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Khoi Girl

Abigail George

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Losing pieces of your identity already in childhood.
At the end of every pilgrimage in my childhood, there was a line that was always a painful experience for me in my consciousness growing up and with time its intensity and disillusionment increases.

It has taught me that only knowingness and completeness can begin with the path of self-awareness. And now that partnership, reconciliation and compassion in this still divided society on this continent that we live in forces us to grow together and see each other in a more real and accurate light. It is a way of seeing people in communities who live in poverty, the clarity of struggle, the monotony of routine and who are starved of art, poetry, and literature. It is a way of finding themselves poised in an exhilaratingly tender world, but they only hear the lonely sounds of weeping and it has become like a machine. Its mystique strengthens our soul.

All children are pretty.
We can choose to see the landscape we live in as a desert or a paradise but what do the most vulnerable citizens of this planet see it as? We cannot solve the escalating problems of today without imagining and visualising the results of solutions. Even writing comes with its own mythological totem pole and so we must create new images of our life and background through our stories, the wealth of our collective life experiences. There are still feelings of fear and vulnerability that continually tests us, the philosophy of man, the anatomy of melancholia, our multiple identities, contemporary man and it is a powerful dynamic for any writer and poet to live in today. Life mirrors art and art imitates life in comic, dramatic and alluring ways. What is humanity? It is the frail human bones of the human condition, it is you and I and it is all our stories. The page is only a dead landscape until you fill it up with words and language creating a center of interest. At heart are we still war children?

I lift the immaculate transfer of the mental ropes and the chains (it is an improvement). It is a only a song of despair from my childhood experience that took me to dark places and saw me cross the lines of society, the borders of rivers of light that traversed the palimpsest of the red columns of my heart. This transfer felt like a magical thing. I went from standing at the edge, to freedom (with all the parts of the machine, a mantle, and all the futile parts of fairy tales, making imprints of circles in the sky above a storm, raging insomnia). Something changes when we grow older. People feel alone in different ways as they lay down in darkness, slide into a pose repeatedly; listen to me, pay attention.

Will I leave you guessing at the intensity behind my words? Will you embrace me when I fall, my art, this potent vessel and a poet in her gilded cage, journeying onwards into oblivion? I gesture to the moon and stars and back again, like a memory pinned down in a stream. A mother has poised flesh, a neck, words that are flying like bats remind me of how quickly love turns to hate. Pale in alluring portraits of smoke and mirrors and the heart grows bitter and cold like a lake, which is when depression and madness collapses in on itself and all hell tends to break loose. The house is falling, falling down around me, like the melody that comes from fingers on a guitar or a flame that has a negative quality to it, more disconnected and fragile. Dazzling is the shock of trauma when you are in the middle of it.

Do not put it together for my sake. I melted where my skin touched the skin of water. Under I was more human, bolder yet still lost and cheated. My heart felt like snow, I could sense arteries turning white. What was once a red catalyst bleeding in hushed tones is now Braille, wet and bittersweet, reminding me that there were still guns at every rising of the sun? Do not put it together for my sake. Whether I wanted them to be there or not, whether I wanted to wake up or not. It is only my reflection that is dead in the water.

Do not put it together for my sake.
Writers are mostly voyagers with clean perceptions, clarity of vision when faced with the parallel world, elements of the darkest parts of humanity. Good morning, midnight. We hold each other up with the rites of public scrutiny; tell ourselves criticism will be the death of us (what does that mean to the most inexperienced). I want to drown. I want that experience. The experience of being compelled to sacrifice that loveliness of the haunting game of connecting truths to the politician who is at the core of you. No half-life lived for me. Give me a manual for being fragile, so I can disable and correct all the information effortlessly on these cold lines. Let me journal them.

Read everything Africa and you will triumph because since childhood you have been an apt pupil pouring your knowledge into a distillate, standing at the edge. If it was bleak, left you with the gift of elation at and memory of the ghost of potatoes and meat on your plate. If you feel darkness in moments of being, if you feel the loss of your ego, it diminishing and that the only possession you will leave this world with is your physical body, then this is a journey you must remain loyal to its cumulative progress. When I do not eat, when I do not sleep there’s an intelligence that is frozen solid, given substance in the madness. There is a reason for everything under the sun. Emancipation always leads to conversation even if it is on the other side of the world.

This journey is an ancient one, savage and lonely. The pattern of the pensive mechanism attached to the clarity of light is bold in the vision of literary creation and pen-and-watercolour imagination as it is to the dark side. The underpinning alchemy the experimental constructs in the absence of margins and destruction is giving us the clue to the exit, an entreaty to immortality.

