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African Renaissance

Why I write the way I do

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In futurity I want to find new realities in the notes from the universe. I think that is why I fluctuate from putting pen to paper short writings (for example, haiku, short stories, poetry) are what I write about mostly. People assume that writers and journalists must have the ‘gift of the gab’. Some do. Others don’t.

I want to mock conventional ways knowing that they are not the most convenient truths. Knowing that they came there through indoctrination. Through the church of my childhood, through faith, the discovery of something else, the journey of finding the I Am. Finding the experience formulaic. We tell ourselves that this is the marathon hope of reality. Reality for the most part can injure/wound terrifically. Terribly. Injudiciously. It says welcome to the party with open arms but it can also wound. So far and no further. When it comes to the craft of writing your attitude will always govern the characters, the protagonist, and the antagonist.

This is our country. A writer’s country. My country. Your country (if you are a writer). The secret to knowing the craft of writing is a simple one. That the knowledge of intuition is inseparable (or rather should always be) from imagination. That is the real magic. Creating the lyrical. Showing off miracles when they weren’t there before.

Finding your inherent soul in music, and even the half-baked ideas that you come up with in the early hours of the morning.

The inflow/influx of the self imposed exile living outside of Africa is steadily on the increase. Poverty, civil unrest, frustrated people, well they interest me in as far as I write about that. Does that inspire me to write? To show off my skills. Of course it does. Now more than ever. I doubt if it will ever inhibit me. Drown out me out by a hair’s-breadth the landscape of my youth, my childhood, the church of my childhood.

I speak about spirituality and church because for me in my writing church and faith played a major role in the development of my formative years.

Those self imposed exiles are escaping. Escaping from the only home that they have ever known but some do return. Homesick for Azania. Homesick for the attitudes of their people.

A writer has to articulate what spirituality is, how profound it is. A writer has to embrace the abstract, the figurative autodidact ism and literal metaphor.

A writer is not one who when it comes to the truth of matters of the heart prevaricates about them. They have a mission (I have a mission).

They have no pretense of mapping out cleverness. Marring the last-ditch attempts of the clarity of their thought (thought is powerful, thought is an inheritance) and vision. Writers never read almost for pleasure or for a lark. There is a extraordinary lassitude that writers experience for all of their lives that they experience innermost. Are they never enough, (or) what I have written is ‘it’ enough?

The question of the ego, the identity, and the identity crisis is always inimical. It never goes away completely. It is like the analogy of the egg. What comes first? The chicken or the egg. What comes first the ego or the identity? The savant or the genius. The writer, poet as artist or the artist, painter as artist. In the end I know it is fustian. I know.

I have discovered that when you are an inexperienced writer you need a someone who will guide you. A listener. Someone who will give you advice. Who will be kind and critical at the same time. A person who you can forgive.To not to trust what you write about is one interpretation of belief.

Getting there is also much about you having a philosophy on how, and why you write about the things that you do. Pay attention to what came before and most especially after in your writing environment. I think that you can call a triumph and without any denial something profound, and a breakthrough.

I have written about the quiet death of Lonmin, the bridge over troubled water in South Africa, Rilke’s advice to young poets, the status quo of xenophobia, the brave new world of living in post-apartheid South Africa, the culture behind, and of African cinema. I hope to keep on writing on the marginalized and disenfranchised of Africa using this platform. The self imposed exile that found the pastures of the grass is always greener on the other side of the world. This is why I write.

I have read many books. Perhaps not as many as educationalists and academics or scholars even. Some I enjoyed reading. Some I read for pleasure. Honestly, some were very painful to read. Some I found difficult to explain. It was a long time before I realized the difference between the writing style and technique of different writers. By then I had been writing for a few years already.

With some writers you can read their progress as known/unknown, see it as unimaginative or imaginative. You can see the horizontal, the vertical perspective of their education, or you read their process like a magazine that won’t go out of style.

