exercise which Socrates carries out, but this seems to be a loose usage of the word. In any case, when I inveighed against the bad poets I certainly did not have the likes of Homer and his Odyssey or Iliad in mind. I respect and revere the likes of Homer, or Shakespeare or Dante. What I was critiquing was the mind-set of those banal mediocre poets, the poets who write poems for wedding receptions and then lay claim to the title of great poet; those with no poetical vision who couldn’t even write a decent novel, never mind an epic poem. Did you know that in my youth I had aspirations toward poetry; an aspiration that never left me?
Campbell: Yes I know, Plato, and it doesn’t surprise me a bit judging from the complex beauty of your ancient Greek prose which depicts your myths so well and fit harmoniously the form and the content. But what I am particularly interested in is finding out why you included myths such as “the myth of the cave” in the Republic? How did that help your rational philosophical discourse about good governance, democracy, justice? You seem to conceive of myth as a clue to the search for life’s meaning. I, on the other hand, see them as a clue to the spiritual potentialities of human life. For me myths are the ongoing search for “the experience of life,” to “finding one’s bliss.” They seem to tell us that the meaning of life is the experience of life, that eternity isn’t some later time, or a long time; that in fact it has nothing to do with time! It is that dimension of here and now which thinking and time usually cuts out. I may be wrong but it seems to me that if you don’t get it here, you won’t get it anywhere; that the experience of eternity and transcendence right here and now is the function of life.
Plato: Oh well. Frankly, I am a bit surprised that you should even ask such a question as the eminent mythologist that you are. As you well know, mythology as well as drama sprang directly from the realm of the religious and the symbolical as stories about the gods and their all too human and petty interactions with humans and the universe and nature, stories which at first sight resemble children’s fairy tales, but when looked at closely reveal certain universal truths which later on a psychologist like Jung dubbed “archetypes of the human condition”; the journey archetype, for instance, being one of those. Jung also discovered that those archetypes are universal and occur among people who have had precious little cultural interaction with each other.
This origin from the religious and the symbolical is often overlooked in modern theories on mythology. Dante’s journey in the Divine Comedy is one concrete example of a mythological journey which remains tied to its religious origins, so is Homer’s in the Odyssey, so is Captain Picard journey on the Enterprise space ship; the journey is always a journey into the self looking for its origins and its final destination. They are not historically documented journeys; they are more in the realm of the subjective, the imaginative and even that of the prophetic, more in the way of a myth, but a myth that repeats itself in many forms and among many people, revealing a hidden deeper truth, a truth that goes beyond a mere empirical positivistic explanation of the visible material phenomena. They may not be historically or empirically verifiable but they are certainly real since they exist in the realm of the intelligible just as logic, or mathematics, or astronomy are imbedded in the realm of the intelligible even when utilized for concrete material necessities arising from the positivistic realm of what is empirically verifiable. This akin to belief in the gods or religious faith which remains subjectively even when we are unable to prove it empirically.
Campbell: Well put Plato; you sound quite modern; sometimes I wonder if we moderns have not reinvented the wheel. I couldn’t agree with you more. In fact, I would say that you have caught up and even surpassed us moderns in the understanding of the essence or nature of myth: it is not to be considered a lie, or as the mere sugaring of the bitter pill of truth, as you put it when you criticized the bad poets, but a deeper truth to be decoded, interpreted and reflected upon. That’s basically what I try to do in my various books on mythology, especially the one titled “The Hero with a thousand Faces.”
Plato: I have read all your books and they are quite illuminating on the subject of mythology. They invariably expand one’s intellectual-spiritual horizon on the relationship of myth religion and reason.
Campbell: thank you for your kind words Plato, but could you indulge me a bit more by explaining to me your summation of ancient Greek mythology mentioned by you, of Zeus splitting the human being in half so that from then on one half has been searching for the other half? Most scholars, including Jung, interpret that statement of yours via a biological metaphor as the masculine in search of the feminine looking for wholeness, but I suspect that there is much more to it.
Plato: your suspicion is well founded, Joe. The Janus face represents the split which occurred when rationality, beginning with Socrates, my mentor, overpowered the poetical and the mythological so that the poetical began to be defined as the deceptive which lies and puts sugar on the bitter truth of rationality to make it more bearable. Your modern philosopher Pascal points to this error with his statement that “the heart has reasons that reason knows not.” Also there is another highly insightful philosopher of history, Giambattista Vico, from the 18th century, who identified the mistake of much of Western philosophy beginning with me alas, not only in its totalizing tendencies but in the attempt to subside the imaginative and the poetical under the rational and the empirical. The two realms really belong together and have been searching for each other since they were split asunder by Positivism in modern times. He expresses all this in his masterpiece The New Science (1725). When myth is split from the rational it becomes harmful, it ends up in myths such as that of “the master race.”
