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Good advice: Rilke’s Gift to the World

Abigail George

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So all I see is young artists and they ask me how they can publish their work, how they can become better writers? It has nothing to do with becoming better at it. They are already there. You have to be committed to your craft. You have to take vows. There is a sacred contract between a writer and a book.

Some of us become so wounded in the process of rejection (we see it as abandonment) that we never go back to what we have been called to do in the first place. We forget we are poets and that being tormented and unseen at the same time is part of the seam of the process. We are writers. We are struggling iconoclasts. We are all part of the iconoclastic-family. We are futurists. We are sculptors. We are already there. We just needed the ‘elegant mathematics’ to help us along.

Sometimes we neglect ‘the gift’. There is a kind of alchemy in your head when you begin to write. It has its own machinery, its own wheels and all it asks of us is this? Write anything. Do not edit, decipher yet anything that you write. Just do not censor yourself. You need grit. It is going to take you far wanderer like Moses in the wilderness. All compositions aligned for art’s sake will result in its own rewards. In hardship, trial and despair, that desperation, sly in the voice and mind of the cuckoo living wasteland of the tortured poet is mine. Mine for the taking. Breath taking as impoverished courage might seem to be sometimes it is worth it. The festival of it amuses me, pours itself into me, the physical me, it is all the elements. Greatness lies in the peace it gives me.

Read much. Read everything you can get your hands on because it will not just inspire you. Inspiring your imagination and your subconsciousness. Perhaps silence is the best answer, (guardian angels have swords and humanity has silence). Do not spend all your time thinking of all the negativity in the world. Laugh. Smile. Become aware of just how much you have to be grateful for, for every lesson is a breathing lesson, a celestial navigation on this patchwork planet (my entire favourite reads by Anne Tyler).

Just think of what came before is now gone. Past is past. Intellectual thinkers, ego, psyche, that ‘psychological framework’. Well now, there is only personal space, future living and soul retrieval, consciousness travelling across the globe. What I believed to be before, as truth has become knowledge and isn’t knowledge powerful? Knowledge of the present situations taking place all over the world mostly conflict, mostly war, mostly brutality from man against man and vulnerable women and children caught in the middle.

I remember great poets, and I recognise that I am getting older. More set in my ways, moving forward towards something impenetrable, invincible. Protected in this mysterious world. Projecting myself forward into a future not filled with spiritual poverty, or wealth known as prosperity. Grounded by the gravity of Mother Earth, joy. (Beethoven, Tchaikovsky), the Russian writers (Nabokov’s Lolita which wounded me, and that taught me that we learn from our scars, we are not our scars, we are not our wounds, it is just part of our personal journey, our psyche, the teeth sunken into my personality), and Kubrick.

Failure can hurt. Young girls who think they will be goddesses forever can hurt you just like publishers with their neatly typed (by their secretaries who wear their hair in chignons), rejection letters (forgive them for they know not what they do). Other writers who have won more prizes than you have, who have the world eating out of their hands (forgive them for they know not what they do)? Do you understand that? Do you understand compulsion? Do you understand the complexities now in the mind of the poet and that there is an unstoppable fine line, a psychological thread that borders the finesse of the writer and the instinct of the poet?

Then there are films, which are at the very fabric of our human nature. They are like a flame. They reverberate with a kind of poignancy. Meanwhile poetry is like an invisible woman while films are the art form of this century and I have to confess that I miss it, I miss the medium. So the poets come, the greats come and they guide me on this journey, this route like Saints when they come marching through my consciousness like child soldiers. Unnatural, disturbing, an avalanche of them, an avalanche of thoughts about Anna Kavan’s ‘Ice’ or ‘Asylum Piece’. No light. Only night. The night of an insomniac and if I have to examine the unquiet mind of the poet, I would say that it is included in all of that I have mentioned above.

Despair is painful when it comes to rewriting drafts of poetry and it is easy to feel disillusioned. It is easy to become a Buddhist monk in a second but keep at it. Do not retreat. Keep at it. Because believe you me you will reach a stage where what you are writing as a poet, that is which is hardwired to your brain, that which is authentic, will suddenly become brilliant on the page and someone will take knowledge away with them from something that you thought was nothingness. It is powerful to be honest. There are not a lot of honest people left in this world. Write and as if by Cheshire cat magic, possibilities will appear.

