Kovach Imre* and Murray Hunter
For most people, the art world is an area of sophistication, finesse, and creativity, which takes a high moral ground in today's society. It s acknowledged that art is one of the highest social achievements of people within society, placing the discipline of art on a cultural plane that is viewed as being pure and uncorrupted.
So all I see is young artists and they ask me how they can publish their work, how they can become better writers? It has nothing to do with becoming better at it. They are already there. You have to be committed to your craft. You have to take vows. There is a sacred contract between a writer and a book.
African writers’ stories have often been fragmented in Africa since Nelson Mandela was released from prison. They have often not been told, put into words, into a novel language and passed on to the next generation from word of mouth; their voices; thoughts, reflections have often been silent like a blanket of stars in the sky. In existence but with a voice that has been mute, still, shut out, withdrawn, shut in or shut up.
Television, films and churches formed a large part of the origins of my writing when I was younger. My childhood was not as bleak as some; I was happy, obedient, kind, patient, loved dogs, tennis and swimming; dancing wildly, joyfully in the sprinkler during summertime with my siblings and got sunburnt on holidays in Calitzdorp, Oudtshoorn, George, Wilderness and Carmel. My mother saw to my extra lessons; my father to my education and higher learning.