When reason is split from myth and the poetical it begins to rationalize and justify what ought never be rationalized and tolerates unethical behaviour. Indeed Pascal’s and Vico’s corrections, the corrections of those two Christian humanists were very much needed within the ethical Western tradition, as Emmanuel Levinas has also pointed out in the 20th century via his concept of “the other.”
As you know, in the Protagoras I make a distinction between muthos and logos, where muthos appears to refer to a story and logos to an argument. This distinction is also echoed in the Theaetetus and the Sophist. In the Theaetetus Socrates discusses Protagoras’ main doctrine and refers to it as “the muthos of Protagoras.” Socrates there calls a muthos the teaching according to which active and passive motions generate perception and perceived objects. In the Sophist, the Visitor from Elea tells his interlocutors that Xenophanes, Parmenides and other Eleatic, Ionian (Heraclitus included) and Sicilian philosophers “appear to me to tell us a myth, as if we were children”.
By calling all those philosophical doctrines muthoi I do not claim that they are myths proper, but that they are, or appear to be, non-argumentative. In the Republic I may come across as fairly hostile to particular traditional myths. And in many dialogues I condemn the use of images in knowing things and claim that true philosophical knowledge should avoid images. But I ask you: does Book X of the Republic offer a single repudiation of the best poets of the Hellenic world? Try as you may, you will not find one. What you will find is a complicated counterpoint in which resistance and attraction to their work are intertwined, a counterpoint which (among other things) explores the problem of whether, and in what sense, it might be possible to be a ‘philosophical lover’ of poetry” a la Vico.
I wanted to persuade a wider audience, so I had to make a compromise. Sometime I use myth as a supplement to philosophical discourse Most importantly, in the Timaeus, I actually attempt to overcome the opposition between muthos and logos: human reason has limits, and when it reaches them it has to rely on myth. That is to say, the telling of stories is a necessary adjunct to, or extension of, philosophical argument, one which recognizes our human limitations, and—perhaps—the fact that our natures combine irrational elements with the rational.”
Consider the fact that I chose to express my thoughts through a narrative form, namely that of the dialogue. So you may say that the use of a fictional narrative form (the dialogue, such as the prosaic one we are having right now) will mean that any conclusions reached, by whatever method (including that of academic ‘rational argument’), may themselves be treated as having the status of a kind of myth. So, a sense of the fictionality of human utterance, as provisional, inadequate, and at best approximating to the truth, pervade my writing at its deepest level. It is not that myth fills in the gaps that reason leaves, but that human reason itself ineradicably displays some of the features we characteristically associate with story-telling.
Campbell: Wow! This is interesting stuff indeed! Perhaps we moderns need to reinvent the wheel since we seem to have forgotten how it came about. It partly explains, to me at least, what a Catholic theologian expressed to me in a dispute we were having on “religion as myth.” He told me that it may be true that religions are based on certain archetypes of human nature and myths of the human condition but to say that Christianity is just another myth to be disposed as all the other myths as lies and falsehoods, to put a point across as we do with children’s fairy tales, to be superseded by the scientific mind-set, is to have misunderstood the very nature of mythology which is there to help us better understand transcendental-revealed truths. That is to say, to use mythology as an excuse to dump religion as retrograde, obscurantist, and unenlightened, is to run the risk of throwing the baby out the window with the dirty bathwater.
He also pointed out that Zeus or Atlas are impersonal ideas personified which when worshipped renders us idolaters or narcissists, but the concept of a benevolent providential creator God who takes on human nature to experience the human condition and enters physical reality historically and materially to redeem it is not a philosophical abstract idea to be found in any mythology; I dare say that not even brilliant philosophers like yourself ever thought of it; it is however the stuff of reality and historical events for which 12 ignorant fishermen from Palestine (no experts in Platonic or Socratic philosophy for which they’d be willing to die) were in fact willing to die because their allegiance was not to an idea but to a person who spiritually won the whole continent of Europe in a couple of centuries and gave it its ultimate identity as Judeo-Greco-Roman civilization; a religion this which makes a synthesis between the human and the divine and not only at an abstract theoretical level but at an existential level, and therefore it is humanistic to the core; that at its best advocates tolerance of other traditions, mythology itself, freedom of speech and democratic governance, given that we are all children of the same benevolent father and are commanded to love each other as brothers and sisters.