Youth has taught me the key to sacrifice. Of where writers of colour will build empires of gold where no one can touch us. I write because I am instructed to and because it is the sum parts of my pilgrimage. It is a song of despair from childhood experience, a hiding place, where I feel alone in different ways, where I speak with my hands, a distillate in a wasteland of rumours of darkness and hard laughter.

Abigail George is a feminist, poet and short story writer. She is the recipient of two South African National Arts Council Writing Grants, one from the Centre for the Book and the Eastern Cape Provincial Arts and Culture Council. She was born and raised in the coastal city of Port Elizabeth, the Eastern Cape of South Africa, educated there and in Swaziland and Johannesburg. She has written a novella, books of poetry, and collections of short stories. She is busy with her brother putting the final additions to a biography on her father’s life. Her work has recently been anthologised in the Sol Plaatje EU Poetry Anthology IV. Her work was nominated for the Pushcart Prize. She briefly studied film.

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New Social Compact

As inequality grows, the UN fights for a fairer world

MD Staff

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The 2030 Agenda for Sustainable Development – the UN’s blueprint for a better and more sustainable future for all – calls for a reduction in inequality between and within countries. Nevertheless, global inequality is increasing. So what can be done?

Inequality is an “entrenched imbalance”

The question of inequality was raised several times by the UN in January: speaking at the World Economic Forum Annual Meeting in Davos, UN chief António Guterres pointed out that, while technological progress and globalization have led to “fantastic improvements” in many areas, they have also increased inequality and marginalized millions.

And, in her annual letter, Lise Kingo, CEO of the UN Global Compact, which supports private sector efforts to do business responsibly, noted that, in 2018, we saw “a small group of individuals are getting exponentially richer as billions are left behind in poverty.”

Inequality is not only rising, it is also an “entrenched imbalance,” according to Richard Kozul-Wright, a globalization expert and Director with the Trade and Development agency UNCTAD.

In an interview with UN News, which you can listen to here, Mr. Kozul-Wright said that notionally high employment rates in many economies mask the fact that wages and working conditions are not improving, and that whilst wages have been stagnant for a decade, dividends on shareholdings have been recovering, benefiting financial asset holders. His remarks came in the wake of the January launch of the 2019 World Economic Situation and Prospects (WESP) report which showed uneven growth (both between and within countries) that is often failing to reach where it is most needed.

Will AI take away our jobs, or transform them?

The beginning of 2019 saw a focus on the role of technology on the world of work, and the impact it is having on inequality. The International Labour Organization (ILO) launched a landmark report in January: the Global Commission on the Future of Work. This study concluded that technological innovations provide “countless opportunities” for workers, but warned that, if these technologies are not deployed as part of a human-centred agenda based on investing in people, work institutions and decent, sustainable employment, we run the risk of “sleepwalking into a world that widens existing inequalities and uncertainties.”

One of the key technological innovations mentioned in the report, one that garners significant media attention, is artificial intelligence (AI). A report from the World Intellectual Property Organization (WIPO), published at the tail-end of January, noted a “quantum leap” in AI-related patents, suggesting that AI could soon “revolutionize all areas of daily life beyond the tech world.”

AI inspires as much fear as excitement, evoking  a dystopian world in which more and more work is carried out by machines, with society split between a tiny super-rich elite and the rest, an unemployable mass of people with no prospect of finding work.

Kriti Sharma doesn’t see things that way. She has been recognized by the UN as a Young Leader For Sustainable Development Goals, in recognition of her work to ensure that AI helps to create a better, fairer world, through her AI For Good organization, and her role in the Sage Future Makers Lab, which was set up to equip young people around the world with hands-on learning for entering a career in Artificial Intelligence.

Speaking to UN News, Ms. Sharma acknowledged that people who live in countries which are on the wrong side of the digital divide (with less access to data) will be at a disadvantage, and pointed to studies that show a gender divide is looming, with women twice as likely to lose their jobs to automation, because of the kind of work they are involved in: “We need to make sure that we give people enough opportunities to reskill themselves, otherwise we end up creating more inequality that we had before.”

However, she believes that one of the biggest risks is failing to embrace this technology, and not equipping people with the skills to use it to solve global problems. Ms. Sharma laid out three ways to help ensure that AI brings about a fairer world.

First of all, it is important that a diverse group of people from many backgrounds are creating this technology, people who “understand society, policy-makers.” The second point is to ensure that AI is being used to solve the “right problems,” such as accelerating the Sustainable Development Goals, by diverting energy, research and funding into this area. And, lastly, international standards must be agreed upon, to make sure that the technology we create is used in a way that is safe and ethical for the world.

No progress without international cooperation

So, what is the way out of the “entrenched imbalance” of inequality? For the UN, a greater emphasis on international cooperation is an important part of the solution. The 2019 World Economic Situation and Prospects report concludes that, at a global level, a “cooperative and long-term strategy for global policy” is the way towards progress in reducing income inequality, and warns that a “withdrawal from multilateralism will pose further setbacks for those already being left behind.”

