Greetings from New York City, and welcome to my column! Here, I write about new music and media, and people who create it. Thanks for checking it out.
On February 22 2015, I had a concert in Sarajevo, Bosnia and Herzegovina. The tour was something of a 10-day multimedia blitzkrieg, with a good result. The main event of the tour, Svjetlana Bukvich and Carolyn Dorfman Dance Company A CONCERT OF NEW MUSIC, MOVEMENT, AND VIDEO ART, took place at the National Theater, as part of Sarajevo Winter Festival, now in its 31st season. On the program were electro-acoustic compositions from my latest release EVOLUTION (Big Round Records), along with the world premiere of I Never Saw You Cry, created for the very special electric violinist Melika Hadzic (Amsterdam). The terrific Carolyn Dorfman Dance (USA) performed a collage of their signature pieces, along with the techno savvy audience favorite, Interior Designs, for which I created the music. The trip was funded by a grant from USArtists International, and private donors. I am still landing from the experience.
I pick: Carolyn Dorfman and her unwavering vision; Ibrahim Spahic, the director of Winter fest Sarajevo, who manages the unmanageable; the gutsy violinist Melika Hadzic who jumped in last minute and rehearsed with me on Skype; the festival volunteers who carried me through the rapids with nuance and a gentle hand; the Academy of Dramatic Arts in Sarajevo, the American embassy in Sarajevo, the Jewish Community Center, Blow Up tech rental, and, of course, the Sarajevo taxi drivers who always tell it as it is.
In an uniquely complex part of the world I got people to work together, who otherwise wouldn’t. That feels good. My e-mails didn’t always produce the desired scaffolding ahead of time, so I was nervous. Miraculously, everything got done over the phone, from the moment I landed. I networked, I blackmailed, I inspired, and I talked in press and on TV. It was my hometown, after all. Around the fourth day into my multimedia occupation, I felt the magic starting to glue the particles of what was to become, according to the major Sarajevo newspaper Dnevni avaz, “a new theater aesthetic”.
During our time in Sarajevo, American dancers interacted with local ones. An acoustic and beautiful old theater founded in 1919, became, for a brief while, the hottest media destination in town. There was a huge project banner (!?) on the theater building. There was also the grumpy box office guy who, visibly transformed, had a grin on his face the morning after the performance. We had a full house, a standing ovation, and an audience that cried with us – joy, artistic freedom, possibility, power, all mixed, and reflecting off of one another. I want more of this. Making a place better because of art. A historical moment, which spells fragile? Not a problem. Emotional octanes without scrupulous disinfection? Went for it. The timing could not have been better, actually.
What now? The post-show deflated feelings permeate, while I watch the perky skyscrapers, and spring, teasing. The next project’s in view.
Get in touch and let me know about what inspires you art-wise on your part of the globe. And, if all else fails, you can always like me on Facebook.
Camille Corot: Women
Camille Corot is best known as the great master of landscape painting in the 19th century who bridged the French neoclassical tradition with the impressionist movement of the 1870s. His figure paintings constitute a much smaller, less well-known portion of his work, but they appeared throughout his prolific fifty-year career, with particular force toward the end. Rarely seen outside his studio during his lifetime, these works made an impact on later nineteenth- and early twentieth-century modernist artists who copied or borrowed from them, such as Paul Cézanne, Pablo Picasso, and Georges Braque. Dressed in rustic Italian costume or stretched nude on a grassy plain, Corot’s women read, dream, and gaze directly at the viewer, conveying a sense of their inner lives. His sophisticated use of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. The forty-five paintings on display, created between the mid-1830s and the early 1870s, are largely divided into three major subjects: costumed single figures, nudes, and allegorical studio scenes.
The exhibition is curated by Mary Morton, curator and head of the department of French paintings, National Gallery of Art, Washington September 9 – December 31, 2018
Dawoud Bey: Night Coming Tenderly, Black
Dawoud Bey’s latest body of work is a series of black-and-white photographs that reimagine sites along the last stages of the Underground Railroad.