Abigail George is a feminist, poet and short story writer. She is the recipient of two South African National Arts Council Writing Grants, one from the Centre for the Book and the Eastern Cape Provincial Arts and Culture Council. She was born and raised in the coastal city of Port Elizabeth, the Eastern Cape of South Africa, educated there and in Swaziland and Johannesburg. She has written a novella, books of poetry, and collections of short stories. She is busy with her brother putting the final additions to a biography on her father’s life. Her work has recently been anthologised in the Sol Plaatje EU Poetry Anthology IV. Her work was nominated for the Pushcart Prize. She briefly studied film.

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Culture – the “X Factor” for Building Back Better after Conflict and Disasters

MD Staff

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Culture is the foundation upon which cities are built.  Cities are not just a collection of buildings but are people, their stories, and how they interact with each other through their cultural identity and sense of place.

As seen when one of Bosnia and Herzegovina’s most recognizable landmarks, the 16th-century Ottoman bridge Stari Most, or “Old Bridge”, was destroyed in 1993 during the Bosnian War, local communities demanded and prioritized a full rebuilding of the original bridge with a message loud and clear: “A person killed is one of us; the Bridge is all of us.”

Subsequently, international efforts supported by UNESCO and the World Bank helped rebuild the Old Bridge and restore the Old City of Mostar. Now a UNESCO World Heritage Site, the restored Old Bridge and Old City of Mostar attracts tourists from around the world, creating jobs and revitalizing the local economy.

With the shared conviction that culture is critical to achieve sustainable urban development and to ensure effective post-crisis reconstruction and recovery processes, a new World Bank – UNESCO Position Paper, Culture in City Reconstruction and Recovery (CURE), was presented today at UNESCO Headquarters to propose an enhanced culture-based framework for city reconstruction and recovery that integrates both people-centered and place-based approaches.

Culture at the heart of people, spaces, and city recovery policies

Symbolizing the fundamental role culture plays in the recovery of a city’s physical, social, and economic fabrics from war and conflict, the story of Mostar is emblematic of today’s cities and communities worldwide.

“Culture is a key source of resilience, reconciliation, and social cohesion for cities and communities,” says Ernesto Ottone R., UNESCO’s Assistant Director-General for Culture. “As the partnership of UNESCO and the World Bank across the world told us, including in Haiti, Mali, Bosnia and Herzegovina, preserving culture is critical for post-crisis recovery and reconstruction processes.

As the world continues to urbanize at an unprecedented speed and scale, cities are increasingly bearing the brunt of conflicts, crises, and disasters. Natural hazards such as storms, floods, and earthquakes are becoming more intense and frequent, with a disproportionate impact on urban areas. Meanwhile, armed conflicts are becoming increasingly complex, forcing millions of people to flee their homes and causing widespread destruction in cities. Both are having a devastating effect on culture.

How can countries and cities best prepare themselves to effectively address increasing crises generated by acute urban distress?

Local contexts may vary, but successful policies must be both place-based as well as people-centered. While place-based strategies prioritize the reconstruction of physical assets, people-centered strategies can strengthen community ownership and social inclusion, improve livability of the built environment, and accelerate the socioeconomic recovery of cities.

At both the foundation and intersection of people and places lies the “X factor” of culture. Through cultural heritage and creativity, culture is essential as both an asset and a tool for city reconstruction and recovery. Without prioritizing culture, reconstruction processes can induce additional disruption of physical and social fabrics.

The CURE Framework

The CURE Framework provides guiding principles that integrate place-based and people-centered approaches through culture into sustainable urban development policies – to help cities effectively address the impact of urban crises.

“The CURE Framework marks an important milestone in the ongoing partnership between the World Bank and UNESCO to advance sustainable urban development by investing in culture, urban regeneration, and resilience in an integrated manner,” says Sameh Wahba, World Bank Director for Urban and Territorial Development, Disaster Risk Management and Resilience.