As the Secretary-General told the audience in Davos, a coordinated and global response is the only way to fight inequality, because “we need to work together. There is no way we can do isolated responses to the problems we face, they are all interlinked.”

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Sexual Diversity in Hindi Cinema: A Beginning

Aditi Aryal

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Bollywood, or as the more politically correct call it the “Hindi Film Industry”, released last week what is advocated as the first commercial film to portray love between two women characters in ‘Ek Ladki Ko Dekha Toh Aisa Laga’ (When I Saw a Girl I Felt That Way). A sterner breakthrough was in1996 when ‘Fire’, a path-breaking mainstream film boldly represented same-sex love between two women worn-out from their conjugal lives to find companionship in one another. Gatekeepers of Indian tradition and culture vandalized theatres and ran smear-campaigns against the film; it was way ahead of its time. The later Hindi films did little justice to aptly represent diversity by only typecasting characters to fit into the stereotypes of queer men as effeminate and reducing cross-dressers to a mere punch line.

The misrepresentations and badly written jokes were unobjectionable and continued to amuse the audience and homosexuality was typecast into a box of fallacies.  Homophobia persisted, if not strengthened, as influential politicians and famous yoga gurus condemned homosexuality as immoral and abnormal but treatable disease. Some went so far as to call it a Western import, an idea that was flowed in to corrupt the Indian purity. The retrograde legal standing on homosexuality as an unnatural activity remained a hurdle to depict properly the gravity of the issue in mainstream cinema. Yet, the fact remains that these films only reflected homophobia that truly exist in the society.

Following the decriminalization of homosexuality in India in September 2018, a six months later about woman struggling to come out to her family is exceptional. The film plays safe within the realm of a conventional narrative without going overboard. Not pushing the envelope to advocate for a radical change in thoughts and action, the film simply speaks for acceptance. But does it really get its message across?

Perhaps not. The movie’s representation of homosexuality is washed out akin to the superficial dealing of homosexuality in India. It does not even do as much as show some physical intimacy between the main leads. It revolves around the obsolete narrative of a protective family that is oppressive to protect the woman. It shows a self-sacrificing situation where she is ready to marry a man only because she needs to put her family first, even before herself.

By doing this, the film is toying into a genre of a submissive female, a storyline that has always been exploited by Indian films. The act of women as submissive to the demands of the family by suppressing their desires to save the honor which lies in their character is outdated. For a film woke enough to speak about homosexuality openly, these outdated narratives were unnecessary as they tend to reinforce the norms that need to be eradicated from Indian cinema.

It goes without saying that Indian content is consumed across a huge geographical region, covering the whole of South Asia and also across Indian communities all over the world. A form of cultural hegemony has been established as local content is dominated by Indian content, thwarting native culture in the process. For the more diverse and liberal audience that consume these films it is concerning whether such things will also be internalized in more open societies.

However, delving into a topic that is untouched but essential in today’s time, it is one baby step that will gauge the standing of the society on homosexuality. It is not to say that the issue has gained much acceptance largely. Sexual minorities in India continue to be marginalized and their struggles to fit as ordinary or to be treated equally into the society is crushing. Progressive films are one way to get on board to bring the required change.

Nevertheless, it is only with slight trepidation that filmmakers can proceed to depict ‘bold’ issues on screen. The presence of a paternalistically stringent censor board has always been a hurdle to pass. Fringe groups backed by strong political connections are almost at the ready to vandalize a film set and put a bounty on the director and actors for distorting Indian culture.

23 years after the fate of ‘Fire’, little has changed about acceptance – both in cinema and society. More progressive films in the mainstream might be a long way ahead in India, especially since the formula of success is doused in skewed gender representations. However, one can only hope for stronger scripts that stir the audience, incite dialogue, and then bring the change we have always wanted to see.

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Human trafficking cases hit a 13-year record high

MD Staff

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The latest Global Report On Trafficking In Persons, released on Tuesday by the United Nations Office on Drugs and Crime (UNODC) at UN headquarters in New York, shows a record-high number of cases detected during 2016, but also the largest recorded conviction rate of traffickers.

“The report was undertaken for a simple reason: if we want to succeed in confronting human trafficking in all its manifestations, we must better understand its scope and structure,” said Yury Fedotov, UNODC’s Executive Director as he presented the report in New York. “We need to appreciate where human trafficking is happening, who are its victims and who is perpetrating this crime.”

According to the latest figures compiled by UNODC, the record conviction and detection rates could either be a sign that countries have strengthened their capacity to identify victims – such as through specific legislation, better coordination among law enforcement entities, and improved victim protection services – or, that the number of actual instances of trafficking has increased.