I must confess to you that I am still chewing on what that theologian provided for me on that day. I felt as if I had been check-mated in a chess game, but I don’t think now that he was playing chess with me, out to win some kind of sophistic debate or diatribe. To the contrary, he simply challenged some of the common assumptions of “enlightened” positivistic modernity which I had inherited uncritically.
Plato: well you should have Joe, well you should have. I myself am already ruminating on this whole conversation. While I do so, why don’t we order another cognac, light up a pipe and start a game of chess? Perhaps even take in a soccer game in the afternoon, since it happens to be Sunday?
Campbell: Indeed Plato, soccer games are now the new religion of the brave new world of the EU in which we live and have our being. Some call it the world of globalization. Some, perhaps more wisely, call it “reinventing the wheel,” which come to think of it, can itself be a myth (the myth of Sisyphus?) and an archetype of the human condition. Have you ever noticed that the world of dreams has no Kantian rational categories of the understanding; it is not linear, nor strictly logical and rational and it needs plenty of interpretation once it is recollected? Could the Hindus, who are not even Westerners in their thinking, have it on track when they say that we are all dreaming and when we die we will wake up to Reality, to the point of it all (the Word)?
Plato: I understand the concept of logos, but there are other things such as revealed truth and the need for forgiveness and the theological virtue of charity which I find difficult to grasp as an ancient; plenty of food for thought here; but perhaps it’s only the antipasto announcing the main course still to come. In any case, let the debate go on.
Nairobi summit: Women’s empowerment a ‘game changer’ for sustainable development
The global goal of a sustainable future for all cannot be achieved until women, girls and young people gain control over their own bodies and lives, UN Deputy Secretary-General Amina Mohammed told world leaders meeting in Nairobi on Tuesday.
The Kenyan capital is hosting a three-day summit to mark 25 years since the landmark International Conference on Population and Development (ICPD).
The conference, held in Cairo, produced a Programme of Action which recognized that reproductive health, women’s empowerment and gender equality are critical to sustainable development.
Ms. Mohammed said it must be carried forward: “Achieving gender equality and women’s empowerment and upholding women’s rights is a game changer – for poverty-reduction, inclusive growth, democratic governance, peace and justice,” she said.
“The Sustainable Development Goals cannot be achieved until women, girls and young people are able to control their bodies and their lives, and live free of violence. The power to choose the number, timing and spacing of children is a human right that can bolster economic and social development.”
SDGs deadline approaching
For Ms. Mohammed, the Nairobi Summit is also an opportunity to mobilize political and financial momentum towards realizing the Sustainable Development Goals (SDGs) adopted by world leaders in 2015.
Next year will see the start of a Decade of Action ahead of the 2030 deadline.
“We must continue to work even harder towards preventable maternal and child mortality, achieving the unmet need for family planning, and eliminating violence and harmful practices against women and girls everywhere, not least in humanitarian and fragile settings,” the UN deputy chief told the gathering.
As too many are still being left behind, Ms. Mohammed called for action.
“Hundreds of millions of women and girls are still waiting for the promise to be kept. They have been waiting long enough,” she said.
“It’s time for urgent and transformative change as we enter the decade of action to 2030.
Joker &the Pathology of Violence
JOKER, director Todd Phillips and renowned actor Joaquin Phoenix’s new take on an infamous comic book villain, will hit the big screen this weekend. It has garnered prestigious awards (such as the Golden Lion), laudatory critic reviews & is expected to attract hordes of eager moviegoers. However, JOKER has also inspired ominous think-pieces from publications such as The Atlantic and Vox. Additionally, the US military and the NYPD have expressed concern that the film could inspire violence.
These detractors of JOKER are arguing that the film glorifies “incel violence” and is thus likely to inspire acts as incel violence. This logic has been used ad nauseam to condemn everything from comic books, to video games, to martial arts, to Marilyn Manson to hip-hop. No credible study has proven that art that portrays violence causes real-world violence. Some people may point out that extreme outliers, like white-supremacist music, could cause violence. However, it would be more logical to argue the opposite: people who compose and listen to white-supremacist music were already enmeshed in a violent ideology. Likewise, genocidal propaganda tends not to focus on explicitly glorifying violence for violence’s sake, but in portraying groups of people as sub-human (Tutsis being compared to roaches, Jews being portrayed as greedy and treasonous, etc.). It’s thus a process of long, gradated inculcation. As Nazi propaganda chief Joseph Goebbels realized, there’s no reverse-Ludovico Technique that can magically turn people into killing machines by quickly showing them a two-hour film.
