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Oliver and I

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I am standing in the middle of the courtyard paved with sand, surrounded by a high wall made of mud bricks, for the house once used to belong to a Turkish family…

Outside the courtyard can only be seen the tall poplar trees and a few black locust trees,  just like the one with all branches cut off and a stork nest at its top, where the stork was just combing its feathers.

My nephew, five year old Oliver, whom I call Ollie, and who can’t see me, enthralled by playing with a small white piglet, petting its tummy while the piglet was laying next to the house wall and enjoying the sunlight covering only half of its body. Oliver is petting the piglet and talking something to it. I am not def yet, but still can’t make out what he is saying to the piglet, and I could not, for Oliver has instinctively noticed my presence and ran towards me. He came a couple steps near me and then stopped without moving further keeping his distance.
At that moment one of the hens passed in between us and made it to the empty through made of wood in which the pigs are fed. The hen moved its head around a few times and then decided to start pecking on the inside of the wooden through, when a skinny black crow flew in silently from the top of the silo right next to the wooden trough. It landed and started settling its wings while still walking; I noticed one of the crow’s feathers was gray.

The hen was busy pecking at the leftover food, did not even notice crow’s presence, not until the crow put her beak inside the through, in a blink of an eye the hen stroke the crow and kept her hanging in the air on her beak. The crow had to fight for her life and got away somehow…
Oliver was still smiling when he asked me:
–    Uncle, did you see how our hen attacked the crow?
–    Yes Ollie, I saw it.
–    Very brave our hen, isn’t she?
–    Yes, a big hero she is!
–    And you, uncle, are you a big hero?
–    Well, not so much, I don’t think I am a big hero – I responded.
–    Oh, so that means, you are a small hero then!?   – Oliver concluded all worried and scratched his head.

I got him into a predicament. I had to get out if it although it was obvious that was too late. The only thing I could think of at that moment was the idea to ask him if he was a hero. I was however afraid that it would not have been much of a consolation, therefore continued to stare at the stork’s nest, Oliver not wanting our conversation to end, quickly started to tell me how that stork was theirs too.

–    Why then the stork has its nest in Urosh’s yard …?  – I asked
–    That is Cane’s house not Urosh’s – Oliver responded
–    Well, anyway, but… what I wanted to say was that still the nest is not in your yard.
–    See, I was trying to get the stork to move over to our yard, but the wall is too high, the stork did not want to come over…
–    So how were you trying to make the stork move over?
–    From over there, from the top of the wall. I was waving with both hands, that’s how I fell on my back on some dried wood, right on my spine!
–    Augh! Well, did you get injured a lot? Did it hurt?
–    I cried and then grandma heard me and came running and kissed me where it hurt and then it stopped hurting. It’s only a scratch now.
–    From that piece of wood, right?
–    Yeah, from the damn wood!…

Oliver responded with a curious smile, afraid that I may criticize him for the bad language.
When I saw his smiley face – even if I really wanted – There was no way I could reprimand him, instead, with no need I was quickly changing my view over the courtyard, looking at the house of Guljaks next door neighbors and thinking of the Turks that once used to leave in the same house, up until fifty years ago or so.
Just how much of beauty and not needed sadness was in my look, and how much of the things around me were right in their own place, It made me swear at myself for the wrong feelings I had.     
Sadly, one from the Guljak’s family had passed away. Only his brother Urosh (Urke for short) was still alive, who has been watching us all this time from his balcony, without us noticing.

–    Hey, Sande! Is that you!?  You would not believe me, I could not recognize you!?
–    I believe you, Urosh. Hello, how are you?
–    You have come to see your mother and brother, I take it? – continues Urosh, confirming the reason of my visit like for himself and letting some small steamy clouds  come out of his wide open mouth together with the words.
–    Well, it was about time, uncle Urosh!
–      Good, good!… So, how is over there at the sea? – asked me after a short pause, after his approval.
                                  
 I found myself in a pickle and almost answered him with the old lame “well yes of course!” but the fear of being inappropriate made me act politely. That took a lot of time.
Meanwhile, Oliver was waiting patiently. He was waiting and kept looking at me from down below at the yard while I was looking above, but soon I looked back right at the top of Oliver’s head full of thick dark hair with a small white spot in the middle of his double cowlick.
Ollie was at that moment in his deep thoughts and looked all serious. I would pay a fortune just to know what he was thinking about.

 The idea about money seemed good, so I asked him loudly almost the same second:
–    Ollie, do you like money?
–    Yes I do, uncle! – He shouted, quickly like a gun.
–    Well, since you like money, here, uncle will give you some money!