Writers, good writers can speak to their readers in a genuine, psychological, sensitive, and authentic way. What does that vital, ethereal energy mean?

Writers survive inside their climate. They do not forget the unequivocal. They put to memory editorial paradigm shifts. Other writers writing. The dry, the good and the bad. There is an sacrosanct agreement among emerging and published writers. I was here before you. You have to put in the work before the breakthrough. That goes without saying.

What makes me disconsolate as a writer is the creature discomforts that come with having a traditional attack of the ego, mad love of crises. At the end of the day you will master contrition. You will fight for it with grace and humility though. It will take you being contumacious on your end. There is a consensus out there that in order for you to be good and to become great or a greater than kind of writer is that it is going to take more than opinion, life skills, and life experience.

I don’t know if every writer wants to be remembered for what they write. Be immortalized in some way. Be brought to life in a museum life kind of way. Leave behind a serious legacy. That was not my intention when I first started to write seriously. You want to make a go of it. That is all I remember. I just wanted to make a go of it.

Pushcart Prize and Best of the Net nominated shortlisted and longlisted poet Abigail George is a recipient of four writing grants from the National Arts Council, the Centre for Book and ECPACC. She briefly studied film, writes for The Poet, is an editor at MMAP and Contributing Writer at African Writer. She is a blogger, essayist, writer of several short stories, novellas and has ventured out to write for film with two projects in development . She was recently interviewed for Sentinel, and the BBC.

African Renaissance

The YCCC and How It Changed the Future of South Africa

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This was the pre-apartheid education that we received when we were still at school. I was 13, 14 years of age at the time of the promulgation of the Group Areas Act in Port Elizabeth, South Africa, which then led to the forced removals and people literally being ‘dumped’ in the Northern Areas of Port Elizabeth. Dr Neville Alexander came to Port Elizabeth on two occasions. The YCCC-organisation (Yu Chi Chan Club) was primarily based on guerrilla warfare as is expounded by the leader of the Chinese Communist Party Mao Se Tung. It elucidates in his long walk to freedom, as well as his account in the new democracy as is expounded by his books and writings. These ideologies played a key role in formulating policy in the fight of guerrilla warfare against the Nationalist Party government. It is imperative to mention that the textbook for the organisation was Guerrilla Warfare by Che Guevara which was slavishly followed by discussions in the organisation. Other books included Partisan Warfare by Lenin, as well as Das Kapital by Karl Marx.

This took a lot of preparation and in-depth discussion groups took place based on these classic writers. It was imperative that these books were simplified and applied to the unique situation in South Africa. Dr Alexander and Ali Fataar, the then banned member of the executive of the NUM (New Unity Movement) came to Port Elizabeth to do exploratory work in creating fertile political groundwork for establishing the NEUM (Non-European Unity Movement) groupings. They visited areas like Korsten, Schauderville at night where they held underground discussion groups on the non-collaboration and the ‘Ten-Point Programme’ which at that early stage were very important and relevant documents. These were lengthy discussion groups which took place throughout the night. However, it crystallised into a solid branch of the NEUM (Non-European Unity Movement), Korsten branch. Further exploratory work was conducted in the area before these two stalwarts could return to Cape Town.

As a young student (16 years of age) we had the opportunity of meeting with people of the calibre of Dr Alexander at a very early stage in our political careers. This took place while we attended the CPSU (Cape Peninsula Students Union) group at our residence in Lloyd Street, Cape Town. This group grew rapidly as more and more progressive students became interested in the finer progressive political ideologies of the CPSU. We met regularly every fortnight and the discussions took place until the early hours of the morning. The topics included Bantu Education, Coloured Education, Bush University, Students Representative Council issues and the like. We also organised regular meetings on camping trips on Table Mountain where extensive politicisation took place on advanced political ideologies such as capitalism, imperialism and world ideologies of the day. We became acutely aware that our home got the attention of the security police. However, this did not deter us from becoming acutely aware of the intrusion of capitalism and imperialism and the like. It was at a very young age that I became involved in student politics which has its origin in political activity.