Photographer Dawoud Bey, the recent recipient of a MacArthur genius grant, decided to make a fresh start soon after his 60th birthday. Already renowned as a portraitist, he turned his camera on architecture and landscapes; accustomed to urban scenes, he decided to photograph thickets, a picket fence, and Lake Erie. Bey also returned to black-and-white printing, and more particularly to gelatin silver prints, which he had not used since the early 1990s. Through these choices Bey wanted to make a far greater shift: from pictures of the here and now to the vast, historical subject of the Underground Railroad, the network of secret routes and safe houses that aided enslaved African Americans on their path to freedom.
Bey also wished to pay homage to photographer Roy DeCarava (1919–2009) and poet Langston Hughes (1901–1967), who each addressed the African American experience in their work in part by foregrounding what DeCarava called “a world shaped by blackness.” DeCarava’s mastery of even the darkest tones gave Bey a model for depicting the twilight uncertainty that those fleeing slavery confronted as they traveled northward. Meanwhile, the closing couplet of Hughes’s short poem “Dream Variations”—“Night coming tenderly / Black like me.”—inspired the exhibition title. Bey has said that he wanted to hold darkness itself in a tender embrace.
The result is a series of 25 large-scale photographs, most of which are on view in this presentation—the first showing of Bey’s latest body of work in a museum. All the pictures were made around Cleveland and Hudson, Ohio, a final way station for those seeking freedom in Canada. The photographs show homes and patches of land that are rumored to have formed part of the invisible railroad “track,” leading those seeking freedom from one unfamiliar place to the next.
Bey chose a dense, vibrant selection of 19th- and 20th-century photographs from the Art Institute’s collection to hang directly outside the exhibition gallery, works that complement the exhibition by suggesting the range of ways that the American landscape has been represented in photographs and the place of African Americans within that physical and social landscape.
Night Coming Tenderly, Black was commissioned by FRONT International: Cleveland Triennial of International Art. Art Institute of Chicago Jan 11–Apr 14, 2019
Crystal Award Winners 2019
Conductor Marin Alsop, film director Haifaa Al-Mansour, and broadcaster and naturalist Sir David Attenborough, are the recipients of the 25th Annual Crystal Award, the World Economic Forum announced today. The award celebrates the achievements of leading artists and cultural figures whose leadership inspires inclusive and sustainable change. The winners will be honoured in the opening session of the World Economic Forum Annual Meeting 2019 in Davos-Klosters, Switzerland, at 18.00 CET on Monday 21 January. The ceremony will be webcast live at www.weforum.org.
“Any new architecture for ‘Globalization 4.0’ will need to be both inclusive and sustainable. The remarkable achievements of the recipients of the 25th Annual Crystal Award inspire us to see beyond the limits of convention to find solutions for the current issues the world faces,” said Hilde Schwab, Chairwoman and Co-Founder of the World Economic Forum’s World Arts Forum, which hosts the awards.
Marin Alsop, for her leadership in championing diversity in music
Marin Alsop, Music Director of the Baltimore Symphony since 2007, is one of the greatest conductors of our time. Earlier this year she was the first woman to be appointed Chief Conductor of the Vienna Radio Symphony Orchestra and, in 2013, was the first woman in 118 years to conduct the BBC’s “Last Night of the Proms”. She has tirelessly endeavored to provide opportunities for all people to access music for a world where diversity in classical music is the norm rather than the exception. In Baltimore she launched the “OrchKids” programme to serve the city’s less privileged children, and the BSO Academy and Rusty Musicians for adult amateur musicians. She is also Music Director of the São Paulo Symphony Orchestra. A graduate of Yale University and a MacArthur Fellow (2005), at the Annual Meeting, she will lead the Opening Performance with the Taki Concordia Orchestra.