The new framework and operational guidance takes policy-makers and practitioners through the planning, financing, and implementation process.  The CURE Framework highlights the foundational role of culture and emphasizes that effective city reconstruction and recovery programs require that culture be mainstreamed across the damage and needs assessments, as well as in policy and strategy setting, financing, and implementation. Finally, this collaborative effort recognizes that the integration of culture into post-crisis urban development and recovery can contribute substantially to making cities more inclusive, safe, resilient and sustainable.

The report draws upon global experience to demonstrate progress being made on the ground. Whether it is building a citizenship culture in Medellin, Colombia, to counterbalance the city’s violent past or fostering peace-building through transparency and community engagement in Banda Aceh, Indonesia, culture is the centerpiece.

Other experiences include post-earthquake cultural heritage conservation and recovery of the Old Town of Lijiang, China; promoting reconciliation through preservation of cultural heritage in Nicosia, Cyprus; and improving disaster risk management for the conservation of monuments in Bagan, Myanmar. In Iraq, the World Bank and UNESCO are preparing to collaborate on the rehabilitation of Mosul, building on the CURE Framework, as part of UNESCO’s “Revive the Spirit of Mosul” initiative and the World Bank’s Emergency Operation for Development project.

According to the position paper, culture as the foundation for recovery often begins with the physical reconstruction of iconic landmarks such as the Old Bridge in Mostar, Bosnia Herzegovina. At other times, the collective act of rebuilding shared heritage is the impetus for community rebirth, such as the post-conflict reconstruction process of religious and cultural sites in Timbuktu, Mali. Furthermore, Tokyo, Japan, demonstrates how a cultural construct approach, coupled with innovative land readjustment mechanisms, results in a resilient city that flourishes against many considerable odds. In the report, examples of Seoul, Republic of Korea, and Beirut, Lebanon, demonstrate that recovery without culture must eventually be adjusted to achieve sustainable results.

By adopting the CURE Framework, national and local leaders will be able to place culture at the heart of their own city reconstruction and recovery processes in the face of crises – whether they are disasters, armed conflicts, or urban distress situations – to build inclusive, resilient, and sustainable cities and communities for all, which is essential for achieving the Sustainable Development Goals by 2030 and eliminating extreme poverty and boosting shared prosperity at the local, regional, and national levels.

World Bank

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Kashmir’s plural ethos and communal harmony

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Peace is the foundation of prosperity among the nation states of the world and harmony forms the basic foundation of that enterprise.Man is the wonderful creation of God with an inherent sense of metaphysical and worldly belongings. The savage societies of the pre-historic times without any order and hierarchy of social organisation subsequently in the long timeframe paved way for the foundations of nation states and social organisations with a proper moral and a social order.

Although, the onslaught of the forces of globalisation  after post-modernism have added a new colour to the contours of social dynamics and set in motion a new wave of  societal organisations in the world, the case of Kashmir portrays a different tale of ever evolving, unaltered communal harmony. The only narrative that can ensue an atmosphere of peace and prosperity is that of the peaceful coexistence in the society in order to avert the crisis that makes inroads within a society from time to time.

Jammu and Kashmir is the only northern state of India with a longest tag of amity and brotherhood that has survived the currents of time and remains so in the contemporary times. Kashmir called as the land of rishis, saints, seers and sadhus is known for its communal harmony not only at the local level, but also the world over since times immemorial.

The sort of mysticism that the Sufi and Bhakti movements have lent to the cultural ethos of Kashmir is found much nowhere in the world besides Kashmir. The vale of Kashmir is full of various religious faiths who have survived the onslaught of the forces of globalisation with the changing signs of time. Muslims form the majority of the vale along with the religious people of Hindus, sikhs, Buddhists, Christians; etc.

Over the period of time, a sort of communal harmony has permeated the socio-cultural space of the society creating a congenial atmosphere of communitarian responsibility and social bond among the people of Kashmir surpassing religious lines of thought. This has not only added to the peace horizon of the land, but also created a sense of mutual trust and unified bond among the various communities of the land. In Kashmir, the communal harmony is deep rooted in the historical narratives.

The ethos of the Kashmir culture has time and again withstood the travails and tribulations of the time despite the currents of odds and challenges through the changing times. On a miniscule scale, there has been disturbance to the communal harmony of the state following the partition of the Sub-continent into India and Pakistan.