I reached in my pocket and pulled all change I had. Oliver had his hands open and ready as if I was going to give him a fortune. However, it was far from that. Nevertheless, Ollie was still happy, for he was quietly taking all coins and breathing little heavier.
As I was looking at him, I thought how he was going to like money even when he grows up. I thought about it and laughed to myself, but Ollie sensed my smile and was ready to ask me another question:
Uncle, why are you laughing now?
That got me all confused. I did not say anything, instead took his hand and walked him to the porch like the culprit who is paying for his earlier sins.

We got to the concrete sidewalk in front of the porch when he pulled his hand away from mine. I looked at him how he was running to his bedroom, most likely to hide his just acquired fortune. Deal Lord only knows where would he hide the money, anyway, it was certain that he was going to hide them well. No doubt about that!
He went away from me and left me alone.
I set at some tripod chair made from an aspen wood. I set on it like some old Bey, Pasha, or god forbids, Sultan!           
It felt like an eternity!
Many thoughts crossed my head, but none of them wise.
Many years went by, decades; I did not get any better or any worse, but always felt some narrowness.
During that time Oliver had grown up and had become a student. Got his Bachelor’s degree in Economics, some internship here and there and winded up in America!
When, how – don’t ask! The kid left for a better life. He even sent a video tape, and on the tape besides him a chunky and all blonde baby…
I am watching the video and trying to spot and feel the atmosphere of American South, to be like in “Dry September” by William Faulkner… Waiting for the barber shop scene to show up, with an old fashioned fan blowing the hot air pointlessly…*
None of that, however; None of anything else, nothing has changed, and I am still the same as before, or at least that’s what I think…
And Urke, he had died fifteen years ago!!!

In the courtyard in front of the porch, this time two piglets, one somewhat smaller than the other.
They walk thru the dusk always together like a small gang.
And the nest, on the top of the locust tree all dried and dead by now, is empty and forever abandoned… One has to be completely blind not to see how sad is all that. It is indeed so sad, good thing it is not worse…
At last, I got up from the tripod. Took myself to the bedroom, not to look for the money that once long time ago Oliver put away, but to sign myself up in some club where they worship life after death and where they heal you with some magical herbs that make you hallucinate…
At the same time I wanted to be a mushroom picker and to roam some unknown paths…
I was calling for some imaginary time portal thru which I could travel all in one piece!
I sighed against all that and in my all reasonable mind, without caring about anyone and anything, always wanted to look like some Arabian Sharif and someone special, at the same time forgetting what I really wanted to be…
I have forgotten, but I remember it as if it was yesterday!
So I deserve!
I entered the bedroom at last. Closed the door behind me and noticed the icon hanging on the wall, it said on it >> Saint George Slaying the Dragon <<

I was staring at the icon, when something stung me. It stabbed me so bad I dropped on the floor. I blacked out. I felt like an overloaded donkey, lying on the ground all broken by the weight and will never get up!
The power of time goes by and I can’t catch a break. It hurts. I can hardly breathe. It hurts so much that I see stars in my eyes. I am trying to call for help but no one is here. Or maybe no one wants to help. Maybe that is how it has to be so I am not even expecting much help.
But still I soon cry for help again. Begging for the help to come soon; To save what could be saved. To take the load off me, but no one wants to come thru my time portal… Just some voices from faraway laughing at me asking if I have ever helped anyone!? Not only asking but want to know and want my answer that I have never helped anyone!     
That beat me down but it did not knocked me out. At the last moment I am calling Saint George from the wall: Georgia, you help me, if you know god!

Saint George, however, was mumbling something under his grey beard and as if he is saying how he does not talk to infidels to begin with.
Soon I realize that everything has gone away from me. Only darkness and emptiness in which I am helping myself,  but the voice is not leaving me alone. The miserable that I am, the voice is still asking for a list of all my flaws and merits so that he can summarize and draw a line.
I listen for some time with a look on my face hoping for mercy, until I lost it all and swore at the voice just like Oliver swore at the piece of wood that scarred his back.
That is how I saved my soul, for I have always imagined myself like someone who is a little bit nuts.
Or is it just a little bit!?…

Djenovici, Montenegro 2003.
(Biografy: Sande Dodevski,  1947., Kumanovo off Macedonien)
                                                                                                

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Priyanka Banerjee exposes the harsh realities of rape culture in India in her short film “Devi”

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Priyanka Banerjee is the writer and director of the award winning film “Devi”. Devi as a film explores ideas related to rape culture in India. The entire short film is shot inside a theatre style single room. All the women in the film are sitting together in a room after their death and discussing how crowded the room is getting. The plot soon reveals that all these women have been raped.