Haifaa Al-Mansour, for her leadership in cultural transformation in the Arab world
Haifaa Al-Mansour is the first female filmmaker in Saudi Arabia. “Wadjda”, Al Mansour’s feature debut, was the first feature film shot entirely in Saudi Arabia and the first by a female director. The success of her 2005 documentary “Women Without Shadows” was a breakthrough that was followed by a new wave of Saudi filmmakers and front-page headlines of Saudi Arabia finally opening cinemas in the kingdom. She was recently appointed to the Board of the General Authority for Culture to advise on the development of the cultural and arts sectors in Saudi Arabia. She recently released “Mary Shelly” starring Elle Fanning, and “Nappily Ever After” starring Sanaa Lathan. Al Mansour is the first artist from the Arabian Gulf region to be invited to join the Academy of Motion Picture Arts and Sciences.
Sir David Attenborough, for his leadership in environmental stewardship
Sir David Attenborough’s broadcasting career spans more than six decades during which he has played an extraordinary role both reinventing and developing the medium of television and connecting people to the wonders of the natural world, bringing distant peoples, animals and habitats into living rooms across the planet. As a BBC producer and executive, he has played a crucial role in creating new forms of programming and scheduling that, to this day, influence global broadcasting. His work includes many iconic productions, from the ground-breaking “Zoo Quest” series to landmarks including “Life on Earth”, “The Living Planet”, “The Trials of Life”, “The Private Life of Plants”, “Life of Mammals” and “Planet Earth”. At the Annual Meeting, Sir David will present key sequences from “Our Planet”, a new series by WWF, Netflix and Silverback Films, focusing on the preservation of life on Earth.
No one will deter Russia in the Baltic region
Recently researchers and analysts of the RAND Corporation issued the report “Exploring Requirements for Effective Deterrence of Interstate Aggression.” The...
UNIDO, Italy support small manufacturers in Iran to comply with global environmental agreements
The United Nations Industrial Development Organization (UNIDO) and Iran’s National Ozone Unit (NOU) today organized a workshop in Tehran to...
Gulf rivalries spill onto the soccer pitch
With the 2018 World Cup in Russia behind it, the soccer world’s focus shifts to the 2022 tournament in Qatar....
The Day Afghanistan Changed Forever
The ongoing war in Afghanistan began 18 years ago by the United States and NATO, and apparently, the September 11...
U.S. Demands Europe to Join Its War Against Russia
On December 16th, the Russian Senator, Konstantin Kosachev, who heads that body’s foreign-affairs committee, went public accusing the U.S. Government...
The sad fate of Europe’s leading figure
According to a new poll conducted by IFOP, French President Emmanuel Macron and Prime Minister Edouard Philippe’s popularity ratings hit...
The Future of the Armenian-Chinese Relations
December 13-16, 2018, Yerevan- leading scholars from the Chinese Academy of Social Sciences were invited by the “China-Eurasia” Council for...
- Centre and Calm Yourself and Spirit on Restorative Yoga Energy Trail
- Queen Rania of Jordan Wears Ralph & Russo Ready-To-Wear
- OMEGA watches land on-screen in Universal Pictures’ new film First Man
- Experience the Prada Parfum’s Way of Travelling at Qatar Duty Free
- ‘Get Carried Away’ With Luxurious Villa Stays and Complimentary Private Jet Flights
Middle East3 days ago
The Success of Iranian Activism Shows the Way to Correct European Policies
Economy3 days ago
Curating a Vision with Young African Entrepreneurs
Africa2 days ago
An unending conflict of Morocco and Western Sahara
Newsdesk3 days ago
Circular Economy: Proposal to boost the use of organic and waste-based fertilisers
Energy2 days ago
How Northwest Europe can shape a clean hydrogen market
International Law2 days ago
70 Years On: UN Declaration on Human Rights from the lens of Victimology
Intelligence20 hours ago
Cyber Warfare in the World
Energy3 days ago
How will the electricity market of the future work?