The exodus of the Hindus in nineties ascribed to the circumstances was a gory chapter in the chronicles of Jammu and Kashmir history. However, the return of the same has added a new threshold to the scene. The separatist leadership has time and again been vocal for their return as being part and parcel of our composite Kashmiri culture.

However, the time has served as the best healer of the same wounds and paved renewed ways for the cherishment of the communal harmony. The social harmony vindicates the notions of love and affection among different religions and is a blessing in disguise for the times.

Status

The state of Jammu and Kashmir reflects the true plural ethos of the secular India where people of different communities strive for the love and harmony, complementing the lives of each other on a day-to-day basis.

The festivals of one community are celebrated with gaiety and fervor by the other religious community, solidifying the ethos of multiculturalism and pluralism. Kashmir represents the thread of the confluence of communal harmony and brotherhood. The communal harmony of the state is neither instant nor accidental, but is a legacy of the past times till date that has permeated the psyche of the people and created a bond of unity in the socio-cultural milieu of the valley.

The recent installation of a church bell in a church at Srinagar after a span of 50 years by the Christian community with the support of the Sikh, Muslim and Hindu communities is a reminder of communal harmony that is deep rooted in the cultural milieu of the state.

The annual Hindu pilgrimage of the Amarnath yatra is the biggest and ever glaring example of the amity where old and young, men and women, etc all are hospitably treated with care and concern by the native Muslims and even carried on their shoulders towards the sacred place of cave through the difficult terrains and ways enroute to the cave.

In the town of Seer Hamdan, Anantnag, the legal heir of a deceased hindu Pandit namely Arzan Nath is a Muslim man namely Nissar Ahmad Wagay. Long ago, through the oral history of the people, have heard of him serving the former during ups and downs of life. Arzan Nath was a govt employee with no one to look after. Nissar Ahmad served him through the turbulent times and offered heart-catching services, which even a true descendent, could not offer. Nissar used to accompany Arzan Nath through thick and thin times of life. Having personally observed, both of them used to pay the dusk obeisance at the shrine of Hazrat Shahi Hamdan (R.A.). At the time of his death, it was none other than Nissar who performed the last services to the deceased.

Another Hindu Pandit Shadi Lal in the same town is a hope for the hopeless patients who turn up in large numbers at his Ayurvedic shop. The most important trait of the said person is that he cares and heals the patients of the whole South Kashmir. In other words, he has turned out to be a savior of the whole community. Come dawn, the people could be seen in large flocks outside his shop. People respect him out of reverence and reciprocate in great regard. Recently, after suffering from body disease, the final remedy to my ailment surfaced only after i took the herbal medicine of the pandit gee.

Challenges

The biggest obstacle and roadblock for the cherishment of the ideal of communal harmony in India is the fanaticism and extremism of fringe elements of the society. Since, all religions preach the message of peace and harmony, there can be no way to justify the claims of the demeaning and demoralizing of whatsoever religious community a society carries on. The biggest issue of the current and contemporary times is to contain the fringe elements of the society and let the people live in whatsoever capacity they live to carry on the cog in the wheel of the life.

The Few reasons in the path of communal harmony are:- Egoism, Lack of vision in Education, Lack of discipline, Lack of Cooperation, Social disorder, Casteism, Violence, Immorality ,Lack of faith in true religious values, deficit of good leadership, etc.

Education can be exploited as a powerful tool against these threats in the path of Communal Harmony. On his return from South Africa, Gandhiji envisioned for a unity among different communities of India and did his best in capacity for the realization of the same.

Last Word

In order to realise the goal of communal harmony, peace is the main pre-requisite and a necessary condition. Disharmony creates the forces of disarray and disruption, rendering harmony handicapped and ultimately towards a state of paralysis. To promote the ethic of communal harmony, it is imperative for all the stakeholders of the society to play a part in particular and work in sync for the realization of the same in general.

Youth as a main driving force and an asset of a nation can be the best ambassadors of peace and communal harmony. The only way to achieve that goal is the proper education of the youth across the spectrum of education spanning the whole level of education. This way youth can learn to make communal harmony as a way of living, rather than ethic in simpler terms. Besides, the govt of the state as well as the centre have a shared responsibility to promote communal harmony further.