Now, it is true that a few violent criminals have cited works of art as inspiration for their actions. This is statistically inevitable, but insignificant. There are bound to be a few outliers who have bizarre interpretations on art, just as there are a few people who have been inspired to commit acts of terrorism based on personal interpretations of religion or politics. It’s no more logical to suggest that we ban violent video games or art because of mass shootings than to suggest we ban Buddhism because of Aum Shinrikyo’s gas attack on the Tokyo subway, or that we should ban Irish patriotism because of the IRA. Furthermore, some violent lunatics have been inspired by works of art, such as John Lennon’s killer citing Catcher in the Rye, that aren’t even violent in nature. Clearly, the people who commit mass killings are incredibly unhinged individuals who are in a violent frame of mind, regardless of what media they consume. Likewise, 99.99% of people who play FPS games or who watch slasher flicks aren’t going to go on a shooting rampage or create a torture dungeon in their basement.
To return things to JOKER itself, the film in no way “glorifies” violence. For starters, half of the violence is inflicted on the main character (the “incel hero”); there are two scenes where The Joker gets jumped mercilessly and a third scene where he gets sucker-punched in the face. The violent acts that The Joker himself commits are portrayed in a very gruesome manner (in one scene with The Joker and a neighbor of his, the violence isn’t even shown, but is merely implied). When The Joker bashes someone’s head in or shoots someone point-blank, there are no crass jokes, inspirational music or voiceovers quoting The Art of War. The plotline doesn’t imply any justification for the killings. When someone gets killed in the film, audience-goers don’t hoot and holler like they would in a screening of a zombie film or a Nazi-revenge flick like Inglorious Basterds. Rather, there is an awkward pall of silence in the theater at the nihilistic spectacle.
JOKER makes it very clear that the title character’s violence is motivated by nothing but his utter insanity. The Joker descends into a killing machine after being released from an asylum and after he stops taking seven different psych meds (which weren’t helping him much, anyway). When being interviewed, he admits that he isn’t compelled by any ideology whatsoever. Rather, The Joker literally views the act of killing as a joke.
Nor does The Joker gain any tangible reward for his violence; he gets fired from his job, arrested, hit by an ambulance and committed to an asylum as a direct result of his actions. Joaquin Phoenix’s character gets a thrill from the media coverage that his killings elicit (and a standing ovation from fellow thugs in the film’s penultimate scene), but that not’s a real reward, but rather a feeling that many real-life killers in fact get when they are portrayed in the news. For instance, the as-yet unidentified Zodiac Killer literally played games with Bay Area news outlets, sending them letters that boasted about his kills, contained cryptic puzzles and threatened to blow up a school bus if he didn’t receive even more media attention. Many other serial killers who were apprehended were found to have hoarded newspaper clippings that documented their crimes. Similarly, coverage of a mass shooting often inspires “copycat mass shootings”. The takeaway from this is that the media should be careful about inadvertently turning stories about mass shootings and terror attacks into personal biographies of the killer. When covering these kinds of attacks, some news outlets, like The Young Turks and The David Pakman Show, deliberately choose to blur the killers’ faces and avoid naming them, so as not to give the killers the attention that they wanted to garner and to avoid inspiring other violently-deranged individuals who crave attention.
The fact that JOKER doesn’t merely portray the villain as an Evil-Incarnate caricature doesn’t mean that it is therefore glorifying violence. The audience is meant to sympathize with The Joker when he get jumped without warning or when he talks about the crippling depression that he has felt for literally his entire life. There are scenes showing The Joker comforting his mother and entertaining sick children. The mere fact that The Joker is portrayed as a full human being, good traits and bad traits, doesn’t mean the film is justifying how he releases his violent rage. No human is evil 100% of the time: there is no villain who tortures hamsters 24 hours a day, 7 days a week. It is only by studying the causes of violent criminals’ various motivations that we can ever hope to ebb the tide of violence. Most violent criminals have suffered from childhood abuse, childhood poverty, a missing parental figure, bullying and/or mental illness (The Joker had to deal with all five of these traumas). By empathizing with these plights, we can create programs (drug treatment programs, stamping out bullying in school, removing children from abusive households, etc.) that can reduce violent crime.