The climax of the film catches all viewers off-guard and exposes them to the harsh realities of today’s India.

Tell us more about your journey as a director and writer

I have no formal education in writing and direction. I took theatre arts in school and got a little experience there and then started a theatre company, Leogirl Productions (today it does content and video for clients). Along the way, I taught myself screenwriting from online courses. Many people believe that films are very technical. However, I think that if you are curious enough, you can learn it on the job. My first short film was released in 2016. I did not then imagine that I would work on a film which will win the filmfare. The idea for Devi came along in 2018 and it took a while to work on the idea and bring it to the screen.

What inspires you to make films?

Movies are very relatable. I end up thinking of movies most often when I am having a moment – good or bad. I think of movie scenes which relate to how I am feeling all the time. I think movies are capable of leaving a deep impression on people and creating an impact. I want to create an impact on people via my storytelling and make films which people will remember.

What inspired you to write and direct Devi?

My very first draft was actually called candlelight. However, once the film was ready, our producer Niranjan Iyengar suggested we call it “Devi” and that immediately stuck.

When the Kathua Rape case happened a few years ago, I watched the news on television and felt numb. For the first time ever, I did not have a reaction to something that usually impacted me a lot. This scared me a little. Not having a reaction meant that rape news was normalised, I was desensitised. I wrote Devi with that frustration in mind.    

I am someone who takes time to write and work on films. I started working on Devi in 2018 however, it finally only released in March 2020.

Why was Royal Stag barrel select short films chosen as a platform to launch Devi?

The producers generally choose which platform a film should release on. Royal Stag Barrel Short Films has a great collection of films and I am happy that the film found the right platform for release.

What strikes you as the most impactful scene in “Devi”?

I was deeply impacted by two scenes in the film, even as I was writing them. One scene was when the maushi told the medical student,  “You are studying for an exam you are never going to give”. The second impactful scene is a more popular one. It was when the little girl walked into the room and the deaf girl signed and told her,  “You are safe here”. The scene implied that the girl was finally safer after her death than while alive. Both scenes impacted me as I was writing them, and I’m glad they were received the same way.

What can be done to change rape culture in India?

I think rape is not so much about sex as it is about power. Many Indians’ sexual desires are repressed, desires are considered taboo, not to mention there is a total lack of empowerment even when it comes to education or employment. Therefore, they find empowerment is hurting another. Not to mention the total lack of sensitivity when it comes to how women are spoken of by the media, by politicians, by influencers in everyday life. Each of these things causes a systemic rot which has to be cleaned out with every generation. Awareness of these various aspects of what can take us to the root of the problem, I think.

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Art Is a Mirror Of The Magnitude Of Human Achievement

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Dr. Sofija Bajrektarevic, Culture for peace to culture of peace(left); Reine Hirano, Artist (right)

The ‘From Culture for Peace to Culture of Peace’ (known also as the Culture for Peace – Unifying Potentials for the Future) Initiative was once again participating in the ‘Vienna Processes’ conference series program by wishing to emphasize the importance of cultural diplomacy in the processes of creating and maintaining dialogue and the well-being of society.

On the historic date of March 08th – International Women’s Day, a large number of international affairs specialists gathered for the second consecutive summit in Vienna, Austria. This leg of the Vienna Process event titled: “Europe – Future – Neighbourhood at 75: Disruptions Recalibration Continuity”. The conference, jointly organized by four different entities (the International Institute for Middle East and Balkan Studies IFIMES, Media Platform Modern Diplomacy, Scientific Journal European Perspectives, and Action Platform Culture for Peace) with the support of the Diplomatic Academy of Vienna, was aimed at discussing the future of Europe and its neighbourhood in the wake of its old and new challenges.

This highly anticipated conference gathered over twenty high ranking speakers from three continents, and the viewers from Australia to Canada and from Chile to Far East. The day was filled by three panels focusing on the rethinking and revisiting Europe and its three equally important neighbourhoods: Euro-Med, Eastern and trans-Atlantic (or as the Romano Prodi’s EU Commission coined it back in 2000s – “from Morocco to Russia – everything but the institutions”); the socio-political and economic greening; as well as the legacy of WWII, Nuremberg Trials and Code, the European Human Rights Charter and their relevance in the 21st century.

The event was probably the largest gathering since the beginning of 2021 for this part of Europe.