Although, some ground work has been done, but, there are still miles to go before we sleep. The need of the hour is the further promotion of the communal harmony in the society. The recent publication of ‘Living in Harmony’ books for school going children by Oxford University Press (OUP) in India to foster values of peace and cooperation is a good attempt.

Also, the Social media and yellow journalism of the mainland India should try to cherish the instances of communitarian love and amity in Jammu and Kashmir. Instead of fomenting trouble to earn TRP’s and portrayal of the news which creates wedge in the bond of the society, the main urge should be to plead the cases of injustices and show a solidarity for the same. The problem of binary has to do away with.

Today, when the world is envisioning for the state of annihilation of crisis, the crisis in Kashmir takes a major sway with each passing day. The gory tales of widows, half-widows and orphans who have been rendered so after the loss of their dear ones has permeated the society deeply and created a multidimensional layer of unwithering pain and sorrow and a state of unabated alienation of the masses.

The question is not of the otherness of the other, but, of oneself in tandem with the other. Not a single day is devoid of pain, agony, and other tragedies. The question is the question of order. The major onus lies on the representatives of the people who represent the masses which have been rendered heart-broken and empty hoped. Let the seers of politics take on. The answer to all the problems can be cherished in unity within the broader perspectives of the humane approach by which peace can return to a treacherous path within the domain of the whole society. Government in J&K should understand and circumvent in Toto and try to dive from the static deficit of governance to good governance. After all, time in consonance with care serves as the best cosset.

 

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100 years of history: Historic hotel celebrates worker heritage

MD Staff

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If you’re the curious sort who enjoys exploring historic sites in your free time, you’re far from alone.

Because people are fascinated with learning more about how Americans lived, thought and dreamed in the past, many seek out such cultural enclaves anytime they travel. That helps explain the $762 million in revenues logged by U.S. historic sites in 2013, according to Statista. Other research predicts the revenues realized by U.S. museums and historic sites will more than double between 2018 and 2022.

“Historic places create connections to our heritage that help us understand our past, appreciate our triumphs and learn from our mistakes,” the National Trust for Historic Preservation recently noted. “Historic places help define and distinguish our communities by building a strong sense of identity. When you visit a historic site, you learn from their stories.”

One fascinating and culturally rich historic site you may not have visited is The American Club, a Forbes Five-Star and AAA Five-Diamond resort hotel in the heartland of Kohler, Wisconsin. The iconic hotel owned by Kohler Co., global leader in plumbing, was built in 1918 as a dormitory for its immigrant workers. This year the multifaceted national attraction celebrates its centennial anniversary in grand style, with even more activities and offerings for its guests.

Year-long features of the celebration include a new history exhibit, guided tours and a new cast iron sculpture installation, “The Immigrant,” created by artist Stephen Paul Day. Day took part in the Arts/Industry program and was inspired by the company history. The four-star restaurant, The Immigrant, will offer a tasting menu featuring dishes from France, the Netherlands, Germany, Normandy, Denmark and Great Britain — the primary homelands of original Kohler employees. Group Director Lodging for Kohler Co., Christine Loose explains, “The concept of gracious living and creating a sense of belonging has always been important to the company and our heritage.”

With its trademark red brick, striking Tudor architecture and soaring roof peaks and slate tile, the landmark is recognized by both the Historic Hotels of America and the National Register of Historic Places.

Aside from the historic elements of The American Club, visitors and guests can partake of several other features offered in or near the surrounding resort known as Destination Kohler. Key attractions include the Forbes Five-Star Kohler Waters Spa; a lakeside boutique hotel known as the Inn at Woodlake; cycling and yoga studios; four championship golf courses (Blackwolf Run and Whistling Straits, the latter hosting the revered 2020 Ryder Cup); 12 dining establishments, renovation inspiration at the Kohler Design Center, and daily factory tours led by retired Kohler employees spotlighting the evolution of day-to-day manufacturing operations.

Destination Kohler is an hour north of Milwaukee and 2.5 hours north of Chicago. Learn more about its many attractions at DestinationKohler.com.

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