It’s not comfortable to acknowledge that history’s most evil people had humanity or that societal norms (like persecuting people, tolerating child abuse or underfunding mental illness and addiction treatment programs) can fuel violence. It’s evident that Todd Phillips, through his direction and screenplay, and Joaquin Phoenix, through his tortured portrayal of The Joker, meant to give us a glimpse into the mind of a demented killer, not so we can sympathize with the protagonist’s brutal violence, but so we can sympathize with the myriad factors that drove the protagonist to criminal insanity. The nearly uniform media portrayals of mentally-ill individuals as Pure Evil only serves to misinform the public and to scare those suffering from mental disorders from seeking help. Hopefully, the discussions being generated by JOKER will encourage people to learn more about complex diseases like schizophrenia and to be more proactive in reaching out to loved ones who are displaying signs of mental anguish.
Women outnumber men in higher education but gender stereotyped subject choices persist
Education is essential to achieving gender equality. From the earliest schooling to the highest levels of post-graduate study, education influences the opportunities that can shape people’s lives.
This is why education and training of women is one of the 12 critical areas of concern in the Beijing Platform for Action, while target 4.5 of the Sustainable Development Goals (SDGs) calls for the elimination of gender disparities in education by 2030.
In the UNECE region girls tend to outperform boys in terms of learning outcomes in schools, and women outnumber men in tertiary education (university level and beyond) in almost all countries of the region.
Women remain in the minority, however, as students of stereotypically “masculine” subjects such as ICT and engineering, although in recent years they have begun slowly gaining ground.
Tertiary level graduates
In 39 out of the 47 UNECE countries with data, more than 55 per cent of tertiary graduates are women. Iceland has the highest share, with 66 per cent women. Seven countries are close to gender parity, with the share of women ranging from 48 to 55 per cent, and only in Uzbekistan are women in a clear minority, with 38 per cent of tertiary graduates.
After decades of increase in women’s participation in higher education, women substantially outnumbered men among tertiary level graduates in most countries by 2012. Since then, women’s share has declined in 32 out of the 47 countries with data. Whilst in Azerbaijan and Turkey fewer than half of tertiary graduates were women in 2012, more women have entered tertiary education in these countries since and the 2017 data already show gender parity there.
Subject choices of women and men
The subjects studied at tertiary level by women and men can reflect stereotypes of “masculine” and “feminine” subject areas. Some subjects may be preferred by potential employers and may affect occupational segregation once graduates enter the labour market. Information and Communication Technologies (ICT) and Engineering, Manufacturing and Construction (EMC) are two broad groups of subjects where male students have historically predominated.
Women remain a minority among ICT students in the UNECE region, with percentages ranging from 11 in Belgium to 33 in Greece. The four countries with the largest share of women among ICT students are all in the Balkan region. Among students of EMC, the share of women is somewhat higher, but still falls far short of parity, ranging from 14 per cent in Georgia to 44 per cent in North Macedonia.
In both of these subject groups, the recent trend shows small gains for women in some countries but reductions in others. Overall, progress towards gender equality in these two typically male-dominated subject areas is uneven and slow.
UNECE Beijing+25 Regional Review Meeting
Progress in achieving gender equality in education will be one of the areas in focus at the upcoming Beijing+25 Regional Review Meeting for the UNECE region, with a particular emphasis on how women and girls can enter currently male-dominated fields.
The Beijing Declaration and Platform for Action of 1995 (Beijing Platform for Action) is the most ambitious road map for the empowerment of women and girls everywhere. In 2020, it will be 25 years since the Beijing Platform for Action outlined how to overcome the systemic barriers that hold women back from equal participation in all areas of life.
The Beijing+25 Regional Review Meeting (29-30 October 2019) will take stock of where the UNECE region stands on keeping the promises of the Beijing Platform for Action. Bringing together government representatives and key stakeholders from the UNECE region, the meeting will tackle a number of obstacles that keep girls and women from realizing their full potential. UNECE is joining forces with the UN Women Regional Office for Europe and Central Asia to deliver a two-day multi-stakeholder meeting to exchange concrete policies to accelerate the realization of gender equality. The outcomes of the meeting will feed into the global review of the Beijing Platform for Action taking place at the sixty-fourth session of the Commission on the Status of Women in New York from 9 to 20 March 2020.
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