While in 2003 fewer than 20,000 cases had been recorded, the number of cases recorded in 2016 had jumped to over 25,000.

UNODC Main forms of exploitation and profiles of detected victims, by sub-regions, 2016 (or most recent)

Despite improvements in data collection, impunity prevails

Over the last decade, the capacity of national authorities to track and assess patterns and flows of human trafficking has improved in many parts of the world. UNODC’s report notes that this is also due to a specific focus of the international community in developing standards for data collection. In 2009, only 26 countries had an institution which systematically collected and disseminated data on trafficking cases, while by 2018, the number had risen to 65.

However, many countries in Africa and Asia continue to have low conviction rates, and at the same time detect fewer victims which, UNODC stresses, “does not necessarily mean that traffickers are not active”.

In fact, the report shows that victims trafficked from areas of the world with low detection/conviction rates are found in large numbers in other areas of the world, suggesting that a high degree of impunity prevails in these low-reporting regions.

“This impunity could serve as an incentive to carry out more trafficking,” the report warns.

Women and girls remain a major target

“Traffickers the world over continue to target women and girls,” wrote Executive Director Fedotov, in the report’s preface. ‘The vast majority of detected victims of trafficking for sexual exploitation and 35 per cent of those trafficked for forced labour are female.”

The report notes “considerable regional differences in the sex and age profiles of detected trafficking victims.” In West Africa, most of the detected victims are children, both boys and girls, while in South Asia, victims are equally reported to be men, women and children. In Central Asia, a larger share of adult men is detected compared to other regions, while in Central America and the Caribbean, more girls are recorded.

Sexual exploitation, the top form of trafficking

Most of the victims detected globally are trafficked for sexual exploitation, especially in the Americas, Europe, and East Asia and the Pacific. In sub-Saharan Africa and the Middle East, trafficking for forced labour is the most commonly detected form. In Central Asia and South Asia, trafficking for forced labour and sexual exploitation are equally prevalent,

Other forms of human trafficking include: girls forced into marriage, more commonly detected in South-East Asia; children for illegal adoption, more common in Central and South American countries; forced criminality, mainly reported in Western and Southern Europe; and organ removal, primarily detected in North Africa, and Central and Eastern Europe.

“Victims can be in restaurants, fisheries, brothels, farms, homes, and even organ trafficking and illegal adoption,” said Rani Hong, who survived child trafficking herself as she was taken from her family in India at age 7, submitted to intimidation, physical abuse and slavery, until she was sold for illegal adoption in Canada and later the United States.

“I was told by my witnesses that when I came into the United States, I was not able to walk because I had been locked in a small cage. This is what this industry is doing, and this is what happened to me.”

Many other forms, such as trafficking for exploitation in begging, or for the production of pornographic material, are reported in different parts of the world.

Armed conflict and displacement, a key driver of human trafficking

The report shows that armed conflicts can increase vulnerability to trafficking in different ways as areas with weak rule of law and lack of resources to respond to crime, provide traffickers with a fertile terrain to carry out their operations, preying on those who are desparately in need.

Armed groups and other criminals may take the opportunity to traffic victims – including children – for sexual exploitation, sexual slavery, forced marriage, armed combat and various forms of forced labour. This is the case for example in sub-Saharan Africa, North Africa and the Middle East, South-East Asia and elsewhere.

In some refugee camps in the Middle East, also, it has been documented that girls and young women have been ‘married off’ without their consent and subjected to sexual exploitation in neighbouring countries.

In addition, recruitment of children for use as armed combatants is widely documented. UNODC’s report notes that within conflict zones, armed groups can use trafficking as a strategy to assert territorial dominance, spread fear among civilians in the territories where they operate to keep the local population under control. They may also use women and girls as ‘sex slaves’ or force them into marriages to appeal to new potential male recruits.

The study shows that in all the conflicts examined for the report, forcibly displaced populations (refugees and internally displaced families) have been specifically targeted: from settlements of Syrian and Iraqi refugees, to Afghans and Rohingya fleeing conflict and persecution.

Notably, the risk faced by migrants and refugees travelling through conflict areas, such as Libya or parts of sub-Saharan Africa, is also well documented: in Libya, for example, militias control some detention centres for migrants and refugees and are coercing detained migrants and asylum seekers for different exploitative purposes.

“While we are far from ending impunity, we have made headway in the 15 years since the Protocol against Trafficking in Persons entered into force,” said UNODC’s chief Mr. Fedotov, as he noted that “nearly every country now has legislation in place criminalizing human trafficking”.

“The international community needs to accelerate progress to build capacities and cooperation, to stop human trafficking in conflict situations and in all our societies where this terrible crime continues to operate in the shadows,” he stated in the report’s preface.

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