The forced removals, the Group Areas Act, the political upheaval caused havoc amongst particularly the young who were influenced by teachers who belonged to the Anti-CAD (Anti-Coloured Affairs Department) and the TLSA (Teachers League of South Africa). The city was ablaze with political activity which in a short space of time demonstrated deep into the youth. This needless to say was influenced by political youth in the Western Cape. What was affecting the students in the Western Cape was, alas, also affecting the students in the Cape, particularly Gqeberha. At times, the situation became extremely volatile and out of control. Organisations like the NUM (National Unity Movement), Anti-CAD (Anti-Coloured Affairs Department), TLSA (Teachers League of South Africa) reigned supreme. It was also apparent that the ratepayer’s organisations which were formed to fight against the rapid erosion of management committees.

Many public meetings were held with F.A. Landman and Dennis Brutus (vice-chairman), who were at pains to point out the disadvantages of the Group Areas Act. Many groups were formed which included the ANC, the PAC, the Unity Movement and allied groups were mobilised. It became apparent that the Group Areas Act was not going to go through a very easy passage. The organisations were not unified in their actions and this gave the opposition deep inroads into progressive thinkers. As a student group at the University College of the Western Cape we were invited to SOYA (Society of Young Africa) meetings in the Mowbray Minor Hall on a Sunday afternoon. For the first time we witnessed serious altercations among the members of the NEUM (Non-European Unity Movement), and this included Dr Neville Alexander and Dr Kenny Abrahams.

The topic of discussion was on Angola and the chairlady of the meeting Miss Wilcox clearly did not understand her mandate. Dr Neville Alexander and Dr Kenny Abrahams tackled her on the political aspects of FRELIMO Liberation Front of Mozambique). It appeared that two factions had now developed in the meeting. It was really a fisticuffs kind of thing. It appeared as if Dr Alexander and Dr Abrahams were at loggerheads with the present discussion leaders of the main group. The matter came to a head when the chairperson asked Dr Alexander and Dr Abrahams to leave the meeting. However, before that could take place Dr Abrahams announced to the meeting that all those who believed in democracy would leave the meeting. I was one of the Western Cape students who felt urged to leave the meeting with Alexander and Abrahams, which we did and met again at No. 2 Swiss Road in Lansdowne for a follow-up meeting. Officially, at this meeting there was information about the YCCC (Yu Chi Chan Club). Dr Alexander and Dr Abrahams felt no animosity which the meeting gave them as they left.

Dr Alexander was described as a dark horse by my father. As with all leaders, the maverick visionaries and profound thinkers, brilliant intellectuals, and having the primitive wonders of both wisdom and intelligence, for these men ahead of their time their faith was shared only by their comrades in the struggle. These stalwarts have taught me that it is the tendency of every man, woman and child of every race, of every faith to embrace every other man, woman and child of every race, and of every other faith. Indeed, it is rare. Indeed, it is exceptional when it happens. Language is a bridge. The language is not of love, but of respect. It is the flesh and blood of mother tongue language that divides us. It is respect that conquers self-pity, arrogance and narcissism. There is no one identity. Yet there is one moral code. Multiculturalism has changed the order of history, moral ambiguity, cast a spell on the doctrines and phenomena of religion. In humanity, in this human world, these leaders have taught us purpose on earth, the awareness of self, lack of ego and the finding of our identity in existential relativism, pedagogical and counterfeit phenomenology. Multiply achievement and you get the candy shop of the poetic horrors of over-abundance, the romantic weariness of decay and the complex strength of popularity.