For this occasion, the selected work of artist Alem Korkut is on the Conference poster.This artist work with the motto/message: ‘Sustainable Future – Quo Vadis?’ is a standing part of the Initiative project. This previously launched initiative refers to the visual arts and the engagement of artists in the field of ‘culture for peace and culture of peace’.

“Europe Future Neighborhood” Conference poster

In addition to the artistic visualization of the theme and message of the conference (same as it was a case with the first conference in the series ‘Vienna Process’), this Conference leg was closed in the big hall of the Austrian Diplomatic Academy with a well-chosen artistic musical performance.

This time, conference participants and attendees were able to listen to the selected parts of Suite No. 1 in G major for solo cello from J.S. Bach, performed by Japanese artist Reine Hirano.As a solo and chamber musician she performs in concert halls worldwide, including the Konzerthaus in Vienna and the Suntory Hallin Tokyo.

It was to emphasize the importance of culture, science and arts as essential binding and effective tool of cultural diplomacy. Utilized to support dialogue, these types of interventions of the Culture for PeaceUnifying Potentials for the Future Platform already became a regular accompanying part of the ‘Vienna Process’, which makes it special – quite different from the usual conference forms of geopolitical, legal and economic contents.

Conclusively, art – indeed – is a mirror of the magnitude of human achievement, but also a message of how fragile those achievements are.

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Useful Personal Statement Writing Tips for Art School

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A personal statement is useful for admission into any college. It gives details about yourself in your own words. College administrators look for the talent you will bring to the college and other special abilities you may have. 

Apart from the talent, you explain your reasons why you want to join the college. Arts college requires a more detailed personal statement. The student should cite some of their unique achievements and areas they have participated in during their high school education. 

Introduce yourself

In the introduction, you should give a brief answer to the question about who you are. At this level, state what you are interested in achieving/study in your course. In other words, state why you want to study in the specific discipline. 

In the introduction, you should give the reader an overview of the content they are about to read. It acts as an executive summary. The introduction should not exceed one chapter. 

Your personal statement describes who you are and can help you get a chance to join your preferred college. Many university students who have no experience in personal statement writing worry about the structure and content to include. 

Technology has provided solutions to educational needs and opportunities. You should use available resources to order your personal statement online. You may also order a personal statement by UK Writix. You can use the same site for other academic work as well, which includes thesis, essays, term papers and dissertations. 

Hannah Olinger/Unsplash

Give more detailed information in the body

The body should contain all the details about yourself and the course you are taking. Explain in detail the reason that makes you believe you qualify to study in the field. You should explain in detail any supporting evidence you have. 

It can be in terms of the skills you might have gained from another institution or an expert. Include any work of art that you have produced. If it’s a drawing, cite it in the statement, and if possible, take a photo of the drawing or painting and attach it as evidence. 

State in detail why you want to study in that college. You may cite testimonials from some former or current students. It can be good reports that you have received from other people concerning the college. From the testimonials, state what expected benefits you will get from the college. 

In the next paragraph, write about your future career goals. This part should include what you anticipate becoming in the arts industry. If you want to become a designer, state the gap you will fill and the kind of change you expect to stir in the field. 

State how studying in college will help you become who you want to become. Go on and cite the subjects you have previously studied and their relevance with your course. If there are any experiences you have had with the course you want to study, list them as evidence. 

If you have any relevant experience in the field, list it down. If you don’t have any experience, you may list transferable skills like teamwork, management, and organizational skills. Include your hobbies and any other extra talent you might have, like sports. 

Christin Hume/Unsplash

Conclude with a few sentences

The conclusion should confirm or reiterate the theme in your statement. It must convince the reader that you understand clearly what you desire to achieve. It would be a good gesture to thank the reader and show that you are positive about getting the chance to join the college soon. 

Some do’s and dont’s of personal statement writing

Capitalize on your strengths – The purpose of the personal statement is to convince the reader that you are the right candidate to join the college. Your strengths will help give weight to the statement.

Use simple language – The administrators will be looking for your creativity and how you can follow structure. Use simple words and sentences. 

Include every detail – Keep in mind every question that you need to answer and give correct answers.

Use one statement for each college – Do not replicate the same statement to different colleges. Instead, write a separate statement for each. 

Avoid general phrases – Avoid general phrases like I like singing, I love painting and so on. Instead, give reasons why you like or love music or painting. 

Conclusion

A majority of students who join arts college have special talents in various arts fields. College administrators are usually keen to discover the special talents of their expected students. That’s one of the reasons why you should include every detail about yourself, your talents, and your achievements. Your statement should tell the truth about yourself and you must never exaggerate your skills or lie about who you are. 

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