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African Renaissance

Truth and the third wave of the pandemic: To be vaccinated or not to be vaccinated

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Photo: Atharva Tulsi/Unsplash

I have endured the worst possible case scenario. Being locked up in a mental institution for six months while in my late teens, early twenties. Even though I was of sound body, mind and soul. I am 42 years old now and I haven’t come all the way back from that experience. Everyone wrote me off when I returned home to Port Elizabeth as Gqeberha was known in those days but worse was to follow. Inhumane treatment from those closest to me, rejection from society. I was taught that I had a mental disability and would never be able to work again, hold down a steady job or earn a monthly income. I was told in no uncertain terms that I had to now live on the fringes of society since I would be unable to make a positive contribution to society. For twenty years this continued. I had to all intents and purposes not only given up on myself, my personal success, development of my potential and fulfillment and engagement in a relationship that would lead ultimately to my future happiness. The goal of marriage and having a child, bringing children into the world and raising a family was not only put into the distant past, I thought that it would always be non-existent for me.

I would spend my time listening to sad music, love songs on the radio and wonder why it was not me caught up in the scenario of having a relationship with the opposite sex. I sank even further into the pit of the hell in f despair and hardship. I virtually had lost control over my life, received a disability grant which I did not spend on anything which I personally needed. Family considered me to be the proverbial black sheep of the family. When I got angry at the way I was treated I was certified. My rights were taken away from me. I was verbally, mentally and emotionally abused. I did everything in my power to be loved and accepted by both my maternal and paternal family which is why I believe so strongly today in dismantling the stigma that surrounds issues concerning mental illness and depression mania, euphoria and elation (however mild or all-consuming it might be). At this late stage of my life I have become an advocate for mental wellness. To stop the fight and curb the alienation and isolation of sufferers of mental illness. I want people from all walks of life to realise that people with mental illnesses can enrich our lives and can make a positive contribution to society.

I myself have always sought solace in writing. I have found it to be an instrument for change and therapeutic as well.

I have firsthand knowledge and experience of being called anything from schizophrenic to being diagnosed with bipolar mood disorder and because of the heavy psychotropic medication I have taken over the years I have had a host of illnesses presenting themselves. Chronic fatigue syndrome, insomnia, an underactive thyroid, chronic kidney disease, gout and heart disease. These diseases manifested themselves early on in my life before the onset of middle age when they would be more prevalent in someone who would be prone to these sorts of illnesses because of not living a healthy lifestyle.

I take each day as it comes now and live in the moment. I have my good days. I have my bad days. I have a mean temper and constantly have to watch what I eat, watch what I say and how I react to people who treat me as him I am a second class citizen because of everything I have been through in my life. Truth be told I always knew I was different. The depression started in childhood for me. I was always an overachiever. I would come home in the afternoons after school but no one ever helped me with my homework, told me either that they were proud of me or believed in me or loved me for that matter.

Everyday I am a work in progress. It is tough dealing with moodswing but that is the currency I deal in and the territory that borders my sense of self-control.

I have been called many names. None of them pretty or lovely. I have had zero support from my immediate family and my estranged family has complete written me off and washed their hands off of me thinking there is nothing they can do for me. This has been very hurtful and even has made made me feel quite suicidal over the years and in my hour if need, my hours of silence, pain and collective trauma I turned to God, prayer and meditation in my hour of need. At the time of the outbreak of the pandemic I got corona and was admitted to the psych ward at Provincial Hospital here in Gqeberha. I had no medical aid and was once again at the mercy of the system but I survived hell and that harrowing experience again to live to tell the tale of how to overcome the impossible, to live and to learn, to remain humble and kind even in the face of adversity and cruelty.

Loneliness, abject poverty, homelessness can either kill you or make you realise that you are powerful beyond measure and I have realised that I am powerful beyond measure.

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African Renaissance

Thoughts From the Frontline

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Photo: Keenan Constance/Unsplash

“Hip/Hop, Trap. I would describe my music as different, unique, compared to what I hear in the music industry in South Africa. It is a different sound of genre based on hip hop. In my downtime I listen to artists like Mexikodro, Playboi Carti, Diego Money, Pyrex Whippa, Lil Gotit and Sahbabii. In my life my family has been and still is a major influence, I just want to see them happy and stress free. I want to be successful so that they can spend the rest of lives living comfortably. I chose music because I believe that it is something I’m good at. I wouldn’t call myself a musical genius, or say that I’m talented musically because I’m not but, I have taken the time to learn everything that I know today, I started as a rapper, but now I am a producer as well, a very good one if I should say, I mix and master vocals, well I try to. It is still something I am learning on a daily basis and I believe that one day if not soon, I will understand that aspect of music. The guys who I record with are so gifted at what they do, we really inspire each other to take it to the next level. I would be lying if I said that I inspire myself, well maybe I do, I don’t know, however what I do know is that we can go to the next level together because nowadays you rarely see a duo or a group of rappers in the South African music industry, there are 4 of us in our group including others who aren’t full time as yet, I think that makes the odds better for us to take it to the next level as opposed to being a solo” SUPREME ZEE, CEO OF Holidae Don’t Stop!

“What inspires me to take it to the next level is basically my daughter, Family and my everyday experiences growing up and living in Westbury losing friends and family to gang violence had a huge effect on me since a young age I’ve been through hell and back if I may describe in short and I’ve realized, to make it out you really need to dig deep. This is also one of the main reasons why I started writing music. I love Music, it is my passion that is mainly why I chose to make music, ever since a young age I’ve just been through the worst writing music and articulating every word I write is therapeutic. Manifesting and having faith in God has carried me through. Major influences in my life remains God, my baby girl, my family and obviously my Team Holidae Dont Stop! We always encourage one another to do our best we definitely do bring out the best in each other and I’d say the beats that supreme Zee creates brings out the best in me personally and it’s also one of the major influences in my music career it’s only elevated since the moment we started. In my down time I listen to All types of music mostly Gospel & HDS. I would describe my music as being one in a million very versatile, real and unusually different from the usual and it has an unorthodox flow and style to it so you can literally expect only the best” TheGR8ACE, CEO and co-founder of Holidae Dont Stop!

My inspiration comes from knowing that I have a God given talent and my friends (HDS) and family that motivates me day to day to do better. I chose music because as a hobby it is something I love doing which started out in high school where I had friends that used to rap over beats and I’d just stand within the circle and listen to their rhymes and it became to amuse me when I found out that there are people in my community creating their own music, whereas in 2019, I linked with the crew Holidae Dont Stop! and it has been a wonderful journey ever since! Learning and growing at the same time. My mother has played a role as one of my biggest inspirations including friends (HDS) have been a major Influence in my life, for they always pushed me to be a better me. Not giving up on me and providing not bad advice but love and positivity. I’ve been in difficult situation in the past and I am just trying to make a better standard of living for my family, my friends as well as my community (Westbury). In my down time I listen to various genres like Rock, Rnb, Hip/Hop, Rap, Emo Rap. I would describe our music as Western Plug for it derives from Hip-hop with an offbeat including 808s and guitar and piano samples that Supreme Zee (Producer) recreates and when hearing the beat, I can automatically put my heart on it.” Bando -recording Artist at Holidae Dont Stop!

 To conclude this, we are all from Johannesburg South Africa as one of our members spread across as far as Cape Town, temporarily. Our member who are not full time are – Leiph Camp (Splaash66) Stock broker, Razaak Benjamin (Glock) Salesman and Marion Reyners (Marion The Great) Facilitator. “Our music is Bold, Iconic and timeless” TheGr8ce. Our crew is based in Jozi (Johannesburg) although we do not have a manager as yet. Our follow up record will sound similar to the “Western Plug tape” that we have recently released, followed by 3 singles. Plug is a genre that derives itself from Hip-Hop and our next single will drop in 2 weeks. The link to our music is on all platforms and the Love and support would be much appreciated. We literally wont stop! –

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